DVD & Blue Ray Archive for June, 2012

Wilmington on Movies: The Graduate

Sometimes a movie comes at exactly the right time. Like The Graduate — director Mike Nichols’ and screenwriters Buck Henry’s and Calder Willingham’s marvelously edgy and arousing romantic comedy about plastics and family affairs and life in California, with one of those heroes, or anti-heroes, who strike a chord: young, nervous, recent college graduate, Benjamin Braddock (Dustin Hoffman), who’s a little worried about his future and also torn between his clandestine affair with a married lover, Mrs. Robinson (Anne Bancroft) and his seemingly genuine open-air love for her beautiful college-age daughter, Elaine (Katharine Ross).

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Wilmington on Movies: Ted

Listen, I’m like almost everybody else. If you make me laugh, I’ll forgive you. I’ll forgive almost anything. In fact, I feel here like the priest with the Mafia guy on the other side of the screen. There’s a lot to forgive and expiate: a lot of Hail Marys here. But what the hell. It made me laugh. I forgive it. Bring it in, yuh bastid. Where’s the brewskis?

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Wilmington on DVDs: The 39 Steps

CO-PICK OF THE WEEK: CLASSIC THE 39 STEPS (Also Blu-ray) (Four Stars) U.K.: Alfred Hitchcock, 1935 (Criterion Collection)  Back in 1985, I wrote these liner notes for one of the earliest Criterion Collection releases: a videotape, in a silver-colored box, of Alfred Hitchcock’s love-on-the-run spy-story masterpiece, The 39 Steps. (The original is still on their website.)…

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Wilmington on DVDs: 21 Jump Street; Spider-Man; Spider-Man 2; Spider-Man 3; Erin Brockovich; Sister Act; Sister Act 2: Back in the Habit

The first two Spider-Man movies were such smash critical hits (Spider-Man 2, co-scripted by Alvin Sargent, has been hailed as the acme of the whole genre, until The Avengers), that an inevitable backlash plagued the vulnerable and tearful Spider-Man 3. (Seen by itself, most critics would have probably liked it fine – just as the public liked all three). But some smasheroos deserve their popularity and this is one (excuse me, these are three) of them.

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Wilmington on DVDs: Deliverance

   CO-PICK OF THE WEEK: CLASSIC DELIVERANCE (40th Anniversary collector’s edition) Four Stars U.S.; John Boorman, 1972 (Warner Bros.) Four Southern businessmen, searching for the joys of youth, join together for a Georgia canoe trip on the beautiful but often dangerously turbulent Cahulawassee River. Soon however, after a violent confrontation with two evil backwoodsmen, they find themselves…

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Wilmington on DVDs: The Artist

It’s a cinematic feast in the style of the old time silent movies that flourished from the time of film‘s invention in 1895 — or at least since Georges Méliès started telling stories with them before the turn of the century — until 1927, when Al Jolson and The Jazz Singer made the screen speak and croon and told us we ain’t heard nothing yet and, unmaliciously of course , drove a nail in the coffin of the old technology, while ushering in the new.

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The DVD Wrapup: Oranges & Sunshine, Bullhead, Spalding Gray, Deliverance … More

Michaël R. Roskam not only uses steroid smuggling as a device to advance the plot, but his protagonist is addicted to them physically and psychologically, as well.

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Wilmington on DVDs: And Everything Is Going Fine; Sex and Death to the Age of 14.

He’s dead now, and his friends suspect he threw himself off the Staten Island Ferry and drowned, took his life because he was suffering the pain from a bad traffic accident on a lonely road in Ireland that left him with a smashed skull and some brain damage, and, according to Nell Casey “an orbital fracture, a broken hip, and a permanent limp“ — unable to swim, unable to ski. Unable… So he jumped, maybe. Drowned, maybe. As the Manhahttan skyline approached or receded — maybe. Unless he was on the other side of the ferry. We don’t know because he isn’t around to tell the story.

