The Weekend Report Archive for November, 2010

Weekend Box Office Report — November 28

Industry trackers generally predicted that Deathly Hallows would prevail at the box office but few anticipated that Tangled would be truly competitive with the Hogwart’s grad. They also generally over estimated the strengths of the remaining trio of new entries; especially Faster, which was given the edge over Love and Other Drugs.

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Weekend Box Office Report — November 21

Harry and the Deathly Swallows … Gulp! Harry Potter and the Deathly Hallows, Part 1 ascended to an estimated $126.2 million and corralled more than 60% of weekend ticket sales. Comparatively speaking the remaining films in the multiplex had to settle for chump change, including the bow of the thriller The Next Three Days which…

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Weekend Box Office Report – November 14

Take the A Train The animated Megamind with an estimated gross of $29.9 million again topped the weekend viewing charts despite a trio of new contenders in the marketplace. Second on the rails was the kinetic Unstoppable with $23.2 million while the District 9 homage Skyline slotted fourth with $11.5 million and echoes of Broadcast…

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Weekend Box Office Report – November 7

The latest from DreamWorks Animation, Megamind, was generally pegged to debut in a mid-$40 million arena though some felt it could have performed better on a less competitive weekend. Though that contention is dubious, the rest of the year really doesn’t offer that option with both pre-sold and award titles beginning to open up the multiplex floodgates.

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“I’m a governor in the Academy, so I cannot talk freely. We have meetings that are sometimes filled with disputes, but everything stays in the room. But I can tell you that this is a full industry issue. The Oscar nominations are for achievements at the top of someone’s career. It’s less an Academy issue than an employer issue. Employers have to hire with diversity for people to do content that can become choices for Academy members to nominate. I dispute the notion Academy members vote by race or gender. The choices presented to Academy voters are the choices presented by the industry, which elected which movies to make and which people to hire. The real change has to occur at the base. It’s a huge issue.”
~ Michael Mann On Diversity

“Jonas Mekas spoke a lot about ‘necessity’ last night at the Film Society. “Why do anything if it’s not needed,” he asked at one point. Mekas said that he created a publication, wrote for the Village Voice, founded an archive, because it was necessary.

“Somebody had to do it,” the 93 year old Mekas said, standing during the entire hourlong Q&A. He also spoke to the notion of curation: “If I see something I like, I don’t really enjoy it unless I can share it with others.”
~ Jonas Mekas, via Eugene Hernandez