DVD & Blue Ray Archive for September, 2012

Pride’s Friday 5: Looper, Drunkboat, Woman In The Fifth, Damsels In Distress,The Samaritan

This was a Sunday afternoon a long time ago, sometime near the end of the twentieth century. In years of theatergoing in Chicago and other cities, I’d seen some grand coups de theatre, but this one, this one that shaped itself beyond the actors’ pace, made an indelible mark. Outside, a sunny afternoon on the second floor above the Victory Gardens theater; inside, a variation on Fritz Lang’s M. Somewhere in the middle of the brief, striking piece, the sound of whistling rose from the Clark Street sidewalk a floor below. The character of The Detective stood at an open window, listening to the whistling, holding the pose, holding the scene…

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The DVD Wrapup: Klown, Avengers, American Horror Story … More

Because Klown is the product of a country, Denmark, that isn’t afraid of portraying the sexual maturation process in an honest and occasionally comedic way, director Mikkel Norgaard can have his cake and reserve a large slice of it for viewers, too.

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Wilmington on DVDs: The Avengers

DVD PICK OF THE WEEK: NEW THE AVENGERS (Four Stars) U. S.: Joss Whedon, 2012 (Walt Disney Video)    (  “We need a plan of attack.” — Steve Rogers/Captain America “I have a plan: Attack!” — Tony Stark/Iron Man 1. Of Hulks and Iron Men and Smashes As you watch the mega-hit movie The Avengers…

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Wilmington on DVDs: Children of Paradise

  PICK OF THE WEEK: CLASSIC  CHILDREN OF PARADISE (“Les Enfants du Paradis“) (Four Stars) France: Marcel Carne, 1945 (Criterion Collection) OVERTURE There has never been a movie valentine to the art of the stage quite as intoxicating and as wonderful as the French film masterpiece Children of Paradise — director Marcel Carne and screenwriter Jacques Prevert’s…

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Wilmington on DVDs: The Babymakers; Bound; The Window

THE BABYMAKERS (Also Blu-ray) (One Star)  U.S.: Jay Chandrasekhar, 2012 (Millennium Entertainment) Devotees of jokes about masturbation, sterility, sperm bank burglaries and getting repeatedly kicked in the groin, will have struck the mother lode with the new comedy The Babymakers — a movie so coarse, crude and defiantly raunchy that it makes the Farrelly Brothers…

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The DVD Wrapup: Chico & Rita, Detachment, Cabin in Woods, End of Road … More

In the powerful ensemble drama, “Detachment,” director Tony Kaye and writer Carl Lund imagine what it might be like not only to teach in a school that, in and of itself, could constitute a level in Dante’s “Inferno,” but also how that experience might impact the teachers in their off-hours. As somber and dirge-like as “Detachment” often is, it demands that we not give up on our public schools and children who were born behind an 8-ball.

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Wilmington on DVDs: The Best Exotic Marigold Hotel; The Cabin in the Woods

    CO-PICKS OF THE WEEK: NEW THE BEST EXOTIC MARIGOLD HOTEL (Three Stars) U.K.: John Madden, 2012 (20th Century Fox) Some countries have massive oil deposits; some have huge veins of silver or gold. England is blessed with a large, constantly replenished reservoir of prime acting talent: probably more great (and good) stage and movie actors than…

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The DVD Wrapup: Goats, Where Do We Go Now?, My Trip to Al Qaeda, Loved Ones, Titanic 3D, Nympho Divers, AbFab, Spartacus … More

Goats: Blu-ray In the world of independent filmmaking, a very thin line separates dysfunctional families from those merely offbeat, quirky and unconventional. In “Goats,” director Christopher Neil and writer Mark Poirier straddle that razor-thin barrier for most of its 94 minutes, while also attempting to convince us that a child born into such a family…

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Wilmington on DVDs: Footnote

  PICK OF THE WEEK: NEW FOOTNOTE (Also Blu-ray) (Four Stars) Israel: Joseph Cedar, 2011 (Sony Pictures Home Entertainment)   One thing I know I will never do is read the Talmud (IA) cover to cover — even in an English translation, much less, God knows, in the original Hebrew. Yet such is the brilliance…

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Wilmington on DVDs: Snow White and the Huntsman; What to Expect When You’re Expecting; The Last of England; More

    SNOW WHITE AND THE HUNTSMAN (Two and a Half Stars) U.S.: Rupert Sanders, 2012 (Universal) Snow White and the Huntsman  has one of the clunkiest movie titles around, and a lot of the movie is worthy of it. A wildly expensive and lushly produced new look at the Grimm Brothers fairy tale “Snow-White and…

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The DVD Wrapup: Quick, My Sucky Teen Romance, High School, Touchback … More

Although the nearly-always hysterical characters in the Korean motorcycle thriller, Quick make Jerry Lewis seem withdrawn, they can be forgiven because someone has planted a bomb in their helmet and is threatening to blow them up.

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Wilmington on DVDs: Pirates! Band of Misfits

  PICK OF THE WEEK: NEW THE PIRATES! BAND OF MISFITS (Also in three-disc DVD/Blu-ray 3D Combo) (Three and a Half Stars) U. K.: Peter Lord, 2012 (Sony Pictures) Pirates! In real-life, most of them were probably scurvy gangs of sea-going psychopaths, but in the irresistible world of Aardman Animations, they’re cute and funny and…

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Wilmington on DVDs: The Five Year Engagement; High School; Child’s Play (1972)

THE FIVE-YEAR ENGAGEMENT (Also Blu-ray) (Three Stars) U.S.: Nicholas Stoller, 2012 (Universal) The Five-Year Engagement, latest from the Judd Apatow bunch, is a romantic comedy that would probably be annoyed if you called it a rom-com. Directed and co-written by Nicholas Stoller (who made the very entertaining buddy road comedy Get Him to the Greek), it’s…

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Wilmington on Movies: For a Good Time, Call…

Lauren and Katie start off as reunited old enemies who fell out early in early college years over a bad Farrellyesque joke involving a urine sample, and who are bought together now by their mutual friend Jesse the gay comic.

