The Weekend Report Archive for April, 2010

The B Team …

April 25, 2010 The entry of some short timers did little to energize the movie going bug and through the rubble How to Train Your Dragon emerged as the weekend favorite with an estimated $15.1 million. Top among newcomers was J-Lo’s rom-com The Back-Up Plan that slotted second with $11.7 million. The other national debs…

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Butt, Butt, Butt …

April 18 , 2010 The seemingly unending potency of 3D fare continued with How to Train Your Dragon a winner by a snout with a weekend estimate of $19.9 million. The debut of Kick-Ass — the session’s presumed winner based on early tracking — had to settle for a second place position with $19.2 million…

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Night at the Bistro

April 11 , 2010 The Titans didn’t clash but there was considerable jostling at the top of the box office charts with fierce competition for win, place and show positions. Freshmen entry Date Night scored the lead in its opening day with $9.1 million but lost ground as the session proceeded. The final frame scoreboard…

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A Touch of Clash

April 4 , 2010 Ye Gods! Clash of the Titans felled the competition to take weekend bragging rights with an estimated $61.1 million. The record setting session also saw excellent results of $30.1 million for Why Did I Get Married Too?; a strong hold that generated $29.3 million for How to Train Your Dragon; and…

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Quote Unquotesee all »

“We’re on our way out. Anybody that doesn’t realize that is looking like it’s Christmas or something. We’re on our way out, as a culture. America doesn’t make anything anymore! The Chinese make it! Detroit’s a great example. All of those cities that used to be something. If you go to a truck stop in Sallisaw, Oklahoma, you’ll probably see the face of America. How desperate we are. Really desperate. Just raw.”
~ Sam Shepard Sings America

“Every film has to stand next the best that has been done. Otherwise we are all dupes. My criticism is never a personal disparagement but I do take art seriously and take film criticism seriously. Replace ‘harsh’ with ‘honest’ because that’s how every critic should be. Being a film critic can be fun—as well as hard work. Being Rotten Tomatoes is just juvenile idiocy, a way of nullifying real film criticism.When websites and cliques expel me, it’s a sign of the culture’s weak and cowardly inability to engage in discourse. If there is such a thing as contrarianism, then please define the conformity and group-think that it’s contrary to… A critic needs a strong voice. A gentleman has manners.”
~ German “Hard Sensations” Takes Armond White For A 3,400-Word Spin