The Weekend Report Archive for March, 2010

Train Wreck

March 28 , 2010 Opening numbers for weekend freshmen How to Train Your Dragon and Hot Tub Time Machine fell below expectations and for the first time in two months frame revenues lagged behind the comparable 2009 session. Dragon topped the charts with an estimated $41.7 million while Hot Tub slotted third in the lineup…

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Diary of a Wimpy Weekend

March 21 , 2010 There was good response for national freshmen releases Diary of a Wimpy Kid and The Bounty Hunter but the third weekend of Alice in Wonderland prevailed at the top of the box office with an estimated $34.6 million. Diary, based on the teen lit favorite, ranked second with $22.1 million; followed…

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Whole in One

March 14 , 2010 Alice in Wonderland didn’t quite fall by half but its estimated $61.9 million was more than adequate to lead weekend movie sales. Four new releases followed the leader with the most potent being the Iraq War-set thriller Green Zone, which grossed $14.5 million. The beauty and the geek comedy She’s Out…

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The Cash in the Hat

March 7 , 2010 Holy Moolah! Alice in Wonderland fell down the hole and landed on a record-breaking $115.2 million estimate. Business was buoyant and even the counter-programmed bow of Brooklyn’s Finest exceeded projections with a $13.5 million debut that ranked second in the lineup. Aside from a sturdy $37,400 single engagement for animation nominee…

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Quote Unquotesee all »

“Why put it in a box? This is the number one problem I have—by the way it’s a fair question, I’m not saying that—with this kind of festival situation is that there’s always this temptation to classify the movie immediately and if you look at it—and I’ve tried to warn my fellow jurors of this—directors and movie critics are the worst people to judge movies! Directors are always thinking, “I could do that.” Critics are always saying, “This part of the movie is like the 1947 version and this part…” And it’s like, “Fuck! Just watch the movie and try and absorb it and not compare it to some other fucking movie and put it in a box!” So I think the answer’s both and maybe neither, I don’t know. That’s for you to see and criticize me for or not.”
~ James Gray

“I have long defined filmmaking and directing in particular as just a sort of long-term act of letting go,” she said. “It’s honestly just gratifying that people are sort of reapproaching or reassessing the film. I like to just remind everyone that the movie is still the same — it’s the same movie, it’s the movie we always made, and it was the movie we always wanted to make. And maybe it just came several years too early.”
~ Karyn Kusama