DVD & Blue Ray Archive for December, 2011

Wilmington on Movies: The Adventures of Tintin

    The Adventures of Tintin (Three Stars) U.S.: Steven Spielberg, 2011 The Adventures of Tintin — Steven Spielberg‘s second new film in release this season (the other was War Horse, and both of them came out last week) — shows us again to what extent he‘s still a kid at heart and maybe always will…

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Wilmington on DVDs. Co-Pick of the Week: Classic. Tokyo Drifter

   Tokyo Drifter (Three and a Half Stars) Japan: Seijun Suzuki, 1966 (Criterion Collection) Off the wall and over the edge from its first scene to its last, Tokyo Drifter is one of the outrageous crime melodramas and outlandish neo-noirs made in the ‘60s for Nikkatsu Studio by super-cult Japanese director Seijun Suzuki. It’s a classic…

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Wilmington on DVDs. The Rest: Final Destination 5; A Good Old-Fashioned Orgy

Final Destination 5 (Also Blu-ray/DVD/ 3D/ UV Combo) (Two Stars) U.S.: Steven Quale, 2011 (Warner Bros.) In Final Destination 5, as in the other Final Destinations, blood is the money shot. The actors, or their characters, are expendable (again), and a guy named Bludworth, or his boss Destiny, is breaking up that old gang of mine…

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Wilmington on DVDs. Co-Pick of the Week: New. Love Crime

  Love Crime (Three Stars) France: Alain Corneau, 2010 (MPI Home Video)   Movie murder mysteries can sometimes get too tricky and convoluted for their own good, and that’s pretty much what happens in Love Crime — a cool, nifty, well-constructed and very well-acted French film that would have been even better if it didn’t so hard to…

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Wilmington on DVDs. Co-Pick of the Week: New. Brighton Rock (Joffe); Brighton Rock (Boulting)

Brighton Rock 2010 (Three Stars) U.K.: Rowan Joffe, 2010 (IFC) Brighton Rock 1947 (Three and a Half Stars) U.K.: John Boulting, 1947 (Amazon Instant Video)     Some books and some cities were born to be filmed.  Some men were born to kill. Graham Greene’s novel Brighton Rock is an example of the former: one of the greatest…

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Wilmington on DVDs. Pick of the Week: Classics. A Christmas Carol

        A Christmas Carol (Blu-ray/DVD Combo) (Two Discs) (Four Stars) U.K.: Brian Desmond Hurst, 1951 (VCI Entertainment)   Almost everyone’s favorite nominee for best of all the many film adaptations of Charles Dickens‘ Yuletide evergreen A Christmas Carol, is this 1951 cinematic gem, sometimes called Scrooge, sometimes called A Christmas Carol, directed by the  underrated…

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Wilmington on DVDs. Pick of the Week: Box Set. Stieg Larsson’s Dragon Tattoo Trilogy (Millennium Trilogy)

Steig Larsson’s Dragon Tattoo Trilogy (A.K.A. “The Millennium Trilogy”) (Four Discs) (Three and a Half Stars) Also: Blu-ray, Extended Edition  Sweden: Niels Arden Oplev & Daniel Alfredson, 2009-2010 (Music Box) Noomi For all of you who want to catch up for the release this week of David Fincher’s American remake of Stieg Larsson’s  The Girl With the…

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Wilmington on DVDs. The Rest: Dolphin Tale, Warrior, Straw Dogs (Lurie), Colombiana

  Dolphin Tale (Blu-ray/DVD Combo with Digital Combo; also movie only) (Three Discs) (Three Stars) U.S.: Charles Martin Smith, 2011 (Warner Bros.) Winter, the dolphin star of Dolphin Tale — an inspirational if sometimes far-fetched animal movie surprisingly based on fact — is a truly inspirational figure in a sometimes inspirational and often entertaining movie. Caught and crippled in a…

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The DVD Wrapup: Margin Call, Dolphin Tale, Midnight in Paris, Glee, Warrior, Burke & Hare, Milestones, Old Fashioned Orgy, Bobby Fischer, Colin Quinn, Hunters, Todd-Margaret, Apollo 18 …

Margin Call Add “Margin Call” to the list of dramatizations and documentaries — “Too Big to Fail” and “Inside Job,” among them – that have attempted to make sense of the 2008 financial crisis and identify those executives who ignored the red flags waved in advance of the collapse. J.C. Chandor’s freshman project is distinguished…

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Wilmington on DVDs: Midnight in Paris (Four Stars)

Midnight in Paris (Also Blu-ray) (Four Stars) U.S.-France; Woody Allen, 2011 (Sony Pictures Home Entertainment) Midnight in Paris (Four Stars) U. S./France: Woody Allen, 2011   Midnight in Paris is a funny valentine to the City of Light, a sweet, jazzy fairy tale about the wonders of Parisian art and artist cliques in the ‘20s…