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The DVD Wrapup: Jeff at Home Project X, The FP, Nine Muses … More

A decade ago, Mark and Jay Duplass helped create a niche in the indie world commonly referred to as “mumblecore.” Generally speaking, these are low-budget, largely improvised productions, populated by characters that would be considered unexceptional and treated as invisible, unless, perhaps, they lived in the apartment next door, occupied a cubicle beside you at work or dated one of your kids. This isn’t to imply these people lead meaningless lives; only that almost everything they do falls under the loose heading of “normal.” If there’s been a hipster cachet attached to mumblecore titles, it’s because what’s considered commonplace by most mainstream standards can be revelatory when observed by viewers in similar circumstances and when photographed in credibly natural fashion.

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Wilimington on Movies: Peace, Love, & Misunderstanding

Jane Fonda plays Grandma Grace, whom you might describe as the permanent ambassador from Woodstock Nation. A devotee of sex, drugs and rock n’roll — as well as peace, love and understanding — and a still sexually adventurous old gal who claims she was once in a threesome with Leonard Cohen, Grace lives in Woodstock in a combination pot farm and upscale painters studio that looks as if it were designed by somebody rich and famous for somebody like Jane Fonda.

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Wilmington on Movies: That’s My Boy

Say one thing for Adam Sandler: He isn’t afraid of looking like an idiot on screen. Or a boor. Or a horny dude. Or a comedian who doesn’t give a damn what the the critics think of him. In Sandler’s outrageously uninhibited, defiantly obnoxious but good-natured new movie, That’s My Boy, he plays, to the hilt, Donny Berger, an outrageously uninhibited, defiantly obnoxious, good-natured guy who became famous in the ’80s — or had fame thrust upon him, as his classmates colorfully put it — when, as a lippy 13-year-old eighth-grader, he had an affair with his sexy junior high (or middle school) teacher, Mary McGarricle (Eva Amurri Martino), had a baby with her, and became a tabloid sensation.

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Wilmington on DVDs: La Terra Trema; Conversation Piece

La Terra Trema is an almost didactic and preachy leftist film, which often tells you how it feels. (Visconti, along with Antonio Pietrangeli, writes and speaks the narration himself.) But there‘s a majesty in the images of landscape and sea, and an unforced naturalism in the performances, by the actual villagers of Aci Trezza, that both pull you deeply into the human side of the story.

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The DVD Wrapup: In Darkness, Sherlock Holmes, Accident, Ghost Rider … More

Try to imagine a Hitchcockian thriller, as choreographed by Rube Goldberg, and you might have an idea what to expect from Pou-Soi Cheang’s perversely clever “Accident.” Set largely in the bustling streets of Hong Kong, the award-winning import describes how a tightly-knit gang plots elaborate hits on people targeted by a mastermind known as the Brain.

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Wilmington on DVDs. Sherlock Holmes: AGOS; Journey 2; Ghost Rider: SOV

Elementary…

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Wilmington on DVDs: In Darkness

The sewers of Lvov are small and inky black and steeped in an airless-looking gloom, cramped and comfortless, wet with sewage and slime. These sewers look like real sewers. They are true hellholes, and the people hiding there are a mismatched crowd of businessmen, operators, snobs, adulterers, ordinary people, families and even children, all escaping from the Lvov ghetto, crowded together on the walkways and pressed to the breaking point.

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Wilmington on DVDs.The Woodmans

One problem with being a great artist, or a hugely gifted artist, is that the temperament isn’t always easy to live with — especially for the artists themselves. Another problem: You have to depend on perceptive critics and audiences to earn your living or win recognition, and they aren’t always available.

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The DVD Wrapup: John Carter, Journey 2, Safe House, Hit So Hard, Hondo, Act of Valor, Desire, Falling Skies … More

This epic sci-fi adventure would have been much better served if it had been marketed as “Edger Rice Burroughs’ John Carter,” instead of simply, “Disney: John Carter.” It takes an ego the size of the Matterhorn to think audiences would feel better about seeing a movie as generically titled as “John Carter,” simply because of the Disney brand, instead of as the brainchild of one of the genre’s godfathers.

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Wilmington on DVDs: John Carter; Safe House; Act of Valor

With its cast of real-life Navy Seals playing characters based on themselves, in a script partly drawn from real life, in scenes that the Seals actors helped design and choreograph, Act of Valor should have been the last word in SEALS combat realism. And that’s something that you’d think American audiences would be ready for — especially in the aftermath of the inspiring real-life SEALS trackdown and termination of Osama Bin Laden.

