DVD & Blue Ray Archive for July, 2015

The DVD Wrapup: Unfriended, Water Diviner, Reckless, Life on the Reef, Lost Soul and more

Unfriended isn’t for the casual users of the Internet. The multi-image presentation, which is extremely sophisticated, requires far more work on the part of the viewer than the typical narrative feature. The more experience one has in the world of cyber-communication, the scarier Unfriended will be.

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The DVD Wrapup: What We Do In Shadows, Resnaisx2, Marfa Girl, and more

One needn’t have been a zealous fan of “Flight of the Conchords” and Eagle vs Shark, or even a vampire completist, to be drawn to What We Do in the Shadows. Those who are, however, probably will get a real kick out of this razor-sharp genre parody from New Zealand. The largely improvised mockumentary defies the odds by doing an end-run around the Scary Movie and Scream franchises and adding a supernatural spin to such bros-will-be-bros pictures as Swingers and Saturday Night Fever.

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The DVD Wrapup: Salt of the Earth, Ex Machina, It Follows, Goodbye to All That, Black Stallion and more

Alex Garland’s highly ambitious digital wet dream Ex Machina advances the sub-genre by setting it in an idyllic retreat, owned by a reclusive cyber-billionaire, and infusing his megalomaniacal vision with ideas inspired by Greek and Roman tragedies and mythology, the Old Testament, the Bhagavad Gita, Ludwig Wittgenstein, Steven Spielberg, Stanley Kubrick, Titian, Mary Shelly, crappy 1970s disco and Depeche Mode. Ex Machina is the kind of super-smart movie that should carry footnotes at the bottom of the screen.

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The DVD Wrapup: Woman in Gold, Clouds of Sils Maria, Human Capital, House of Cards and more

I wonder if Meryl Streep gets depressed when she isn’t nominated for an Academy Award as Best Actress or Best Supporting Actress. Maybe she feels relieved, knowing that she can avoid the annual crush of parties, press conferences and all of the ass kissing that comes with each and every nomination. Maybe, someday, Streep will be allowed the privilege of being chosen alongside one or both of her acting daughters, Grace and Mamie Gummer, or simply cheer them on from the sidelines. Streep doesn’t appear in Clouds of Sils Maria, Olivier Assayas’ brilliant drama about actors and acting. If any actress deserves to be mentioned in the same breath as Streep, it’s Juliet Binoche, who not only stars in Clouds of Sils Maria, but also delivers one of the great performances of her career.

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The DVD Wrapup: Danny Collins, Get Hard, Decline of Western Civilization, Downtown 81 and more

There are moments in Dan Fogelman’s wildly uneven rock-‘n’-roll fantasy, Danny Collins, that suggest the writer-director was raised on classic-rock radio and his titular protagonist (Al Pacino) was modeled less after Bruce Springsteen, Bob Seger or Rod Steward, than Neil Diamond, Billy Joel or a post-Wings Paul McCartney. That much is clear when Collins arrives on stage for the first time, looking as if he might rip into “Born in the U.S.A.,” “Katmandu” or “Maggie May,” but, instead, delivers what amounts to Diamond’s between-innings anthem, “Sweet Caroline.” It sounds out of place when sung by a wrung-out, blurry-eyed geezer, whose “Elvis scarves” are older than everyone in his band. Collins has been so strung out for so long that he hasn’t written a new song in 30 years and can’t readily recall the details of two of his marriages.

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DVD & Blue Ray

https://bestwatches.club/ on: The DVD Wrapup: Diamonds of the Night, School of Life, Red Room, Witch/Hagazussa, Tito & the Birds, Keoma, Andre’s Gospel, Noir

Gary Dretzka on: The DVD Wrapup: Sleep With Anger, Ralph Wrecks Internet, Liz & Blue Bird, Hannah Grace, Unseen, Jupiter's Moon, Legally Blonde, Willard, Bang … More

Gary Dretzka on: The DVD Wrapup: Bumblebee, Ginsburg, Buster, Silent Voice, Nazi Junkies, Prisoner, Golden Vampires, Highway Rat, Terra Formars, No Alternative … More

