DVD & Blue Ray Archive for September, 2011

Wilmington on DVDs. Pick of the Week: Classic, Blu-ray. Strike

     PICK OF THE WEEK: Classic/Blu-ray Strike (Stachka) (Four Stars) U.S.S.R./Russia: Sergei Eisenstein, 1925 (Kino Classics) 1. Eisenstein  In 1925, Sergei Eisenstein, a rich architect’s son who had become a passionate convert to Communism during the Russian Revolution and afterward a brilliant theatrical director with the Proletkult Theatre of Moscow, directed two silent films…

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The DVD Wrapup: Transformers, Angel of Evil, Dumbo, Viva Riva!, Phantom Carriage, The Stool Pigeon, Hung, Kojak …

Transformers: Dark of the Moon: Blu-ray The third installment in the “Transformers” franchise, “Dark of the Moon,” locates the decisive battle for the preservation of mankind in downtown Chicago. The Windy City residents have experienced seen more than their fair share of disasters since Mrs. O’Leary’s cow kicked over the lantern that triggered the Great…

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Wilmington on DVDs. The Rest: Transformers Dark of the Moon

Transformers: Dark of the Moon (Also Blu-ray) (Three Stars) U.S.: Michael Bay, 2010 Mindless, soulless, heartless, mechanical, and shamelessly mercenary as it might be, director Michael Bay’s Transformers: Dark of the Moon — the latest in the often obnoxious movie series, starring Shia LaBeouf and a lot of Hasbro toys — is still one of…

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Wilmington on DVDs. The Rest: Captain America: The First Avenger, Dziga and His Brothers, The Killer is Loose, The Song of Songs,This is the Night

“Captain America: The First Avenger” (Two Stars) U.S.: Joe Johnston, 2011 I don’t mean to be a grouch, but Captain America — stalwart crime and monster-buster of  the  new Marvel epic Captain America: The First Avenger — struck me as one of the duller superheroes I’ve seen recently. That’s despite one of the more amazing special effects…

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DVD Geek: Source Code

There is a romantic component to the story, naturally, and more than one life affirming, love affirming conclusion, leaving a viewer feeling both happy and satisfied, several times, after a stimulating and exciting ride. Jake Gyllenhaal stars, with Michelle Monaghan, Vera Farmiga, and Jeffrey Wright. In that the film also evokes aspects of Quantum Leap, there is a cleverly chosen cameo appearance by Scott Bakula.

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The DVD Wrapup: HitRECord, The Tempest, Bride Flight, Inspector General, The Caller, Breakfast at Tiffany’s, Claude Chabrol, Mike Hammer …

HitRECord Recollection, Volume 1 The entertainment industry has been trying to mine gold from the Internet for almost two decades now, desperately searching for ways to distribute movies, music and other formats safely and economically. Some have succeeded, while most others have simply failed or disappeared without a digital footprint left behind. The wiseguys say…

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Wilmington on DVDs. Pick of the Week: Classic/Box Set. The Complete Jean Vigo

  (Two Discs) (Four Stars) France: Jean Vigo, 1930-34 (Criterion Collection)   I. Jean Vigo, The Rebel  He died at 29: Jean Vigo, in many ways, the spirit of youth, of art, of cinematic rebellion, of France between the wars. He was the sacred enfant terrible and the laughing rebel and grand martyr of French…

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Wilmington on DVDs. Picks of the Week: New. Bridesmaids, Le Quattro Volte

  Bridesmaids (Three and a Half Stars) U.S.: Paul Feig, 2011 (Universal) Kristen Wiig is one funny lady, and Bridesmaids — in which she is both star and co-writer — is one funny movie.  That’s hardly news. “Bridesmaids” is one of the best reviewed, best liked Hollywood comedies of the year. By current consensus, it’s…

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Wilmington on Movies and DVD; Straw Dogs (Peckinpah and Lurie)

  Film: Straw Dogs (Two Stars) U. S.: Rod Lurie, 2011 DVD: Straw Dogs (Blu-ray) (Three and a half Stars) U.S.: Sam Peckinpah, 1971 (MGM) I. Bloody Sam Straw Dogs, Rod Lurie‘s remake of Sam Peckinpah’s 1971 classic — with Dustin Hoffman as a Vietnam era intellectual forced to face the beast in himself and…

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Wilmington on Movies: I Don’t Know How She Does It

    U.S.: Douglas McGrath, 2010 (Two Stars)   I Don’t Know How They Do It     Summary You think you’ve got problems? Let me tell you, you don’t know what “problems” mean until you’ve had a peep at the Perils of Parker in the movie I Don’t Know How She Does It, Sarah Jessica’s…

