The Weekend Report Archive for May, 2010

True Grit: The Sands of Tommy

May 31, 2010 The pre-ordained juggernaut of Sex and the City 2 was naut. Smiling ogre the Memorial holiday weekend was Shrek Forever After with an estimated $55.6 million. The weekend’s incoming box office behemoths — Sex 2 and Prince of Persia: The Sands of Time — duked it out for the Miss Congeniality spot…

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Star Shrek: The Wrath of Con

May 23, 2010 Shrek Forever After held sway ogre the weekend with an estimated debut of $72.5 million. The session’s other wide opener MacGruber wound up a causality of ware with a humorless $4.1 million bow. The Bollywood hybrid Kites touched a toe in the water with 208 playdates and its $1 million box office…

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There Goes the Neighbor, Hood

May 16, 2010 Iron Man 2 took a 60% tumble but retained the top spot at the weekend box office with an estimated $51.9 million. A trio of new national releases followed in its wake, most noticeably the new millennium Robin Hood, which was pretty close to the bullseye with $37 million. A pair of…

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Iron and Steal

May 9, 2010 Iron Man 2 signaled the start of the summer season with a blockbuster-like debut gross estimated at $134.1 million. With the comic book sequel fusing more than 70% of the marketplace, holdovers generally experienced 50% plus erosions and other debuts were confined to the niches. The non-fiction Babies bowed at 534 theaters…

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Elm Oakay

May 2 , 2010 The resurrection of Mr. Krueger in A Nightmare on Elm Street scared up an estimated $32.1 million to claim weekend bragging rights in an otherwise soft movie viewing session. The frame’s other national debut, the unintentionally horrifying Furry Vengeance, ranked fifth in the lineup with $6.5 million. Niche freshmen including Bollywood…

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“Ten years ago at Telluride, I said on a panel that theatrical distribution was dying. It seemed obvious to me. I was surprised how many in the audience violently objected: ‘People will always want to go to the movies!’ That’s true, but it’s also true that theatrical cinema as we once knew it has died. Theatrical cinema is now Event Cinema, just as theatrical plays and musical performances are Events. No one just goes to a movie. It’s a planned occasion. Four types of Event Cinema remain.
1. Spectacle (IMAX-style blockbusters)
2. Family (cartoon like features)
3. Horror (teen-driven), and
4. Film Club (formerly arthouse but now anything serious).

There are isolated pockets like black cinema, romcom, girl’s-night-out, seniors, teen gross-outs, but it’s primarily those four. Everything else is TV. Now I have to go back to episode five of ‘Looming Tower.'”
~ Paul Schrader

“Because of my relative candor on Twitter regarding why I quit my day job, my DMs have overflowed with similar stories from colleagues around the globe. These peeks behind the curtains of film festivals, venues, distributors and funding bodies weren’t pretty. Certain dismal patterns recurred (and resonated): Boards who don’t engage with or even understand their organization’s artistic mission and are insensitive to the diverse neighborhood in which their organization’s venue is located; incompetent founders and/or presidents who create only obstacles, never solutions; unduly empowered, Trumpian bean counters who chip away at the taste and experiences that make organizations’ cultural offerings special; expensive PR teams that don’t bring to the table a bare-minimum familiarity with the rich subcultural art form they’re half-heartedly peddling as “product”; nonprofit arts organizations for whom art now ranks as a distant-second goal behind profit.”
~ Eric Allen Hatch