DVD & Blue Ray Archive for July, 2012

Wilmington on DVDs: Brooklyn’s Finest/Stone; Babes in Toyland (March of the Wooden Soldiers); The Saphead

    BROOKLYN’S FINEST/STONE (Three Stars) U.S.: Antoine Fucqua/John Curran 2010 (Starz/Anchor Bay) Two-Pack Contains: BROOKLYN’S FINEST (U.S.; Antoine Fucqua, 2010.  (Three Stars) Brooklyn’s Finest, the new cop thriller from director Antoine Fucqua (Training Day), is a neo-noir with lots of punch and  swagger. Swooping along through mean streets and dingy hallways, propelled by Fucqua’s gaudy repertoire of crane and tracking shots, it‘s…

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Wilmington on DVDs: The Last Days of Disco

Whit Stillman‘s best film — a portrayal of the latter days of the New York Disco scene, and of a club that looks suspiciously like Studio 54 — is a movie that manages to let us enjoy the sensuality and fun of the era, and a lot of the then-trashed but still danceable disco music, and at the same time, see why it fell and why it prompted outraged middle or working class rockers to insist “Disco sucks.”

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The DVD Wrapup: Three Stooges, Margaret, Metropolitan, Institute Benjamenta, Footnote… More

Typically, movies with a gestation period of more than five years bear the fingerprints of far too many studio meddlers and investors hoping to return a dime on the dollars they put into the project. Some have been edited and re-edited to the point where they’re unrecognizable from the concept originally green-lit and are disowned by their parents. By the time they’re accorded a limited release, more lawyers have seen the movie than critics. “Margaret” has just such a backstory.

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Wilmington on DVDs: La Haine

La Haine (or Hate) is the legendary 1995 feature debut of the young French actor turned writer-director Mathieu Kassovitz (in his 20s when it was released, as were his three leads), who based his story on the chaos and death of real shootings, and real riots, and real deaths in the early ‘90s, which he witnessed. It is a remarkable movie, with a hypnotic grip. It burns itself into your memory.

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The DVD Wrapup: Friends With Kids, Singin’ in the Rain, Here, Salmon Fishing, 4:44, Johnny Carson, Julia Child, InBetweeners … More

Shot almost exclusively in rural Armenia, “Here” is the kind of movie whose scenery almost overpowers the story, whose existential conceits are extremely fragile.

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Wilmington on DVDs: Casa de mi Padre

  CASA DE MI PADRE (Two Stars)  U.S.-Mexico; Matt Piedmont, 2012 (Lions Gate) In Casa de mi Padre, Will Ferrell and some friends from Mexico, including those two talented fugitives from Y ti mama tambien, Diego Luna and Gael Garcia Bernal,  make fun of bad Mexican movies —  especially lurid telenovela serials about obsessive romance and…

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Wilmington on DVDs: The Organizer (I Compagni)

The Italian title of The Organizer, I Compagni, means “The Comrades,” and Monicelli was in fact a lifelong socialist deeply committed to the Italian labor union movement, and if that seems strange — given the comical ways he portrays both Professor Sinigaglia and his great strike, we should recognize that it’s Monicelli’s blend of comedy and tragedy, realism and wit that’s responsible for this film’s remarkable depth and the complex emotions it arouses, the way it generates poignancy and humor and many shadings in between.

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Wilmington on DVDs: Silent House

SILENT HOUSE (Also Blu-ray) (Two Discs) (Two and a Half Stars) U.S.: Chris Kentis & Laura Lau, 2011 (Universal)  Thrillers thrill us because they make us believe them — even if we probably shouldn’t. I didn’t really believe most of Silent House, even though there were reasons I wanted to. It’s a contemporary variation on…

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The DVD Wrapup: Twins of Evil, Black Limousine, Kassim, Quill, Making Plans for Lena, Cherry Bomb, Chariots of Fire … More

The gimmick attraction was the casting of identical Maltese twins, Mary and Madeleine Collinson, as the vampire-bait siblings, Maria and Frieda. Having recently posed for the centerfold pictorial of Playboy magazine and being cast in a short stag film, they were pretty marketable. After 40 years, however, “Twins of Evil” can stand on its own merits… not that Collinsons don’t retain their allure.

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DVD Geek: The Artist

The black-and-white image is crisp and captivating. The quality of the BD presentation enhances, among other things, the film’s fabulous production design, so that the locations—such as the Bradbury Building stairwell, evocative of a Jerry Lewis production design, which shows Dujardin’s character on the way down meeting Bejo’s character on the way up, as extras breeze past them and around them in a mysteriously perfect rhythm—and costumes pelt the viewer continually with refreshing stimulation.

