DVD & Blue Ray Archive for March, 2011

Wilmington on DVD: Harry Potter and the Half-Blood Prince, The Tourist, The Twilight Zone Season Two, The Clowns, Exit Throught the Gift Shop, Artists Under the Big Top: Perplexed.

Appropriately bracketed as a classic pick this week with Fellini’s I Clowns Alexander Kluge’s Artists at the Top of the Big Top: Perplexed is also a European art film about circuses and circus people. But this is a film in black-and-white, where the filmmakers would have answered the question Fellini dodged in The Clowns about symbolism, and then done something symbolic to illustrate the answer, and had an illustrated lecture on symbolism and the history of art, and the politics of circuses.

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DVD Geek: Elia Kazan’s America America

As Kazan historian Foster Hirsch puts it on his commentary, “This is a film whose time has still not come. I’m hoping that the release of this DVD will change that.”

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Wilmington on DVD: The Fighter, Hereafter, Last Tango in Paris, TCM Greatest Classic Legend John Ford Westerns

“Bale looks and acts something like a Dead End Kid on crack, an elongated mix of Huntz Hall and the younger Mean Streets De Niro, oscillating frantically between the goony and the near-tragically self-destructive.”

“What’s most impressive about Hereafter is, first of all, that Eastwood had the guts to do it.”

“The torrid memento of a time — post-Sexual Revolution, pre-herpes outbreak, pre-Aids plague — when quick anonymous sex between partners who barely knew each other.”

“He was John Ford. He made Westerns.”

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Wilmington on DVD: Inside Job, Senso, TCM Greatest Classic Legends: Jean Harlow & more…

“Inside Job is an essential movie. It shows, pretty conclusively I think, why documentaries are such an important cinematic and journalistic form these days. After you see this picture, you won’t be able to say you weren’t informed, won’t be able to see you weren‘t warned. You’ll know, if not the whole story, a big important part of it.”

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DVD & Blue Ray

Roy Atkinson on: DVD Wrapup: Commuter, Oscar, A Taxi Driver, Humor Me, Prince, Doris Day, Shakespeare Wallah, Pomegranates and more

gary j dretzka on: The DVD Wrapup: Ballad of Lefty Brown, Wonder, Blades, Seijun Suzuki, Fellini, Hellraiser, Paradise and more

Yvan Prime on: The DVD Wrapup: Ballad of Lefty Brown, Wonder, Blades, Seijun Suzuki, Fellini, Hellraiser, Paradise and more

Antoine Ratliff on: The DVD Wrapup: Letter From An Unknown Woman, Despicable Me 3, Crucifixion, Maurizio Cattelan, A New Leaf, Silent Night and more

Fernando on: The DVD Wrapup: King George, Cars 3, Overdrive, Afterimage, Glass Castle, Whisky Galore, The Journey, Into the Night, Sissi, Stay Hungry and more

Woody on: The DVD Wrapup: ET, Vietnam, Big Sick, Glory, Certain Women, The Hero, Hana-Bi, By the Time It Gets Dark, The Prison, The Flesh, Moderns … More

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Richard on: DVD Geek: Batman v Superman: The Dawn of Justice Ultimate

Ray Pride on: The DVD Wrapup: Founder, Punching Henry, Paris 05:59, Apocalypse Child, Donnie Darko, Woman of the Year, Tampopo, Handmaid’s Tale and more

RAY WEIKEL on: The DVD Wrapup: Founder, Punching Henry, Paris 05:59, Apocalypse Child, Donnie Darko, Woman of the Year, Tampopo, Handmaid’s Tale and more

Quote Unquotesee all »

“Ten years ago at Telluride, I said on a panel that theatrical distribution was dying. It seemed obvious to me. I was surprised how many in the audience violently objected: ‘People will always want to go to the movies!’ That’s true, but it’s also true that theatrical cinema as we once knew it has died. Theatrical cinema is now Event Cinema, just as theatrical plays and musical performances are Events. No one just goes to a movie. It’s a planned occasion. Four types of Event Cinema remain.
1. Spectacle (IMAX-style blockbusters)
2. Family (cartoon like features)
3. Horror (teen-driven), and
4. Film Club (formerly arthouse but now anything serious).

There are isolated pockets like black cinema, romcom, girl’s-night-out, seniors, teen gross-outs, but it’s primarily those four. Everything else is TV. Now I have to go back to episode five of ‘Looming Tower.'”
~ Paul Schrader

“Because of my relative candor on Twitter regarding why I quit my day job, my DMs have overflowed with similar stories from colleagues around the globe. These peeks behind the curtains of film festivals, venues, distributors and funding bodies weren’t pretty. Certain dismal patterns recurred (and resonated): Boards who don’t engage with or even understand their organization’s artistic mission and are insensitive to the diverse neighborhood in which their organization’s venue is located; incompetent founders and/or presidents who create only obstacles, never solutions; unduly empowered, Trumpian bean counters who chip away at the taste and experiences that make organizations’ cultural offerings special; expensive PR teams that don’t bring to the table a bare-minimum familiarity with the rich subcultural art form they’re half-heartedly peddling as “product”; nonprofit arts organizations for whom art now ranks as a distant-second goal behind profit.”
~ Eric Allen Hatch