The Weekend Report Archive for May, 2012

The Weekend Report: May 27, 2012 (3 Day)

Men in Black III did little to slow down The Avengers juggernaut but nonetheless won the box office crown for the Memorial holiday weekend with a three-day estimate of $54.9 million. The Avengers added $36.8 million and raised its cume to more than $500 million – the fourth film to reach such heights.

The sessions only other national debut was the horror cheapie Chernobyl Diaries that entered the fray with $8 million in position five.

Regional newcomers were dullish but a pair of exclusive entries displayed brio and gusto. French powerhouse Intouchables ($355 million internationally) opened in the U.S. with close to $100,000 (all figures reflect three-day box office) from a quartet of screens following a $2 million-plus tally in Québec. The dynamic bow was overshadowed by a jaw dropping $517,000 bow (also at four sites) for Cannes curtain-raiser Moonrise Kingdom.

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The Weekend Report: Shipwreck!

No one expected the trio of new national releases to unseat “The Avengers” … they just expected them to be more competitive. “The Avengers”‘ third weekend prevailed with an estimated $55.2 million with “Battleship” not quite right behind with $25.3 million. Third spot went to “The Dictator” with $16.7 million and the third freshman, “What to Expect When You’re Expecting,” slotted fifth with $10.5 million.

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The Weekend Report: May 13, 2011

“The Avengers” continued to hold sway, easily outpacing any potential competition with an estimated second weekend box office of $103.8 million. Granted there was but a single new national release with “Dark Shadows” that ranked second overall with an opening salvo of $28.5 million. In limited release, single mom drama “Girl in Progress” bowed with an OK $1.2 million. “Avengers” aside, the wow bow was Tollywood newcomer “Gabbar Singh” that collected $643,000 from 45 engagements for an impressive per screen average of $14,290.

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The Weekend Report, May 6, 2012

“The Avengers” rewrote the record books with the biggest ever opening three-day weekend that’s estimated at $200.5 million. With $30 million more than the former champ, there’s little chance that the Monday actual will change Sunday’s ebullience.

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“Yes, yes, yes. Now I am also the producer on Jean-Luc’s films, so I need to raise the money. Yes, there are two projects in preparation with the pretext of virtual reality. We are beginning with two approaches: we can either do or undo VR. Maybe we will undo it more than we do VR, because thinking about VR leads to the opposite of VR. Is there concrete imagination in virtual reality? For me, cinema is concrete imagination because it’s made with the real and uses it. VR, virtual reality, is totally the opposite of that, but it might be interesting to use this and then to destroy it. No, we’ll see, we’ll see. First, it’s just an idea of a beginning. There is a forest to cross, and we are just at the beginning of the forest. The first step is development. As they say in business, first there is development and research. We have to develop somehow an idea for the film; I won’t say a script, but to see what we can do with this system, and what we can undo with this system.”
~ Fabrice Aragno On Godard’s Next Projects

“Why put it in a box? This is the number one problem I have—by the way it’s a fair question, I’m not saying that—with this kind of festival situation is that there’s always this temptation to classify the movie immediately and if you look at it—and I’ve tried to warn my fellow jurors of this—directors and movie critics are the worst people to judge movies! Directors are always thinking, “I could do that.” Critics are always saying, “This part of the movie is like the 1947 version and this part…” And it’s like, “Fuck! Just watch the movie and try and absorb it and not compare it to some other fucking movie and put it in a box!” So I think the answer’s both and maybe neither, I don’t know. That’s for you to see and criticize me for or not.”
~ James Gray