GDA on: The DVD Wrapup: Bumblebee, Ginsburg, Buster, Silent Voice, Nazi Junkies, Prisoner, Golden Vampires, Highway Rat, Terra Formars, No Alternative … More

Larry K on: The DVD Wrapup: Sleep With Anger, Ralph Wrecks Internet, Liz & Blue Bird, Hannah Grace, Unseen, Jupiter's Moon, Legally Blonde, Willard, Bang … More

Gary Dretzka on: The DVD Wrapup: Shoplifters, Front Runner, Nobody’s Fool, Peppermint Soda, Haunted Hospital, Valentine, Possum, Mermaid, Guilty, Antonio Lopez, 4 Weddings … More

gwehan on: The DVD Wrapup: Shoplifters, Front Runner, Nobody’s Fool, Peppermint Soda, Haunted Hospital, Valentine, Possum, Mermaid, Guilty, Antonio Lopez, 4 Weddings … More

Gary J Dretzka on: The DVD Wrapup: Peppermint, Wild Boys, Un Traductor, Await Instructions, Lizzie, Coby, Afghan Love Story, Elizabeth Harvest, Brutal, Holiday Horror, Sound & Fury … More

Gary J Dretzka on: The DVD Wrapup & Gift Guide III: Venom 4K, The Super, Snowflake, Marie Curie, Gamechangers, Who We Are Now, 40 Guns, De Palma-De Niro,, Starman and more

aniban83 on: The DVD Wrapup & Gift Guide III: Venom 4K, The Super, Snowflake, Marie Curie, Gamechangers, Who We Are Now, 40 Guns, De Palma-De Niro,, Starman and more

Quote Unquotesee all »

“The important thing is: what makes the audience interested in it? Of course, I don’t take on any roles that don’t interest me, or where I can’t find anything for myself in it. But I don’t like talking about that. If you go into a restaurant and you have been served an exquisite meal, you don’t need to know how the chef felt, or when he chose the vegetables on the market. I always feel a little like I would pull the rug out from under myself if I were to I speak about the background of my work. My explanations would come into conflict with the reason a movie is made in the first place — for the experience of the audience — and that, I would not want.
~  Christoph Waltz

This is probably going to sound petty, but Martin Scorsese insisting that critics see his film in theaters even though it’s going straight to Netflix and then not screening it in most American cities was a watershed moment for me in this theatrical versus streaming debate.

I completely respect when a filmmaker insists that their movie is meant to be seen in the theater, but the thing is, you got to actually make it possible to see it in the theater. Some movies may be too small for that, and that’s totally OK.

When your movie is largely financed by a streaming service and is going to appear on that streaming service instantly, I don’t really see the point of pretending that it’s a theatrical film. It just seems like we are needlessly indulging some kind of personal fantasy.

I don’t think that making a feature film length production that is going to go straight to a video platform is some sort of “step down.“ I really don’t. Theatrical exhibition as we know it is dying off anyway, for a variety of reasons.

I should clarify myself because this thread is already being misconstrued — I’m talking about how the movie is screened in advance. If it’s going straight to Netflix, why the ritual of demanding people see it in the theater?

There used to be a category that everyone recognized called “TV movie” or “made for television movie” and even though a lot of filmmakers considered that déclassé, it seems to me that probably 90% of feature films fit that description now.

Atlantis has mostly sunk into the ocean, only a few tower spires remain above the waterline, and I’m increasingly at peace with that, because it seems to be what the industry and much of the audience wants. We live in an age of convenience and information control.

Only a very elite group of filmmakers is still allowed to make movies “for theaters“ and actually have them seen and judged that way on a wide scale. Even platform releasing seems to be somewhat endangered. It can’t be fought. It has to be accepted.

9. Addendum: I’ve been informed that it wasn’t Scorsese who requested that the Bob Dylan documentary only be screened for critics in theaters, but a Netflix representative indicated the opposite to me, so I just don’t know what to believe.

It’s actually OK if your film is not eligible for an Oscar — we have a thing called the Emmys. A lot of this anxiety is just a holdover from the days when television was considered culturally inferior to theatrical feature films. Everybody needs to just get over it.

In another 10 to 20 years they’re probably going to merge the Emmys in the Oscars into one program anyway, maybe they’ll call it the Contentys.