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The Weekend Report Archive for May, 2010

True Grit: The Sands of Tommy

May 31, 2010 The pre-ordained juggernaut of Sex and the City 2 was naut. Smiling ogre the Memorial holiday weekend was Shrek Forever After with an estimated $55.6 million. The weekend’s incoming box office behemoths — Sex 2 and Prince of Persia: The Sands of Time — duked it out for the Miss Congeniality spot…

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Star Shrek: The Wrath of Con

May 23, 2010 Shrek Forever After held sway ogre the weekend with an estimated debut of $72.5 million. The session’s other wide opener MacGruber wound up a causality of ware with a humorless $4.1 million bow. The Bollywood hybrid Kites touched a toe in the water with 208 playdates and its $1 million box office…

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There Goes the Neighbor, Hood

May 16, 2010 Iron Man 2 took a 60% tumble but retained the top spot at the weekend box office with an estimated $51.9 million. A trio of new national releases followed in its wake, most noticeably the new millennium Robin Hood, which was pretty close to the bullseye with $37 million. A pair of…

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Iron and Steal

May 9, 2010 Iron Man 2 signaled the start of the summer season with a blockbuster-like debut gross estimated at $134.1 million. With the comic book sequel fusing more than 70% of the marketplace, holdovers generally experienced 50% plus erosions and other debuts were confined to the niches. The non-fiction Babies bowed at 534 theaters…

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Elm Oakay

May 2 , 2010 The resurrection of Mr. Krueger in A Nightmare on Elm Street scared up an estimated $32.1 million to claim weekend bragging rights in an otherwise soft movie viewing session. The frame’s other national debut, the unintentionally horrifying Furry Vengeance, ranked fifth in the lineup with $6.5 million. Niche freshmen including Bollywood…

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Quote Unquotesee all »

“I was having issues with my script for It’s All About Love, so I called Ingmar Bergman and we ended up talking about everything but the script. He said, “Well, Festen is a masterpiece, so what are you going to do now?” At that point, I had not decided if I was going to make It’s All About Love, so I answered, “Hmmm, I don’t know. Maybe this, maybe that.” There was just a long pause, and then he said, “You’re fucked.” I said, “Well, how can you know?” “Well, Thomas, you always have to decide your next movie before the movie you’re doing presently opens.” And I said, “Why is that?” “Well, two things can happen. One thing is that you fail, and then you’ll feel scared and humiliated. It’ll get into your head. Second, and even worse, you have success, and then you’ll want more of it, or you’ll want to maintain it. But if you decide on your next film while you’re in the middle of editing, it becomes a very nonchalant choice. And then it’s shorter from the heart to the hand.”
~ Thomas Vinterberg

“When the writing is flowing, I am powerful and cheerful and can’t imagine it ever being otherwise. And when the writing becomes blocked, I am crestfallen and palsied, and there, too, I can’t imagine it ever being otherwise. In either case, my visions of the future are at all times characterized by a spurious permanence.”
~ Oliver Sacks To Lawrence Wechsler

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