The Weekend Report Archive for December, 2017

The Weekend Report

The final weekend of 2017 was a horse race between Star Wars: The Last Jedi and Jumanji: Welcome to the Jungle with the former grossing an estimated $52.7 million and the latter close behind with $50.9 million. There were no new national releases but All the Money in the World and Molly’s Game had their first full weekends, with the poker opus surprisingly strong in its limited wide exposure.

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The Weekend Report

Star Wars: The Last Jedi dominated with an estimated $68.8 million box office for the three-day portion of the weekend (all figures reflect three-day grosses). Five new movies leapt into the holiday melee to mixed results.

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The Weekend Report

Four decades have not tarnished the Star Wars universe as The Last Jedi debuts domestically with an estimated $219.6 million. More than three of every four tickets sold this past weekend were spent on the eighth installment of the series. Efforts to counterprogram put Ferdinand, the animated bull, in the ring, where he landed a distant second with $13.3 million.

There were no significant exclusive debuts but previously limited titles had significant expansions. Wonder Wheel added 489 playdates and fizzled with a $460,000 box office. Slow rollouts of awards contenders The Shape of Water, Darkest Hour and Call Me by Your Name maintained strong five-figure averages.

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The Weekend Report

It was a Coco three-peat as the animation led weekend biz with an estimated $18.5 million in a not-terribly festive frame. In one of the lowest-attended weekends of 2017, the sole new national opener was Just Getting Started, at tenth with $3.2 million.

The national expansion of The Disaster Artist laughed up $6.4 million. Also continuing slow roll-outs were Lady Bird and Three Billboards Outside Ebbing, Missouri.  Among exclusives, I, Tonya pulled off the box office equivalent of a triple axel with a $248,000 debut from four rinks.

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The Weekend Report

Coco led the session with an estimated $26.2 million. The first weekend of December has traditionally been one of the lowest grossing of the calendar, so a lack of new national releases wasn’t unexpected.

Exclusive newcomers were ablaze, with Wonder Wheel, the latest from Woody Allen, circling $142,000 from five locales. The Disaster Artist laughed out a $1.2 million box office from 19 rooms. And Venice best-picture winner The Shape of Water flowed to $163,000 from just two movie palaces. Significant expansions of Three Billboards Outside Ebbing, Missouri and Lady Bird bolstered award campaigns for both.

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The Weekend Report

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Leonard Klady's Friday Estimates
Friday Screens % Chg Cume
Super Troopers 2 7.9 2038 NEW 7.9
A Quiet Place 6.4 3808 39% 117
I Feel Pretty 6.1 3440 NEW 6.1
Rampage 5 4115 46% 50.6
Truth or Dare 2.5 3068 70% 25
Blockers 2.1 3134 36% 43.4
Ready Player One 1.9 3208 36% 121
Bharat Ane Nenu 1.5 323 NEW 1.5
Traffik 1.4 1046 NEW 1.4
Black Panther 1.2 1930 16% 678
Also Debuting
Little Pink House 10,300 8
Beyond the Clounds 8,800 41
Khido Khundi 8,500 33
Dude's Manual 7,400 14
Ghost Stories 5,300 1
Godard Mon Amour 4,100 4
L'Apparition 3,900 6
The Devil and Father Amorth 3,300 3
Eye on Juliet 2,300 9
Le Corbeau (reissue) 2,200 1
3-Day Estimates Weekend % Chg Cume
No Good Dead 24.4 (11,230) NEW 24.4
Dolphin Tale 2 16.6 (4,540) NEW 16.6
Guardians of the Galaxy 7.9 (2,550) -23% 305.8
Teenage Mutant Ninja Turtles 4.8 (1,630) -26% 181.1
The Drop 4.4 (5,480) NEW 4.4
Let's Be Cops 4.3 (1,570) -22% 73
If I Stay 4.0 (1,320) -28% 44.9
The November Man 2.8 (1,030) -36% 22.5
The Giver 2.5 (1,120) -26% 41.2
The Hundred-Foot Journey 2.5 (1,270) -21% 49.4