DVD & Blue Ray Archive for October, 2010

The DVD Wrap: Sex and the City 2, The Girl Who Played with Fire, Kisses, Alien Anthology, Back to the Future 25th Anniversary Trilogy

Sex and the City 2: Blu-ray After scoring a direct financial hit with the first feature-length adaptation of HBO’s Sex and the City, its producers naturally elected to push their luck with this sequel, which adds yet another 150 minutes to the saga. What, on television, could easily be digested in tidy 30-minute portions, now…

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The DVD Geek: Harry Brown

As they go over how the film was staged and what went on during the shoot, Caine shares many terrific anecdotes about his career, including marvelous stories about Charles Chaplin and Alfred Hitchcock (who wanted Caine for Frenzy and was annoyed when Caine turned him down), and quite a few excellent insights to his craft.

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MW on DVDs: Disneynature Oceans, The Maltese Falcon, The Exorcist, Visions of Europe, Predators … and more

PICK OF THE WEEK: NEW DisneyNature: Oceans (Blu-ray & DVD) (Four Stars) France-U.S.; Jacques Perrin/Jacques Cluzaud, 2009 A real gem, from France, where they love to watch the world through a camera eye. Made by Jacques Perrin and Jacques Cluzaud, the two directors of the magnificent birds-in-flight documentary Winged Migration, here’s an equally magnificent view…

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The DVD Wrap: Psycho 50th Anniversary Edition, The Rocky Horror Picture Show: Limited Edition, Troll 2, Apocalypse Now: Full Disclosure Edition … and more

Psycho: 50th Anniversary Edition: Blu-ray The Psycho Legacy The Rocky Horror Picture Show: Limited Edition Night of the Demon Assault of the Sasquatch Troll 2: Blu-ray Tales From the Darkside: Final Season Lest we forget, Halloween draws nigh. Psycho is one of those films that require absolutely no introduction. Anyone who considers him or herself…

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DVDs 10/19: UNBELIEVABLE TRUTH, PLEASE GIVE, FORBIDDEN LIE$, OCTOBER COUNTRY and HOLY ROLLERS

Hal Hartley’s first feature hits its unbelievable twentieth anniversary, and he’s self-releasing a new DVD edition.  “The Unbelievable Truth was first released in North America by Miramax Films in 1990 following its highly successful screenings at the Toronto and Sundance film festivals,” reads the press release. “It was a popular release worldwide and came to represent…

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Wilmington on DVDs: How to Train Your Dragon, Treasure of the Sierra Madre, The Darjeeling Limited, The Films of Nikita Mikhalkov, The Hangover, The Human Centipede and more …

The opening, for me at least, would have been better with something quieter before the storm — however virtuosic that dragon-storm, however riveting that warfare. The movie could have used a lot more initial contrast between the dreamy predispositions of Hiccup, and those bloody dragon assaults that come blasting at us right from the start.

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The DVD Wrap: Splice, The Magician, White on Rice, Leaves of Grass, and more …

Splice: Blu-ray If an Academy Award were given each year to the most ingenious new monster, it would be difficult to choose between the conjoined creature created by a mad surgeon in The Human Centipede and the genetic abominations in Splice. In Vincenzo Natali’s continuously inventive sci-fi/horror thriller, Splice, a pair of young scientists extends…

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Wilmington on DVDs: The Thin Red Line, Mid-August Lunch, Grindhouse, The Twilight Zone, A Nightmare on Elm Street … and more

PICK OF THE WEEK: CLASSIC The Thin Red Line (Two Discs) (Four Stars) U.S.; Terrence Malick, 1998 (Criterion Collection). Let‘s talk about a really great American movie that has been somewhat underrated and neglected, and shouldn’t be any more, not after this superb new Criterion two-disc release. The movie is Terrence Malick‘s 1998 film of…

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The DVD Wrap: The Karate Kid, Beauty and the Beast, The Human Centipede, The Rig, A Nightmare on Elm Street, The Slumber Party Massacre Collection … and more

The Karate Kid The concept is simplicity itself: The Karate Kid in China, with Will and Jada Pinkett Smith’s way-cool son, Jaden Smith, in the Ralph Macchio role and Jackie Chan in the place once reserved for Pat Morita. Instead of shooting a silver-anniversary version of Karate Kid in Vancouver or a back lot in…

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DVD & Blue Ray

https://bestwatches.club/ on: The DVD Wrapup: Diamonds of the Night, School of Life, Red Room, Witch/Hagazussa, Tito & the Birds, Keoma, Andre’s Gospel, Noir

