The Weekend Report Archive for June, 2013

The Weekend Report

A couple of new films enlivened weekend moviegoing, but it was moola-moola at the top for the second frame of Monsters University, with an estimated $46.1 million. That left the bridesmaid slot to debuting The Heat with $39.3 million and position four for incoming White House Down with $25.3 million.

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The Weekend Report

Monsters University picked up considerable steam in the days prior to its release and breezed past World War Z in industry tracking. When the dust settled, MU bowed to an estimated $81.3 million and WWZ packed a wallop of $66.2 million. Together they propelled weekend business to another industry record for the month of June.

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The Weekend Report

Man of Steel reset the record book with an opening weekend estimated at $111.6 million. The session’s sole brave national counter-programmer debut was apocalyptic comedy This is the End, which Raptured second place with a solid $20.2 million. Bright were a couple of exclusive newcomers. Nonfiction yarn of session singers 20 Feet from Stardom opened to $51,200 at three spotlights and the youthful felons of The Bling Ring made off with a big haul of $197,000 from just five crime scenes.

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The Weekend Report

Well, no one saw that coming … or did they? It was the scrappy little sci-fi thriller The Purge that emURGEd as the weekend movie favorite with an estimated debut of $36.3 million. Meanwhile, its presumed competition The Internship mustered less than 50% of its opening to rank fourth overall with $18.2 million.

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The Weekend Report

Fast & Furious 6 was dominant in second gear as it sped away to an estimated $34.5 million. That propelled a couple of newcomers to a tight race for second place with the unexpected winner the offbeat caper tale Now You See Me prestidigitating a gross of $27.9 million. A disappointing step behind with $27.2 million was the futuristic survival lesson After Earth.

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The Weekend Report

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“Yes, yes, yes. Now I am also the producer on Jean-Luc’s films, so I need to raise the money. Yes, there are two projects in preparation with the pretext of virtual reality. We are beginning with two approaches: we can either do or undo VR. Maybe we will undo it more than we do VR, because thinking about VR leads to the opposite of VR. Is there concrete imagination in virtual reality? For me, cinema is concrete imagination because it’s made with the real and uses it. VR, virtual reality, is totally the opposite of that, but it might be interesting to use this and then to destroy it. No, we’ll see, we’ll see. First, it’s just an idea of a beginning. There is a forest to cross, and we are just at the beginning of the forest. The first step is development. As they say in business, first there is development and research. We have to develop somehow an idea for the film; I won’t say a script, but to see what we can do with this system, and what we can undo with this system.”
~ Fabrice Aragno On Godard’s Next Projects

“Why put it in a box? This is the number one problem I have—by the way it’s a fair question, I’m not saying that—with this kind of festival situation is that there’s always this temptation to classify the movie immediately and if you look at it—and I’ve tried to warn my fellow jurors of this—directors and movie critics are the worst people to judge movies! Directors are always thinking, “I could do that.” Critics are always saying, “This part of the movie is like the 1947 version and this part…” And it’s like, “Fuck! Just watch the movie and try and absorb it and not compare it to some other fucking movie and put it in a box!” So I think the answer’s both and maybe neither, I don’t know. That’s for you to see and criticize me for or not.”
~ James Gray