The Weekend Report Archive for June, 2010

Toy Boys and the Billion Dollar Babies

To no great surprise Toy Story 3 retained top position in weekend ticket sales with an estimated $58.7 million. The frame’s two national freshmen also landed in anticipated order with the arrested development comedy Grown Ups performing better than expected with $40.5 million and the star driven action comedy Knight and Day underwhelming with $19.4…

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To Finity … And Beyawned

June 20, 2010 The highly anticipated Toy Story 3 arrived right on target with an estimated $110.2 million debut, which marked the biggest (unadjusted) opening for a Pixar movie. The week’s other incoming title Johah Hex wound up with an accursed $4.9 million that ranked it seventh in the weekend lineup. The session also featured…

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Chop Chop

June 13, 2010 Industry trackers were virtually unanimous that The A-Team would be top dog among weekend movie goers with the re-imagined The Karate Kid a competitive but distinct runner up. However, whether it was a poor sampler or respondents were too embarrassed to divulge their honest sentiments, ticket sales provided a radically different conclusion….

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Clash of the Lilliputians

June 6 , 2010 There wasn’t sufficient love for a quartet of new national releases and virtually by default Shrek Forever After emerged as the top title at the weekend box office with an estimated $2x.x million. Among the debutante set comedy prevailed with Get Him to the Greek ranking second with $17.3 million while…

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Quote Unquotesee all »

BLOOM
There cannot be a human being who has fewer thoughts on the whole question of word processing than I do. I’ve never even seen a word processor. I am hopelessly archaic. For me the typewriter hasn’t even been invented yet, so how can I speak to this matter? I protest! A man who has never learned to type is not going to be able to add anything to this debate. As far as I’m concerned, computers have as much to do with literature as space travel, perhaps much less. I can only write with a ballpoint pen, with a Rolling Writer, they’re called, a black Rolling Writer on a lined yellow legal pad on a certain kind of clipboard. And then someone else types it.

INTERVIEWER
And someone else edits?

BLOOM
No one edits. I edit. I refuse to be edited.

INTERVIEWER
Do you revise much?

BLOOM
Sometimes, but not often.
~ Harold Bloom

“So, what does it look like when he leaves the show? First, it looks like a ratings spike, and I had a nice chuckle about that. But the truth is, the ink wasn’t even dry on his exit papers before they rushed in a new guy. I was on vacation in Sicily, decompressing — it was a long working relationship and it was a tumultuous end and I needed a moment to just chill with some rosé — and they’re calling me, going, ‘What do you think of this guy?’ ‘What do you think of this guy?’ And they’re sending pictures. I was like, ‘Are you people fucking nuts? Why do you feel that you have to replace this person?’ I couldn’t believe how fast the studio and the network felt like they had to get a penis in there.”
Ellen Pompeo