DVD & Blue Ray

DVD Geek: Snowpiercer

So, the science is at best dubious, the drama, while engagingly performed, is hardly profound, and the story, even aside from the fantasy parts, is illogical and is a mad amalgam of genres. Why, then, is Snowpiercer so entertaining? The answer is simple, it’s a train movie.

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The DVD Wrapup: Mood Indigo, Jersey Boys, Tammy, Happy Christmas, Land Ho!, I Am Yours, Demons, Ornette/Jason, S.O.B., Compleat and more

Imagine a collaboration between Jacques Tati, Pee-wee Herman and Giacomo Puccini and it might resemble Michel Gondry’s latest romantic fantasy, Mood Indigo, not that he needs much help in that department.

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The DVD Wrapup: Million Dollar Arm, Edge of Tomorrow, Million Ways to Die, Sleeping Beauty, To Be Takei, Zappa, Dusk Till Dawn, Hemlock Grove, Houdini … More

Because of baseball’s unique learning curve, Million Dollar Arm probably could have been set in any country where cricket, soccer or, even, camel racing are king. The only thing known about baseball by the boys who participated in the contest is that it requires a player to throw an orb covered in horsehide toward an opponent with a bat in his hand, pretty much like cricket.

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The DVD Wrapup: Transformers, Are You Here, Sordid Lives, American Muscle, Last of the Unjust, Ida, Lucky Them, Hellion, Wolf, Ivory Tower … More

In this way, Age of Extinction is the cinematic equivalent of a really explosive fireworks display on the 4th of July. Lots of things sparkle and go “boom,” but nothing lingers for very long. In addition to returning to Chicago for a while, Bay takes us to Hong Kong, Beijing, Monument Valley, Iceland and Detroit, which was redressed to fill in for other locations.

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The DVD Wrapup: Think Like a Man Too, Richard Lewis, Battery, Eraserhead, Chain Saw, Spartacus, Roosevelts, POWs … More

Watching comedian Richard Lewis in Bundle of Nerves, I naturally flashed back to a night, more than 25 years ago, when I first saw him perform live. It was in an intimate room in a Chicago hotel famous for the many legendary comics and musicians who had previously stayed there and whose ghosts may still be haunting the stage and lobby. What I remember most was laughing non-stop throughout the show and, at one point, almost falling on the floor. I’d seen Lewis on the late-night talk shows and he was even funnier in person.

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The DVD Wrapup: God’s Pocket, Captain America, For No Good Reason, Pumpkinhead, Fed Up, Midnight Special, Goldbergs, New Who … More

Anyone who may have wondered what was lost with the untimely death of Philip Seymour Hoffman–last February, at 46, to a drug overdose–shouldn’t have to look very far to study his impressive body of work. Once a prince of the indie realm, Hoffman more recently balanced his schedule with key supporting roles in such studio blockbusters as Mission: Impossible III and The Hunger Games: Catching Fire, as well as dramatic turns on Broadway. Never someone who could be mistaken for a classic Hollywood leading man, Hoffman’s presence was felt in every scene in which he appeared.

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DVD Geek: All That Jazz

Not only Bob Fosse but screenwriter Robert Alan Aurthur died too young, doubly reinforcing the vivid spiritual premonition of All That Jazz, Fosse’s transfixing 1979 show business musical that blatantly anticipated his own death (eight years later) and Aurthur’s, who died before the film was finished, with Roy Scheider (who died 31 years later but still much too soon) in the autobiographical role of the stage and film director who smokes too much, ingests too much and works until he drops, creating brilliant art every step of the way.

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The DVD Wrapup: Draft Day, Jackpot, Queen Margot, Tinto Brass, Love Streams and more

Anyone looking for the graphic 16th century violence missing from Age of Uprising can find it Cohen Media’s superb 4K restoration of Patrice Chéreau’s 159-minute version of Queen Margot. It also offers as much sex and nudity—gratuitous and otherwise—as “The Game of Thrones” and “Borgias.”

