The Weekend Report Archive for April, 2010

The B Team …

April 25, 2010 The entry of some short timers did little to energize the movie going bug and through the rubble How to Train Your Dragon emerged as the weekend favorite with an estimated $15.1 million. Top among newcomers was J-Lo’s rom-com The Back-Up Plan that slotted second with $11.7 million. The other national debs…

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Butt, Butt, Butt …

April 18 , 2010 The seemingly unending potency of 3D fare continued with How to Train Your Dragon a winner by a snout with a weekend estimate of $19.9 million. The debut of Kick-Ass — the session’s presumed winner based on early tracking — had to settle for a second place position with $19.2 million…

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Night at the Bistro

April 11 , 2010 The Titans didn’t clash but there was considerable jostling at the top of the box office charts with fierce competition for win, place and show positions. Freshmen entry Date Night scored the lead in its opening day with $9.1 million but lost ground as the session proceeded. The final frame scoreboard…

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A Touch of Clash

April 4 , 2010 Ye Gods! Clash of the Titans felled the competition to take weekend bragging rights with an estimated $61.1 million. The record setting session also saw excellent results of $30.1 million for Why Did I Get Married Too?; a strong hold that generated $29.3 million for How to Train Your Dragon; and…

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Quote Unquotesee all »

“The city to me is the only possible vehicle we have to measure human achievement. We’re an urban species now. If you look at Karachi or Mexico City or Hong Kong or London or New York or Yonkers or Baltimore or any of these other places, the pastoral is now a part of human history. We’re either going to figure out how to live together in these increasingly crowded, increasingly multi-cultural population centers or we’re not. We’re either going to get great at this or we’re going to fail as a species.”
~ David Simon

“I wondered how different it would be to write a novel and it’s totally different. It’s very internal. The weird thing about it is that I found that novel-writing was much more like directing than it is like screenwriting. You’re casting it, you’re lighting it, you’re doing the costumes, you’re doing the locations, you’re doing it all yourself as a director would. In screenwriting, you don’t do that stuff. You don’t describe the face of the actor or the character when you’re writing a screenplay because Tom Cruise is going to do it and he doesn’t look like that, whereas in the novel to describe what he is is what he is. The actual act of writing, just like shooting on a set, is a slow slog. It’s going to work every day.”
~ David Cronenberg On Screenplay vs. Novel