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The DVD Wrapup: Fright Night, Kung Fu Panda 2, Rise of Planet of the Apes, Daddy Longlegs, Meet Me in St. Louis, Branded to Kill, Circumstance …

Fright Night: Blu-ray I must not have been paying attention when the first “Fright Night” was released, way back in 1985, causing a stir among horror buffs looking for something a bit different than the usual teenagers-in-jeopardy stuff. Starring Roddy McDowell, Chris Sarandon, William Ragsdale and Amanda Bearse, Tom Holland’s thriller may have been produced…

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Wilmington on DVDs: The Rest. Kung Fu Panda 2; The Expendables; Buck

    Kung Fu Panda 2 (Blu-ray/DVD Combo) (Two or Three Discs) (Two and a Half Stars) U.S.: Jennifer Yuh Nelson, 2011 (DreamWorks Animated)  Kung Fu Panda 2 is a cute, likable movie, done with a lot of skill and A-level talent, and with all the visual virtuosity we expect by now from big-budget cartoon…

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Wilmington on DVDs. Pick of the Week: Classic, Blu-ray. West Side Story (Four Stars)

        PICK OF THE WEEK     West Side Story: 50th Anniversary Edition) (Blu-ray/DVD Combo) (Three Discs) (Four Stars) U.S.: Robert Wise & Jerome Robbins, 1961 (20th Century Fox/Metro-Goldwyn-Mayer)   “The Jets are in gear./Our cylinders are clickin‘./ The sharks’ll steer clear./‘Cause every Puerto Rican‘s/ A lousy chicken!” Leonard Bernstein and Stephen Sondheim…

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Wilmington on DVDs. Pick of the Week: New. The Rise of the Planet of the Apes (Three Stars)

 The Rise of the Planet of the Apes (Three Stars) U.S.: Rupert Wyatt, 2011 (20th Century Fox) 1. The Rise  Rise of the Planet of the Apes, latest chapter in an old franchise, shows us a story we too easily forget, or maybe one that we never really knew… …How it all began, how an imprisoned, persecuted and…

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The DVD Wrapup: Hangover II, The Help, Friends With Benefits, Cowboys & Aliens, Mr. Popper’s Penguins, Medea, Underbelly …

The Hangover: Part II: Blu-ray The pressure on producer/director/co-writer Todd Phillips to create an instant sequel to the 2009 blockbuster, “The Hangover,” must have so great that it blinded him to the fact that it generally takes more than a few minutes to write, re-write and re-write again a prized property. That movie was so…

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Wilmington on DVDs. The Rest: The Hangover, Part II; Cowboys and Aliens; Mr. Popper’s Penguins; Kuroneko; Behind the Mask

   The Hangover, Part II (Also Blu-ray/DVD/Digital Combo) (Three Discs) (Two Stars) U.S.: Todd Phillips, 2011 (Warner Bros.) I laughed at 2009’s big comedy hit, The Hangover — that tense and raunchy tale of three longtime buddies at a wedding who wake up after a night of incredible but totally forgotten debauchery and have to try…

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Wilmington on DVDs. Pick of the Week: Classic. The Lady Vanishes; Crooks’s Tour; Design for Living (Hecht-Lubitsch or Coward); If I Had a Million .

In The Lady Vanishes, his marvelous 1938 classic of mystery and intrigue set aboard a train full of English and international travellers racing though the Balkans, Alfred Hitchcock pushes the form of the romantic-comedy-thriller to near perfection. It’s one of the most purely entertaining movies he ever made, and it can be watched over and over again with no diminution of pleasure.

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Wilmington on DVDs. Pick of the Week: The Help. The Debt.

  “The Help” (Three Stars) U.S.: Tate Taylor, 2011 Like smooth Kentucky Bourbon or hot cornbread and jambalaya, or like Ray Charles’ great bluesy versions of “Georgia on my Mind” and “America the Beautiful,” The Help is old-fashioned, flavorsome stuff — old-fashioned in many good ways, and a few not-so-good ones. Set in Jackson, Mississippi…

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The DVD Wrapup: Our Idiot Brother, Cave of Forgotten Dreams, Radioactive Wolves, Another Earth, The Future, The Art of Getting By, Horror Express, Rules of the Game, Smallville …

Our Idiot Brother: Blu-ray It’s interesting how individual members of a family can be a close as peas in a pod or, in this case, as different from each other as snowflakes. For “Our Idiot Brother” to work, viewers must suspend their disbelief long enough to accept the possibility that a guileless flower child (Paul…

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DVD & Blue Ray

https://bestwatches.club/ on: The DVD Wrapup: Diamonds of the Night, School of Life, Red Room, Witch/Hagazussa, Tito & the Birds, Keoma, Andre’s Gospel, Noir