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Wilmington on Movies: Drive

  Drive (Three and a Half Stars) U.S.: Nicolas Winding Refn, 2011  Drive is an L. A. action movie that can really tighten your throat and twist your guts. Story-wise, it’s lean, mean and stripped to the bone, but it’s also drenched with visual style. Directed by Nicolas Winding-Refn, the flashy Dane of The “Pusher”…

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The DVD Wrapup: Thor, Citizen Kane, Just Peck, Meek’s Cutoff, Leading Ladies, Bill Cunningham New York, Spartacus …

Thor: Blu-ray 3D Marvel Knights: Thor & Loki Blood Brothers You know things are bad on Earth, when superheroes from other universes are stripped of their powers and sent here as punishment, instead of refuge and a “chance for life,” as was Superman. Albania, maybe, but not the good ol’ U.S. of A. That’s exactly…

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Wilmington on DVDs. Co-Picks of the Week: New. Meek’s Cutoff, Secret Sunshine

  Meek’s Cutoff (Three and a Half Stars) U.S.: Kelly Reichardt, 2011 Meek’s Cutoff, like the Coen Brothers’ True Grit, is an art film Western for a contemporary audience, and an unusually good one — made by a director and writer (Kelly Reichardt and Jonathan Raymond), who show a real feeling for what it must have been…

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Wilmington on DVDs. Pick of the Week: Blu-ray. O Brother, Where Art Thou?

  CO-PICK OF THE WEEK: BLU-RAY   O Brother,  Where Art Thou?  (Four Stars) U.S.: Joel and Ethan Coen, 2000 (Touchstone/Disney)      O Brother, Where Art Thou? — for whose title alone Joel and Ethan Coen deserve a medal — is an outrageously entertaining and inventive movie that still hasn’t gotten its due. The Coen…

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Digital Nation: ‘Rescue Me’ From Uninformed Punditry About Hollywood and 9/11 …

In the lead-up to 9/11/11, two unrelated events prompted me to add my thoughts to the national conversation about one of the most disturbing and unconscionable attacks on non-combatants in history. Like most Americans, I’ve been given no deeply personal cause to obsess over the attacks. Neither do I need repeated visual reminders of the…

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Wilmington on DVDs. Pick of the Week: Box Set. Genius of Britain, The Scientists Who Changed the World/Stephen Hawking and the Theory of Everything

Sir Isaac Newton   Genius of Britain (Three Discs) (Three and a Half Stars) U.K.: Christopher Sykes, Michael Waterhouse & Jonathan Rudd (Series director)/Gary Johnstone, 2010/2007 (Athena/Acorn Media) Science was my weakest subject in high school. And since I didn’t much like what didn’t come easily to me, and really didn’t like passionless, styleless writing, and since most…

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The DVD Wrapup: X-Men: First Class, Hanna, The Arbor, Henry’s Crime, Scarface, Straw Dogs, Madea, Police Story …

X-Men: First Class: Blu-ray Let’s assume that the producers of “X-Men: First Class” had a very good reason for not naming the latest chapter in the franchise “X-Men Origins: First Class.” Like “X-Men Origins: Wolverine,” it provides some of today’s most popular superheroes coherent back-stories and new cast members an opportunity to carve niches for…

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Wilmington on DVDs. Pick of the Week: Classics. The Sacrifice/Directed by Andrei Tarkovsky

  Four Stars Sweden: Andrei Tarkovsky, 1986 (Kino/Kino Lorber) In the mid-1980s, Andrei Tarkovsky, the greatest Russian cinema artist of the post-war era, traveled to Sweden to make what proved to be his last film, The Sacrifice. He was only in his 50s when he went to Sweden, but Tarkovsky, son of the famous Russian…

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Wilmington on DVDs. Pick of the Week: New. Hanna

(Also Blu-ray) (Three and a Half Stars) U.K.-U.S.: Joe Wright, 2011 (Universal) Hanna, an action film for people who love action movies and also for some who don’t, is Kick-Ass and The Bourne Identity filtered through Pride and Prejudice. And I don’t mean that as a knock. Director Joe Wright, who made the 2005 Keira Knightley…

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DVD & Blue Ray

https://bestwatches.club/ on: The DVD Wrapup: Diamonds of the Night, School of Life, Red Room, Witch/Hagazussa, Tito & the Birds, Keoma, Andre’s Gospel, Noir

Gary Dretzka on: The DVD Wrapup: Sleep With Anger, Ralph Wrecks Internet, Liz & Blue Bird, Hannah Grace, Unseen, Jupiter's Moon, Legally Blonde, Willard, Bang … More