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Wilmington on DVDs: Carol Channing — Larger Than Life

I never saw Carol Channing perform live, but the new documentary Carol Channing: Larger Than Life convinced me I missed something very, very special — a great talent and a great lady and a great good time.

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The DVD Wrapup: American Dream, Joe + Belle, Barbarella, Chesty Morgan, Kirk Douglas … More

If there’s anything that brings out the high-school sophomore in adult men, it’s a bust that measures 73 FF. That vital statistic, alone, made Chesty Morgan (a.k.a., Lillian Wilczkowsky) a name recognized in frat, fire and grind houses throughout North America from 1972 to 1991. And, yes, her breasts were – and continue to be, at 75 – 100 percent real.

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Wilmington on DVDs: American Reunion

  AMERICAN REUNION (Two and a Half Stars) U. S.: Jon Hurwitz, Hayden Schlossberg, 2012 (Universal)  American Reunion is indubitably the best of all the American Pie series sequels. Don’t think I don‘t know how much that last judgment is a case of damning with faint praise, or praising with faint damns, or whatever. But what…

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Wilmington on Movies: Magic Mike

The Kid’s star rises. Things get darker. There’s a lot of sex and nudity, including an orgy with a pig wandering around. (You suspect something like this once happened somewhere.)

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DVD & Blue Ray

Roy Atkinson on: DVD Wrapup: Commuter, Oscar, A Taxi Driver, Humor Me, Prince, Doris Day, Shakespeare Wallah, Pomegranates and more

gary j dretzka on: The DVD Wrapup: Ballad of Lefty Brown, Wonder, Blades, Seijun Suzuki, Fellini, Hellraiser, Paradise and more

Yvan Prime on: The DVD Wrapup: Ballad of Lefty Brown, Wonder, Blades, Seijun Suzuki, Fellini, Hellraiser, Paradise and more

Antoine Ratliff on: The DVD Wrapup: Letter From An Unknown Woman, Despicable Me 3, Crucifixion, Maurizio Cattelan, A New Leaf, Silent Night and more

Fernando on: The DVD Wrapup: King George, Cars 3, Overdrive, Afterimage, Glass Castle, Whisky Galore, The Journey, Into the Night, Sissi, Stay Hungry and more

Woody on: The DVD Wrapup: ET, Vietnam, Big Sick, Glory, Certain Women, The Hero, Hana-Bi, By the Time It Gets Dark, The Prison, The Flesh, Moderns … More

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Richard on: DVD Geek: Batman v Superman: The Dawn of Justice Ultimate

Ray Pride on: The DVD Wrapup: Founder, Punching Henry, Paris 05:59, Apocalypse Child, Donnie Darko, Woman of the Year, Tampopo, Handmaid’s Tale and more

RAY WEIKEL on: The DVD Wrapup: Founder, Punching Henry, Paris 05:59, Apocalypse Child, Donnie Darko, Woman of the Year, Tampopo, Handmaid’s Tale and more

Quote Unquotesee all »

“Ten years ago at Telluride, I said on a panel that theatrical distribution was dying. It seemed obvious to me. I was surprised how many in the audience violently objected: ‘People will always want to go to the movies!’ That’s true, but it’s also true that theatrical cinema as we once knew it has died. Theatrical cinema is now Event Cinema, just as theatrical plays and musical performances are Events. No one just goes to a movie. It’s a planned occasion. Four types of Event Cinema remain.
1. Spectacle (IMAX-style blockbusters)
2. Family (cartoon like features)
3. Horror (teen-driven), and
4. Film Club (formerly arthouse but now anything serious).

There are isolated pockets like black cinema, romcom, girl’s-night-out, seniors, teen gross-outs, but it’s primarily those four. Everything else is TV. Now I have to go back to episode five of ‘Looming Tower.'”
~ Paul Schrader

“Because of my relative candor on Twitter regarding why I quit my day job, my DMs have overflowed with similar stories from colleagues around the globe. These peeks behind the curtains of film festivals, venues, distributors and funding bodies weren’t pretty. Certain dismal patterns recurred (and resonated): Boards who don’t engage with or even understand their organization’s artistic mission and are insensitive to the diverse neighborhood in which their organization’s venue is located; incompetent founders and/or presidents who create only obstacles, never solutions; unduly empowered, Trumpian bean counters who chip away at the taste and experiences that make organizations’ cultural offerings special; expensive PR teams that don’t bring to the table a bare-minimum familiarity with the rich subcultural art form they’re half-heartedly peddling as “product”; nonprofit arts organizations for whom art now ranks as a distant-second goal behind profit.”
~ Eric Allen Hatch