DVD & Blue Ray Archive for June, 2009

Wilmington on DVDs: My Dinner with Andre, Two Lovers, Do the Right Thing and more…

PICK OF THE WEEK: NEW Two Lovers (Three-and-a-Half Stars) U. S.; James Gray, 2009 Joaquin Phoenix, in various weird ways, has suggested that James Gray‘s Brooklyn romance Two Lovers may be

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Wilmington on DVDs: Woodstock, Last Year at Marianbad, Waltz with Bashir and more…

PICK OF THE WEEK: CLASSICS Woodstock: 3 Days of Peace and Music — The Director’s Cut (Four Stars) U.S.; Michael Wadleigh, 1970-1994 (Warner) Both a great rock concert movie, and a superb documentary on youth culture in the Vietnam War Years, Michael Wadleigh’s Woodstock

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Wilmington on DVDs: The Seventh Seal, At the Death House Door, Gary Cooper and more…

PICK OF THE WEEK: CLASSICS The Seventh Seal (Two discs) (Four Stars) Sweden; Ingmar Bergman, 1957 (Criterion) Antonius Block, a dazzlingly blonde and handsome, idealistic, death-haunted knight

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Wilmington on DVDs: Gran Torino, Revolution Revisited, The Rain People, and more…

PICK OF THE WEEK: NEW Gran Torino (Four Stars) U.S.; Clint Eastwood, 2008 (Warner) Clint Eastwood plays a Dirty Harry guy grown old in his latest movie Gran Torino.

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Wilmington on DVDs: Revolutionary Road, Tender Mercies, Man Hunt, and more…

PICK OF THE WEEK: NEW Revolutionary Road (Three-and-a-Half Stars) U. S.; Sam Mendes, 2008 (Paramount) Revolutionary Road is one of these novels I‘ve always meant to crack — like Remembrance of Things Past, or

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DVD & Blue Ray

Roy Atkinson on: DVD Wrapup: Commuter, Oscar, A Taxi Driver, Humor Me, Prince, Doris Day, Shakespeare Wallah, Pomegranates and more

gary j dretzka on: The DVD Wrapup: Ballad of Lefty Brown, Wonder, Blades, Seijun Suzuki, Fellini, Hellraiser, Paradise and more

Yvan Prime on: The DVD Wrapup: Ballad of Lefty Brown, Wonder, Blades, Seijun Suzuki, Fellini, Hellraiser, Paradise and more

Antoine Ratliff on: The DVD Wrapup: Letter From An Unknown Woman, Despicable Me 3, Crucifixion, Maurizio Cattelan, A New Leaf, Silent Night and more

Fernando on: The DVD Wrapup: King George, Cars 3, Overdrive, Afterimage, Glass Castle, Whisky Galore, The Journey, Into the Night, Sissi, Stay Hungry and more

Woody on: The DVD Wrapup: ET, Vietnam, Big Sick, Glory, Certain Women, The Hero, Hana-Bi, By the Time It Gets Dark, The Prison, The Flesh, Moderns … More

awesome stuff. OK I would like to contribute as well by sharing this awesome link, that personally helped me get some amazing and easy to modify. check it out at scarab13.com. All custom premade files, many of them totally free to get. Also, check out Dow on: Wilmington on DVDs: How to Train Your Dragon, Treasure of the Sierra Madre, The Darjeeling Limited, The Films of Nikita Mikhalkov, The Hangover, The Human Centipede and more ...

Richard on: DVD Geek: Batman v Superman: The Dawn of Justice Ultimate

Ray Pride on: The DVD Wrapup: Founder, Punching Henry, Paris 05:59, Apocalypse Child, Donnie Darko, Woman of the Year, Tampopo, Handmaid’s Tale and more

RAY WEIKEL on: The DVD Wrapup: Founder, Punching Henry, Paris 05:59, Apocalypse Child, Donnie Darko, Woman of the Year, Tampopo, Handmaid’s Tale and more

Quote Unquotesee all »

“Ten years ago at Telluride, I said on a panel that theatrical distribution was dying. It seemed obvious to me. I was surprised how many in the audience violently objected: ‘People will always want to go to the movies!’ That’s true, but it’s also true that theatrical cinema as we once knew it has died. Theatrical cinema is now Event Cinema, just as theatrical plays and musical performances are Events. No one just goes to a movie. It’s a planned occasion. Four types of Event Cinema remain.
1. Spectacle (IMAX-style blockbusters)
2. Family (cartoon like features)
3. Horror (teen-driven), and
4. Film Club (formerly arthouse but now anything serious).

There are isolated pockets like black cinema, romcom, girl’s-night-out, seniors, teen gross-outs, but it’s primarily those four. Everything else is TV. Now I have to go back to episode five of ‘Looming Tower.'”
~ Paul Schrader

“Because of my relative candor on Twitter regarding why I quit my day job, my DMs have overflowed with similar stories from colleagues around the globe. These peeks behind the curtains of film festivals, venues, distributors and funding bodies weren’t pretty. Certain dismal patterns recurred (and resonated): Boards who don’t engage with or even understand their organization’s artistic mission and are insensitive to the diverse neighborhood in which their organization’s venue is located; incompetent founders and/or presidents who create only obstacles, never solutions; unduly empowered, Trumpian bean counters who chip away at the taste and experiences that make organizations’ cultural offerings special; expensive PR teams that don’t bring to the table a bare-minimum familiarity with the rich subcultural art form they’re half-heartedly peddling as “product”; nonprofit arts organizations for whom art now ranks as a distant-second goal behind profit.”
~ Eric Allen Hatch