The Weekend Report Archive for May, 2010

True Grit: The Sands of Tommy

May 31, 2010 The pre-ordained juggernaut of Sex and the City 2 was naut. Smiling ogre the Memorial holiday weekend was Shrek Forever After with an estimated $55.6 million. The weekend’s incoming box office behemoths — Sex 2 and Prince of Persia: The Sands of Time — duked it out for the Miss Congeniality spot…

Read the full article » No Comments »

Star Shrek: The Wrath of Con

May 23, 2010 Shrek Forever After held sway ogre the weekend with an estimated debut of $72.5 million. The session’s other wide opener MacGruber wound up a causality of ware with a humorless $4.1 million bow. The Bollywood hybrid Kites touched a toe in the water with 208 playdates and its $1 million box office…

Read the full article » No Comments »

There Goes the Neighbor, Hood

May 16, 2010 Iron Man 2 took a 60% tumble but retained the top spot at the weekend box office with an estimated $51.9 million. A trio of new national releases followed in its wake, most noticeably the new millennium Robin Hood, which was pretty close to the bullseye with $37 million. A pair of…

Read the full article » No Comments »

Iron and Steal

May 9, 2010 Iron Man 2 signaled the start of the summer season with a blockbuster-like debut gross estimated at $134.1 million. With the comic book sequel fusing more than 70% of the marketplace, holdovers generally experienced 50% plus erosions and other debuts were confined to the niches. The non-fiction Babies bowed at 534 theaters…

Read the full article » No Comments »

Elm Oakay

May 2 , 2010 The resurrection of Mr. Krueger in A Nightmare on Elm Street scared up an estimated $32.1 million to claim weekend bragging rights in an otherwise soft movie viewing session. The frame’s other national debut, the unintentionally horrifying Furry Vengeance, ranked fifth in the lineup with $6.5 million. Niche freshmen including Bollywood…

Read the full article » No Comments »

Quote Unquotesee all »

“Any time a movie causes a country to threaten nuclear retaliation, the higher-ups wanna get in a room with you… In terms of getting the word out about the movie, it’s not bad. If they actually make good on it, it would be bad for the world—but luckily that doesn’t seem like their style… We’ll make a movie that maybe for two seconds will make some 18-year-old think about North Korea in a way he never would have otherwise. Or who knows? We were told one of the reasons they’re so against the movie is that they’re afraid it’ll actually get into North Korea. They do have bootlegs and stuff. Maybe the tapes will make their way to North Korea and cause a fucking revolution. At best, it will cause a country to be free, and at worst, it will cause a nuclear war. Big margin with this movie.”
~ Seth Rogen In Rolling Stone 1224

“Yes, good movies sprout up, inevitably, in the cracks and seams between the tectonic plates on which all of these franchises stay balanced, and we are reassured of their hardiness. But we don’t see what we don’t see; we don’t see the effort, or the cost of the effort, or the movies of which we’re deprived because of the cost of the effort. Paul Thomas Anderson’s Inherent Vice may have come from a studio, but it still required a substantial chunk of outside financing, and at $35 million, it’s not even that expensive. No studio could find the $8.5 million it cost Dan Gilroy to make Nightcrawler. Birdman cost a mere $18 million and still had to scrape that together at the last minute. Imagine American movie culture for the last few years without Her or Foxcatcher or American Hustle or The Master or Zero Dark Thirty and it suddenly looks markedly more frail—and those movies exist only because of the fairy godmothership of independent producer Megan Ellison. The grace of billionaires is not a great business model on which to hang the hopes of an art form.”
~ Mark Harris On The State Of The Movies

The Hobbit: Battle of the Five Armies