The Weekend Report Archive for May, 2012

The Weekend Report: May 27, 2012 (3 Day)

Men in Black III did little to slow down The Avengers juggernaut but nonetheless won the box office crown for the Memorial holiday weekend with a three-day estimate of $54.9 million. The Avengers added $36.8 million and raised its cume to more than $500 million – the fourth film to reach such heights.

The sessions only other national debut was the horror cheapie Chernobyl Diaries that entered the fray with $8 million in position five.

Regional newcomers were dullish but a pair of exclusive entries displayed brio and gusto. French powerhouse Intouchables ($355 million internationally) opened in the U.S. with close to $100,000 (all figures reflect three-day box office) from a quartet of screens following a $2 million-plus tally in Québec. The dynamic bow was overshadowed by a jaw dropping $517,000 bow (also at four sites) for Cannes curtain-raiser Moonrise Kingdom.

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The Weekend Report: Shipwreck!

No one expected the trio of new national releases to unseat “The Avengers” … they just expected them to be more competitive. “The Avengers”‘ third weekend prevailed with an estimated $55.2 million with “Battleship” not quite right behind with $25.3 million. Third spot went to “The Dictator” with $16.7 million and the third freshman, “What to Expect When You’re Expecting,” slotted fifth with $10.5 million.

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The Weekend Report: May 13, 2011

“The Avengers” continued to hold sway, easily outpacing any potential competition with an estimated second weekend box office of $103.8 million. Granted there was but a single new national release with “Dark Shadows” that ranked second overall with an opening salvo of $28.5 million. In limited release, single mom drama “Girl in Progress” bowed with an OK $1.2 million. “Avengers” aside, the wow bow was Tollywood newcomer “Gabbar Singh” that collected $643,000 from 45 engagements for an impressive per screen average of $14,290.

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The Weekend Report, May 6, 2012

“The Avengers” rewrote the record books with the biggest ever opening three-day weekend that’s estimated at $200.5 million. With $30 million more than the former champ, there’s little chance that the Monday actual will change Sunday’s ebullience.

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“Because of my relative candor on Twitter regarding why I quit my day job, my DMs have overflowed with similar stories from colleagues around the globe. These peeks behind the curtains of film festivals, venues, distributors and funding bodies weren’t pretty. Certain dismal patterns recurred (and resonated): Boards who don’t engage with or even understand their organization’s artistic mission and are insensitive to the diverse neighborhood in which their organization’s venue is located; incompetent founders and/or presidents who create only obstacles, never solutions; unduly empowered, Trumpian bean counters who chip away at the taste and experiences that make organizations’ cultural offerings special; expensive PR teams that don’t bring to the table a bare-minimum familiarity with the rich subcultural art form they’re half-heartedly peddling as “product”; nonprofit arts organizations for whom art now ranks as a distant-second goal behind profit.”
~ Eric Allen Hatch

To me, Hunter S. Thompson was a hero. His early books were great, but in many ways, his life and career post–Fear and Loathing on the Campaign Trail is a cautionary tale for authors. People expected him to be high and drunk all the time and play that persona, and he stuck with that to the end, and I don’t think it was good for him. I always sort of feel mixed emotions when I hear that people went and hung out with Hunter and how great it was to get high with Hunter. The fact is the guy was having difficulty doing any sustained writing at all for years probably because so many quote, unquote, “friends” wanted to get high with him … There was a badly disappointed romantic there. I mean, that great line, “This is where the wave broke, the tide rolled back … ” This was a guy that was hurt and disappointed and very bitter about things, and it made his writing beautiful, and also with that came a lot of pain.
~ Anthony Bourdain