Gary Dretzka on: The DVD Wrapup: Sleep With Anger, Ralph Wrecks Internet, Liz & Blue Bird, Hannah Grace, Unseen, Jupiter's Moon, Legally Blonde, Willard, Bang … More

Gary Dretzka on: The DVD Wrapup: Bumblebee, Ginsburg, Buster, Silent Voice, Nazi Junkies, Prisoner, Golden Vampires, Highway Rat, Terra Formars, No Alternative … More

GDA on: The DVD Wrapup: Bumblebee, Ginsburg, Buster, Silent Voice, Nazi Junkies, Prisoner, Golden Vampires, Highway Rat, Terra Formars, No Alternative … More

Larry K on: The DVD Wrapup: Sleep With Anger, Ralph Wrecks Internet, Liz & Blue Bird, Hannah Grace, Unseen, Jupiter's Moon, Legally Blonde, Willard, Bang … More

Gary Dretzka on: The DVD Wrapup: Shoplifters, Front Runner, Nobody’s Fool, Peppermint Soda, Haunted Hospital, Valentine, Possum, Mermaid, Guilty, Antonio Lopez, 4 Weddings … More

gwehan on: The DVD Wrapup: Shoplifters, Front Runner, Nobody’s Fool, Peppermint Soda, Haunted Hospital, Valentine, Possum, Mermaid, Guilty, Antonio Lopez, 4 Weddings … More

Gary J Dretzka on: The DVD Wrapup: Peppermint, Wild Boys, Un Traductor, Await Instructions, Lizzie, Coby, Afghan Love Story, Elizabeth Harvest, Brutal, Holiday Horror, Sound & Fury … More

Gary J Dretzka on: The DVD Wrapup & Gift Guide III: Venom 4K, The Super, Snowflake, Marie Curie, Gamechangers, Who We Are Now, 40 Guns, De Palma-De Niro,, Starman and more

aniban83 on: The DVD Wrapup & Gift Guide III: Venom 4K, The Super, Snowflake, Marie Curie, Gamechangers, Who We Are Now, 40 Guns, De Palma-De Niro,, Starman and more

Quote Unquotesee all »

“The important thing is: what makes the audience interested in it? Of course, I don’t take on any roles that don’t interest me, or where I can’t find anything for myself in it. But I don’t like talking about that. If you go into a restaurant and you have been served an exquisite meal, you don’t need to know how the chef felt, or when he chose the vegetables on the market. I always feel a little like I would pull the rug out from under myself if I were to I speak about the background of my work. My explanations would come into conflict with the reason a movie is made in the first place — for the experience of the audience — and that, I would not want.
~  Christoph Waltz

This is probably going to sound petty, but Martin Scorsese insisting that critics see his film in theaters even though it’s going straight to Netflix and then not screening it in most American cities was a watershed moment for me in this theatrical versus streaming debate.

I completely respect when a filmmaker insists that their movie is meant to be seen in the theater, but the thing is, you got to actually make it possible to see it in the theater. Some movies may be too small for that, and that’s totally OK.

When your movie is largely financed by a streaming service and is going to appear on that streaming service instantly, I don’t really see the point of pretending that it’s a theatrical film. It just seems like we are needlessly indulging some kind of personal fantasy.

I don’t think that making a feature film length production that is going to go straight to a video platform is some sort of “step down.“ I really don’t. Theatrical exhibition as we know it is dying off anyway, for a variety of reasons.

I should clarify myself because this thread is already being misconstrued — I’m talking about how the movie is screened in advance. If it’s going straight to Netflix, why the ritual of demanding people see it in the theater?

There used to be a category that everyone recognized called “TV movie” or “made for television movie” and even though a lot of filmmakers considered that déclassé, it seems to me that probably 90% of feature films fit that description now.

Atlantis has mostly sunk into the ocean, only a few tower spires remain above the waterline, and I’m increasingly at peace with that, because it seems to be what the industry and much of the audience wants. We live in an age of convenience and information control.

Only a very elite group of filmmakers is still allowed to make movies “for theaters“ and actually have them seen and judged that way on a wide scale. Even platform releasing seems to be somewhat endangered. It can’t be fought. It has to be accepted.

9. Addendum: I’ve been informed that it wasn’t Scorsese who requested that the Bob Dylan documentary only be screened for critics in theaters, but a Netflix representative indicated the opposite to me, so I just don’t know what to believe.

It’s actually OK if your film is not eligible for an Oscar — we have a thing called the Emmys. A lot of this anxiety is just a holdover from the days when television was considered culturally inferior to theatrical feature films. Everybody needs to just get over it.

In another 10 to 20 years they’re probably going to merge the Emmys in the Oscars into one program anyway, maybe they’ll call it the Contentys.