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DVD Geek: The Rape of the Vampire

The greatest bad movie ever is Plan Nine from Outer Space, but coming in a close number two is Jean Rollin’s exquisitely ridiculous The Rape of the Vampire, which has been released on Blu-ray no less, by Kino Lorber Incorporated as a Redemption title. For one thing, it is in that hoity-toity language, French, which connoisseurs of badness embrace as the language of their superiors. For another thing, it has lots of topless women, which in itself is not a bad thing at all—just ask a nursing infant—but is really dopey when there is no particular narrative reason as to why the women should choose not to drape themselves respectably, particularly when there are a bunch of grunting, farmer-looking types, chasing after them with pitchforks.

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Wilmington on Movies: Snow White and the Huntsman

The production design (by Dominic Watkins) and the cinematography (by Greig Fraser) is impressive, but the story loses its polish and swing and a lot of its coherence when the narration stops and it turns into an over-produced ersatz classic.

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DVD & Blue Ray

Roy Atkinson on: DVD Wrapup: Commuter, Oscar, A Taxi Driver, Humor Me, Prince, Doris Day, Shakespeare Wallah, Pomegranates and more

gary j dretzka on: The DVD Wrapup: Ballad of Lefty Brown, Wonder, Blades, Seijun Suzuki, Fellini, Hellraiser, Paradise and more

Yvan Prime on: The DVD Wrapup: Ballad of Lefty Brown, Wonder, Blades, Seijun Suzuki, Fellini, Hellraiser, Paradise and more

Antoine Ratliff on: The DVD Wrapup: Letter From An Unknown Woman, Despicable Me 3, Crucifixion, Maurizio Cattelan, A New Leaf, Silent Night and more

Fernando on: The DVD Wrapup: King George, Cars 3, Overdrive, Afterimage, Glass Castle, Whisky Galore, The Journey, Into the Night, Sissi, Stay Hungry and more

Woody on: The DVD Wrapup: ET, Vietnam, Big Sick, Glory, Certain Women, The Hero, Hana-Bi, By the Time It Gets Dark, The Prison, The Flesh, Moderns … More

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Richard on: DVD Geek: Batman v Superman: The Dawn of Justice Ultimate

Ray Pride on: The DVD Wrapup: Founder, Punching Henry, Paris 05:59, Apocalypse Child, Donnie Darko, Woman of the Year, Tampopo, Handmaid’s Tale and more

RAY WEIKEL on: The DVD Wrapup: Founder, Punching Henry, Paris 05:59, Apocalypse Child, Donnie Darko, Woman of the Year, Tampopo, Handmaid’s Tale and more

Quote Unquotesee all »

“Because of my relative candor on Twitter regarding why I quit my day job, my DMs have overflowed with similar stories from colleagues around the globe. These peeks behind the curtains of film festivals, venues, distributors and funding bodies weren’t pretty. Certain dismal patterns recurred (and resonated): Boards who don’t engage with or even understand their organization’s artistic mission and are insensitive to the diverse neighborhood in which their organization’s venue is located; incompetent founders and/or presidents who create only obstacles, never solutions; unduly empowered, Trumpian bean counters who chip away at the taste and experiences that make organizations’ cultural offerings special; expensive PR teams that don’t bring to the table a bare-minimum familiarity with the rich subcultural art form they’re half-heartedly peddling as “product”; nonprofit arts organizations for whom art now ranks as a distant-second goal behind profit.”
~ Eric Allen Hatch

To me, Hunter S. Thompson was a hero. His early books were great, but in many ways, his life and career post–Fear and Loathing on the Campaign Trail is a cautionary tale for authors. People expected him to be high and drunk all the time and play that persona, and he stuck with that to the end, and I don’t think it was good for him. I always sort of feel mixed emotions when I hear that people went and hung out with Hunter and how great it was to get high with Hunter. The fact is the guy was having difficulty doing any sustained writing at all for years probably because so many quote, unquote, “friends” wanted to get high with him … There was a badly disappointed romantic there. I mean, that great line, “This is where the wave broke, the tide rolled back … ” This was a guy that was hurt and disappointed and very bitter about things, and it made his writing beautiful, and also with that came a lot of pain.
~ Anthony Bourdain