The Weekend Report Archive for April, 2010

The B Team …

April 25, 2010 The entry of some short timers did little to energize the movie going bug and through the rubble How to Train Your Dragon emerged as the weekend favorite with an estimated $15.1 million. Top among newcomers was J-Lo’s rom-com The Back-Up Plan that slotted second with $11.7 million. The other national debs…

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Butt, Butt, Butt …

April 18 , 2010 The seemingly unending potency of 3D fare continued with How to Train Your Dragon a winner by a snout with a weekend estimate of $19.9 million. The debut of Kick-Ass — the session’s presumed winner based on early tracking — had to settle for a second place position with $19.2 million…

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Night at the Bistro

April 11 , 2010 The Titans didn’t clash but there was considerable jostling at the top of the box office charts with fierce competition for win, place and show positions. Freshmen entry Date Night scored the lead in its opening day with $9.1 million but lost ground as the session proceeded. The final frame scoreboard…

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A Touch of Clash

April 4 , 2010 Ye Gods! Clash of the Titans felled the competition to take weekend bragging rights with an estimated $61.1 million. The record setting session also saw excellent results of $30.1 million for Why Did I Get Married Too?; a strong hold that generated $29.3 million for How to Train Your Dragon; and…

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Quote Unquotesee all »

“The effect of the avalanche, and Tomas’ refusal to acknowledge his terror, seem to have devastating effects. But the interesting thing about Force Majeure is the sly suggestion that maybe this event could have a liberating effect on the family.”
~ Robert Horton 

 “Teaching how to make a film is like trying to teach someone how to fuck. You can’t. You have to fuck to learn how to fuck. It’s just how it is. The filmmaker has to protect the adventurous side of their self. I’m an explorer, I’m an inventor. Doc Brown is the character I relate to the most and he’s a madman. He’s a madman alone, locked up with his ideas but he does whatever he wants. He makes what he makes because he wants to make it. Yes, the DeLorean has to work in order for him to be a madman with a purpose—the DeLorean should work—but the point is I think everyone should try and find their own DeLorean. When Zemeckis was trying to get Back To The Future made, which he was for seven years, he was trying to get a film made where basically a teenager gets in a time machine, goes back to 1954 and almost —-s his mother. That pitch is extremely subversive and twisted in a way. My point is, he had a fascinating idea that no one had done before, but was clearly special to him and he stuck to it and made it what it was. When you do that you can create culture, but I think a lot of movies are just echoing culture and there’s a difference.”
~ A Girl Walks Home Alone At Night Filmmaker Ana Lily Amirpour