DVD & Blue Ray Archive for May, 2009

Wilmington on DVDs: Of Time and the City, El Dorado, Zabriskie Point, and more…

PICK OF THE WEEK: NEW Of Time and the City (Three-and-a-Half Stars) U. K.; Terence Davies, 2008 (Strand Releasing) The sometimes mournfully brilliant British independent filmmaker Terence Davies returns to Liverpool, the place of his birth and growing up

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Wilmington on DVDs: The Man Who Shot Liberty Valance, Wise Blood, Valkyrie and more…

CO-PICKS OF THE WEEK: CLASSICS The Man Who Shot Liberty Valance (Two Discs) (Four Stars) U. S.; John Ford, 1962 (Paramount) John Ford’s last great Western is a visually spare masterpiece about the new and old frontiers

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Wilmington on DVDs: Tell No One, A Grin Without a Cat, Max Fleischer’s Superman and more…

PICK OF THE WEEK: NEW Tell No One (Three Stars) France; Guillaume Canet, 2006 (Music Box Films/MPI) A provincial French pediatrician named Beck (Francois Cluzet) — still tormented by the

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Wilmington on DVDs: The Curious Case of Benjamin Button, Wendy and Lucy, Science is Fiction and more…

CO-PICKS OF THE WEEK: NEW The Curious Case of Benjamin Button (Three and a Half Stars) U. S.; David Fincher, 2008 (Criterion) David Fincher, seemingly working at full intensity, gives us the epic adaptation of an obscure

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DVD & Blue Ray

Roy Atkinson on: DVD Wrapup: Commuter, Oscar, A Taxi Driver, Humor Me, Prince, Doris Day, Shakespeare Wallah, Pomegranates and more

gary j dretzka on: The DVD Wrapup: Ballad of Lefty Brown, Wonder, Blades, Seijun Suzuki, Fellini, Hellraiser, Paradise and more

Yvan Prime on: The DVD Wrapup: Ballad of Lefty Brown, Wonder, Blades, Seijun Suzuki, Fellini, Hellraiser, Paradise and more

Antoine Ratliff on: The DVD Wrapup: Letter From An Unknown Woman, Despicable Me 3, Crucifixion, Maurizio Cattelan, A New Leaf, Silent Night and more

Fernando on: The DVD Wrapup: King George, Cars 3, Overdrive, Afterimage, Glass Castle, Whisky Galore, The Journey, Into the Night, Sissi, Stay Hungry and more

Woody on: The DVD Wrapup: ET, Vietnam, Big Sick, Glory, Certain Women, The Hero, Hana-Bi, By the Time It Gets Dark, The Prison, The Flesh, Moderns … More

awesome stuff. OK I would like to contribute as well by sharing this awesome link, that personally helped me get some amazing and easy to modify. check it out at scarab13.com. All custom premade files, many of them totally free to get. Also, check out Dow on: Wilmington on DVDs: How to Train Your Dragon, Treasure of the Sierra Madre, The Darjeeling Limited, The Films of Nikita Mikhalkov, The Hangover, The Human Centipede and more ...

Richard on: DVD Geek: Batman v Superman: The Dawn of Justice Ultimate

Ray Pride on: The DVD Wrapup: Founder, Punching Henry, Paris 05:59, Apocalypse Child, Donnie Darko, Woman of the Year, Tampopo, Handmaid’s Tale and more

RAY WEIKEL on: The DVD Wrapup: Founder, Punching Henry, Paris 05:59, Apocalypse Child, Donnie Darko, Woman of the Year, Tampopo, Handmaid’s Tale and more

Quote Unquotesee all »

“Ten years ago at Telluride, I said on a panel that theatrical distribution was dying. It seemed obvious to me. I was surprised how many in the audience violently objected: ‘People will always want to go to the movies!’ That’s true, but it’s also true that theatrical cinema as we once knew it has died. Theatrical cinema is now Event Cinema, just as theatrical plays and musical performances are Events. No one just goes to a movie. It’s a planned occasion. Four types of Event Cinema remain.
1. Spectacle (IMAX-style blockbusters)
2. Family (cartoon like features)
3. Horror (teen-driven), and
4. Film Club (formerly arthouse but now anything serious).

There are isolated pockets like black cinema, romcom, girl’s-night-out, seniors, teen gross-outs, but it’s primarily those four. Everything else is TV. Now I have to go back to episode five of ‘Looming Tower.'”
~ Paul Schrader

“Because of my relative candor on Twitter regarding why I quit my day job, my DMs have overflowed with similar stories from colleagues around the globe. These peeks behind the curtains of film festivals, venues, distributors and funding bodies weren’t pretty. Certain dismal patterns recurred (and resonated): Boards who don’t engage with or even understand their organization’s artistic mission and are insensitive to the diverse neighborhood in which their organization’s venue is located; incompetent founders and/or presidents who create only obstacles, never solutions; unduly empowered, Trumpian bean counters who chip away at the taste and experiences that make organizations’ cultural offerings special; expensive PR teams that don’t bring to the table a bare-minimum familiarity with the rich subcultural art form they’re half-heartedly peddling as “product”; nonprofit arts organizations for whom art now ranks as a distant-second goal behind profit.”
~ Eric Allen Hatch