Gary Dretzka on: The DVD Wrapup: Sleep With Anger, Ralph Wrecks Internet, Liz & Blue Bird, Hannah Grace, Unseen, Jupiter's Moon, Legally Blonde, Willard, Bang … More

Gary Dretzka on: The DVD Wrapup: Bumblebee, Ginsburg, Buster, Silent Voice, Nazi Junkies, Prisoner, Golden Vampires, Highway Rat, Terra Formars, No Alternative … More

GDA on: The DVD Wrapup: Bumblebee, Ginsburg, Buster, Silent Voice, Nazi Junkies, Prisoner, Golden Vampires, Highway Rat, Terra Formars, No Alternative … More

Larry K on: The DVD Wrapup: Sleep With Anger, Ralph Wrecks Internet, Liz & Blue Bird, Hannah Grace, Unseen, Jupiter's Moon, Legally Blonde, Willard, Bang … More

Gary Dretzka on: The DVD Wrapup: Shoplifters, Front Runner, Nobody’s Fool, Peppermint Soda, Haunted Hospital, Valentine, Possum, Mermaid, Guilty, Antonio Lopez, 4 Weddings … More

gwehan on: The DVD Wrapup: Shoplifters, Front Runner, Nobody’s Fool, Peppermint Soda, Haunted Hospital, Valentine, Possum, Mermaid, Guilty, Antonio Lopez, 4 Weddings … More

Gary J Dretzka on: The DVD Wrapup: Peppermint, Wild Boys, Un Traductor, Await Instructions, Lizzie, Coby, Afghan Love Story, Elizabeth Harvest, Brutal, Holiday Horror, Sound & Fury … More

Gary J Dretzka on: The DVD Wrapup & Gift Guide III: Venom 4K, The Super, Snowflake, Marie Curie, Gamechangers, Who We Are Now, 40 Guns, De Palma-De Niro,, Starman and more

aniban83 on: The DVD Wrapup & Gift Guide III: Venom 4K, The Super, Snowflake, Marie Curie, Gamechangers, Who We Are Now, 40 Guns, De Palma-De Niro,, Starman and more

Quote Unquotesee all »

“The important thing is: what makes the audience interested in it? Of course, I don’t take on any roles that don’t interest me, or where I can’t find anything for myself in it. But I don’t like talking about that. If you go into a restaurant and you have been served an exquisite meal, you don’t need to know how the chef felt, or when he chose the vegetables on the market. I always feel a little like I would pull the rug out from under myself if I were to I speak about the background of my work. My explanations would come into conflict with the reason a movie is made in the first place — for the experience of the audience — and that, I would not want.
~  Christoph Waltz

This is probably going to sound petty, but Martin Scorsese insisting that critics see his film in theaters even though it’s going straight to Netflix and then not screening it in most American cities was a watershed moment for me in this theatrical versus streaming debate.

I completely respect when a filmmaker insists that their movie is meant to be seen in the theater, but the thing is, you got to actually make it possible to see it in the theater. Some movies may be too small for that, and that’s totally OK.

When your movie is largely financed by a streaming service and is going to appear on that streaming service instantly, I don’t really see the point of pretending that it’s a theatrical film. It just seems like we are needlessly indulging some kind of personal fantasy.

I don’t think that making a feature film length production that is going to go straight to a video platform is some sort of “step down.“ I really don’t. Theatrical exhibition as we know it is dying off anyway, for a variety of reasons.

I should clarify myself because this thread is already being misconstrued — I’m talking about how the movie is screened in advance. If it’s going straight to Netflix, why the ritual of demanding people see it in the theater?

There used to be a category that everyone recognized called “TV movie” or “made for television movie” and even though a lot of filmmakers considered that déclassé, it seems to me that probably 90% of feature films fit that description now.

Atlantis has mostly sunk into the ocean, only a few tower spires remain above the waterline, and I’m increasingly at peace with that, because it seems to be what the industry and much of the audience wants. We live in an age of convenience and information control.

Only a very elite group of filmmakers is still allowed to make movies “for theaters“ and actually have them seen and judged that way on a wide scale. Even platform releasing seems to be somewhat endangered. It can’t be fought. It has to be accepted.

9. Addendum: I’ve been informed that it wasn’t Scorsese who requested that the Bob Dylan documentary only be screened for critics in theaters, but a Netflix representative indicated the opposite to me, so I just don’t know what to believe.

It’s actually OK if your film is not eligible for an Oscar — we have a thing called the Emmys. A lot of this anxiety is just a holdover from the days when television was considered culturally inferior to theatrical feature films. Everybody needs to just get over it.

In another 10 to 20 years they’re probably going to merge the Emmys in the Oscars into one program anyway, maybe they’ll call it the Contentys.