Gary Dretzka on: The DVD Wrapup: Bumblebee, Ginsburg, Buster, Silent Voice, Nazi Junkies, Prisoner, Golden Vampires, Highway Rat, Terra Formars, No Alternative … More

GDA on: The DVD Wrapup: Bumblebee, Ginsburg, Buster, Silent Voice, Nazi Junkies, Prisoner, Golden Vampires, Highway Rat, Terra Formars, No Alternative … More

Larry K on: The DVD Wrapup: Sleep With Anger, Ralph Wrecks Internet, Liz & Blue Bird, Hannah Grace, Unseen, Jupiter's Moon, Legally Blonde, Willard, Bang … More

Gary Dretzka on: The DVD Wrapup: Shoplifters, Front Runner, Nobody’s Fool, Peppermint Soda, Haunted Hospital, Valentine, Possum, Mermaid, Guilty, Antonio Lopez, 4 Weddings … More

gwehan on: The DVD Wrapup: Shoplifters, Front Runner, Nobody’s Fool, Peppermint Soda, Haunted Hospital, Valentine, Possum, Mermaid, Guilty, Antonio Lopez, 4 Weddings … More

Gary J Dretzka on: The DVD Wrapup: Peppermint, Wild Boys, Un Traductor, Await Instructions, Lizzie, Coby, Afghan Love Story, Elizabeth Harvest, Brutal, Holiday Horror, Sound & Fury … More

Gary J Dretzka on: The DVD Wrapup & Gift Guide III: Venom 4K, The Super, Snowflake, Marie Curie, Gamechangers, Who We Are Now, 40 Guns, De Palma-De Niro,, Starman and more

aniban83 on: The DVD Wrapup & Gift Guide III: Venom 4K, The Super, Snowflake, Marie Curie, Gamechangers, Who We Are Now, 40 Guns, De Palma-De Niro,, Starman and more

Quote Unquotesee all »

“The important thing is: what makes the audience interested in it? Of course, I don’t take on any roles that don’t interest me, or where I can’t find anything for myself in it. But I don’t like talking about that. If you go into a restaurant and you have been served an exquisite meal, you don’t need to know how the chef felt, or when he chose the vegetables on the market. I always feel a little like I would pull the rug out from under myself if I were to I speak about the background of my work. My explanations would come into conflict with the reason a movie is made in the first place — for the experience of the audience — and that, I would not want.
~  Christoph Waltz

This is probably going to sound petty, but Martin Scorsese insisting that critics see his film in theaters even though it’s going straight to Netflix and then not screening it in most American cities was a watershed moment for me in this theatrical versus streaming debate.

I completely respect when a filmmaker insists that their movie is meant to be seen in the theater, but the thing is, you got to actually make it possible to see it in the theater. Some movies may be too small for that, and that’s totally OK.

When your movie is largely financed by a streaming service and is going to appear on that streaming service instantly, I don’t really see the point of pretending that it’s a theatrical film. It just seems like we are needlessly indulging some kind of personal fantasy.

I don’t think that making a feature film length production that is going to go straight to a video platform is some sort of “step down.“ I really don’t. Theatrical exhibition as we know it is dying off anyway, for a variety of reasons.

I should clarify myself because this thread is already being misconstrued — I’m talking about how the movie is screened in advance. If it’s going straight to Netflix, why the ritual of demanding people see it in the theater?

There used to be a category that everyone recognized called “TV movie” or “made for television movie” and even though a lot of filmmakers considered that déclassé, it seems to me that probably 90% of feature films fit that description now.

Atlantis has mostly sunk into the ocean, only a few tower spires remain above the waterline, and I’m increasingly at peace with that, because it seems to be what the industry and much of the audience wants. We live in an age of convenience and information control.

Only a very elite group of filmmakers is still allowed to make movies “for theaters“ and actually have them seen and judged that way on a wide scale. Even platform releasing seems to be somewhat endangered. It can’t be fought. It has to be accepted.

9. Addendum: I’ve been informed that it wasn’t Scorsese who requested that the Bob Dylan documentary only be screened for critics in theaters, but a Netflix representative indicated the opposite to me, so I just don’t know what to believe.

It’s actually OK if your film is not eligible for an Oscar — we have a thing called the Emmys. A lot of this anxiety is just a holdover from the days when television was considered culturally inferior to theatrical feature films. Everybody needs to just get over it.

In another 10 to 20 years they’re probably going to merge the Emmys in the Oscars into one program anyway, maybe they’ll call it the Contentys.