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DVD & Blue Ray

https://bestwatches.club/ on: The DVD Wrapup: Diamonds of the Night, School of Life, Red Room, Witch/Hagazussa, Tito & the Birds, Keoma, Andre’s Gospel, Noir

Gary Dretzka on: The DVD Wrapup: Sleep With Anger, Ralph Wrecks Internet, Liz & Blue Bird, Hannah Grace, Unseen, Jupiter's Moon, Legally Blonde, Willard, Bang … More

Gary Dretzka on: The DVD Wrapup: Bumblebee, Ginsburg, Buster, Silent Voice, Nazi Junkies, Prisoner, Golden Vampires, Highway Rat, Terra Formars, No Alternative … More

GDA on: The DVD Wrapup: Bumblebee, Ginsburg, Buster, Silent Voice, Nazi Junkies, Prisoner, Golden Vampires, Highway Rat, Terra Formars, No Alternative … More

Larry K on: The DVD Wrapup: Sleep With Anger, Ralph Wrecks Internet, Liz & Blue Bird, Hannah Grace, Unseen, Jupiter's Moon, Legally Blonde, Willard, Bang … More

Gary Dretzka on: The DVD Wrapup: Shoplifters, Front Runner, Nobody’s Fool, Peppermint Soda, Haunted Hospital, Valentine, Possum, Mermaid, Guilty, Antonio Lopez, 4 Weddings … More

gwehan on: The DVD Wrapup: Shoplifters, Front Runner, Nobody’s Fool, Peppermint Soda, Haunted Hospital, Valentine, Possum, Mermaid, Guilty, Antonio Lopez, 4 Weddings … More

Gary J Dretzka on: The DVD Wrapup: Peppermint, Wild Boys, Un Traductor, Await Instructions, Lizzie, Coby, Afghan Love Story, Elizabeth Harvest, Brutal, Holiday Horror, Sound & Fury … More

Gary J Dretzka on: The DVD Wrapup & Gift Guide III: Venom 4K, The Super, Snowflake, Marie Curie, Gamechangers, Who We Are Now, 40 Guns, De Palma-De Niro,, Starman and more

aniban83 on: The DVD Wrapup & Gift Guide III: Venom 4K, The Super, Snowflake, Marie Curie, Gamechangers, Who We Are Now, 40 Guns, De Palma-De Niro,, Starman and more

Quote Unquotesee all »

“The important thing is: what makes the audience interested in it? Of course, I don’t take on any roles that don’t interest me, or where I can’t find anything for myself in it. But I don’t like talking about that. If you go into a restaurant and you have been served an exquisite meal, you don’t need to know how the chef felt, or when he chose the vegetables on the market. I always feel a little like I would pull the rug out from under myself if I were to I speak about the background of my work. My explanations would come into conflict with the reason a movie is made in the first place — for the experience of the audience — and that, I would not want.
~  Christoph Waltz

This is probably going to sound petty, but Martin Scorsese insisting that critics see his film in theaters even though it’s going straight to Netflix and then not screening it in most American cities was a watershed moment for me in this theatrical versus streaming debate.

I completely respect when a filmmaker insists that their movie is meant to be seen in the theater, but the thing is, you got to actually make it possible to see it in the theater. Some movies may be too small for that, and that’s totally OK.

When your movie is largely financed by a streaming service and is going to appear on that streaming service instantly, I don’t really see the point of pretending that it’s a theatrical film. It just seems like we are needlessly indulging some kind of personal fantasy.

I don’t think that making a feature film length production that is going to go straight to a video platform is some sort of “step down.“ I really don’t. Theatrical exhibition as we know it is dying off anyway, for a variety of reasons.

I should clarify myself because this thread is already being misconstrued — I’m talking about how the movie is screened in advance. If it’s going straight to Netflix, why the ritual of demanding people see it in the theater?

There used to be a category that everyone recognized called “TV movie” or “made for television movie” and even though a lot of filmmakers considered that déclassé, it seems to me that probably 90% of feature films fit that description now.

Atlantis has mostly sunk into the ocean, only a few tower spires remain above the waterline, and I’m increasingly at peace with that, because it seems to be what the industry and much of the audience wants. We live in an age of convenience and information control.

Only a very elite group of filmmakers is still allowed to make movies “for theaters“ and actually have them seen and judged that way on a wide scale. Even platform releasing seems to be somewhat endangered. It can’t be fought. It has to be accepted.

9. Addendum: I’ve been informed that it wasn’t Scorsese who requested that the Bob Dylan documentary only be screened for critics in theaters, but a Netflix representative indicated the opposite to me, so I just don’t know what to believe.

It’s actually OK if your film is not eligible for an Oscar — we have a thing called the Emmys. A lot of this anxiety is just a holdover from the days when television was considered culturally inferior to theatrical feature films. Everybody needs to just get over it.

In another 10 to 20 years they’re probably going to merge the Emmys in the Oscars into one program anyway, maybe they’ll call it the Contentys.