The Weekend Report Archive for May, 2011

The Weekend Report: May 29, 2011

Despite withering reviews The Hangover Part II lived up to industry expectations to take the crown for the three-day portion of the Memorial weekend with an estimated $86.5 million. The frame’s other national debut Kung Fu Panda 2 ranked second with a lower than anticipated tally of $48.2 million.

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The Weekend Report: May 15, 2011

Thor was at the vanguard (and Asgard) of weekend movie sales with an estimated $32.9 million. The session also featured two new national releases with titular but not content links. The macha comedy Bridesmaids ranked second with $24.3 million while the 3D horror thriller Priest was a couple of notches behind with $14.4 million.

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The Weekend Report: May 8

The god of thunder – Thor – hammered an estimated $65.8 million to handily reign at the top of the weekend box office charts. The session also saw a pair of counter-programmers bow nationally with the sweetly romantic Something Borrowed slotting third with $13.2 million and Jumping the Broom a breath behind at $13 million.

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The Weekend Report — May 1

With the summer tentpoles around the corner, this weekend’s frame played out pretty much as anticipated. Fast Five retained its lead and ended up well ahead of the pack at an estimated $83 million. Newcomer kiddie flick Hoodwinked Too! found it hard to compete with Rio, which held fast to the place position, while Tyler Perry’s latest Madea film clung to third by a nose.

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“Why put it in a box? This is the number one problem I have—by the way it’s a fair question, I’m not saying that—with this kind of festival situation is that there’s always this temptation to classify the movie immediately and if you look at it—and I’ve tried to warn my fellow jurors of this—directors and movie critics are the worst people to judge movies! Directors are always thinking, “I could do that.” Critics are always saying, “This part of the movie is like the 1947 version and this part…” And it’s like, “Fuck! Just watch the movie and try and absorb it and not compare it to some other fucking movie and put it in a box!” So I think the answer’s both and maybe neither, I don’t know. That’s for you to see and criticize me for or not.”
~ James Gray

“I have long defined filmmaking and directing in particular as just a sort of long-term act of letting go,” she said. “It’s honestly just gratifying that people are sort of reapproaching or reassessing the film. I like to just remind everyone that the movie is still the same — it’s the same movie, it’s the movie we always made, and it was the movie we always wanted to make. And maybe it just came several years too early.”
~ Karyn Kusama