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The DVD Wrapup: Only Lovers Left Alive, Spider-Man 2, Fading Gigolo and more

If you plan to watch only one more vampire movie this year, make it Only Lovers Left Behind. Like Tomas Alfredson and John Ajvide Lindqvist’s Let the Right One In and Neil Jordan’s Byzantium, Jim Jarmusch’s dreamy undead romance stands apart from the crowd of horror pictures whose sole intention is to make audiences cringe.

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The DVD Wrapup: Railway Man, Boredom, Cold Lands and more

It’s not that Americans don’t already assume the worst about the CIA and mostly don’t care about the techniques used to glean useful intelligence, with much disinformation thrown in to save another beating. Fact is, our elected officials simply don’t want their constituents to know how little control they had over what happened in the execution of the war on terrorism. I was reminded of this by Jonathan Teplitzky’s The Railway Man, which graphically describes the application of torture on British POWs in World War II by Japanese soldiers and officers. In a very real sense, it serves as a companion piece to The Bridge on the River Kwai.

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The DVD Wrapup

Noah, Herzog, Grace Kelly, Deneuve, Curtains, Cuban Fire, Yellow Sun, U.S. of Secrets and more.

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The DVD Report

If any actors should have been able to interest audiences in the concept of artificial intelligence forwarded in Transcendence, it was Johnny Depp and Morgan Freeman.

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The DVD Wrapup

Like Father Like Son, Face of Love, Vinyl, TV Westerns, sxtape, Southern Comfort, WWI, D-Day and more.

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The DVD Wrapup

Jodorowsky’s Dune, Le Week-End, Cannabis Kid, Rigor Mortis, Pretty One, Watermark, POWs, Vicious, Endeavor and more.

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The DVD Wrapup

The Unknown Known, Lunchbox, Cannibal Holocaust, Final Terror, Operation Petticoat, Helix and more.

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The DVD Wrapup

300 Empire, Winter’s Tale, I Spy, Masters of Sex, Redwood Highway, Two Lives, The Bridge, Cisco Kid.

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The DVD Wrapup

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The DVD Wrapup

Jack Ryan, Non-Stop, Capital, Adult World, Bible Quiz, Spike Lee, Bushido Man, Cosmos, Kill Zombie and a little bit more.

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The DVD Wrapup

RoboCop, Lone Survivor, Alexander, Black Out, Big Joy, Branson, Ravenous, Graceland, Sugar Cookies and more.

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The DVD Wrapup

The People vs. Paul Crump, Claire Is Dead, Broken Side of Time, Run & Jump, Color of Lies, Cimarron Strip, Your Dragon and more.

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DVD & Blue Ray

Quote Unquotesee all »

“Any time a movie causes a country to threaten nuclear retaliation, the higher-ups wanna get in a room with you… In terms of getting the word out about the movie, it’s not bad. If they actually make good on it, it would be bad for the world—but luckily that doesn’t seem like their style… We’ll make a movie that maybe for two seconds will make some 18-year-old think about North Korea in a way he never would have otherwise. Or who knows? We were told one of the reasons they’re so against the movie is that they’re afraid it’ll actually get into North Korea. They do have bootlegs and stuff. Maybe the tapes will make their way to North Korea and cause a fucking revolution. At best, it will cause a country to be free, and at worst, it will cause a nuclear war. Big margin with this movie.”
~ Seth Rogen In Rolling Stone 1224

“Yes, good movies sprout up, inevitably, in the cracks and seams between the tectonic plates on which all of these franchises stay balanced, and we are reassured of their hardiness. But we don’t see what we don’t see; we don’t see the effort, or the cost of the effort, or the movies of which we’re deprived because of the cost of the effort. Paul Thomas Anderson’s Inherent Vice may have come from a studio, but it still required a substantial chunk of outside financing, and at $35 million, it’s not even that expensive. No studio could find the $8.5 million it cost Dan Gilroy to make Nightcrawler. Birdman cost a mere $18 million and still had to scrape that together at the last minute. Imagine American movie culture for the last few years without Her or Foxcatcher or American Hustle or The Master or Zero Dark Thirty and it suddenly looks markedly more frail—and those movies exist only because of the fairy godmothership of independent producer Megan Ellison. The grace of billionaires is not a great business model on which to hang the hopes of an art form.”
~ Mark Harris On The State Of The Movies