The Weekend Report Archive for March, 2010

Train Wreck

March 28 , 2010 Opening numbers for weekend freshmen How to Train Your Dragon and Hot Tub Time Machine fell below expectations and for the first time in two months frame revenues lagged behind the comparable 2009 session. Dragon topped the charts with an estimated $41.7 million while Hot Tub slotted third in the lineup…

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Diary of a Wimpy Weekend

March 21 , 2010 There was good response for national freshmen releases Diary of a Wimpy Kid and The Bounty Hunter but the third weekend of Alice in Wonderland prevailed at the top of the box office with an estimated $34.6 million. Diary, based on the teen lit favorite, ranked second with $22.1 million; followed…

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Whole in One

March 14 , 2010 Alice in Wonderland didn’t quite fall by half but its estimated $61.9 million was more than adequate to lead weekend movie sales. Four new releases followed the leader with the most potent being the Iraq War-set thriller Green Zone, which grossed $14.5 million. The beauty and the geek comedy She’s Out…

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The Cash in the Hat

March 7 , 2010 Holy Moolah! Alice in Wonderland fell down the hole and landed on a record-breaking $115.2 million estimate. Business was buoyant and even the counter-programmed bow of Brooklyn’s Finest exceeded projections with a $13.5 million debut that ranked second in the lineup. Aside from a sturdy $37,400 single engagement for animation nominee…

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“Because of my relative candor on Twitter regarding why I quit my day job, my DMs have overflowed with similar stories from colleagues around the globe. These peeks behind the curtains of film festivals, venues, distributors and funding bodies weren’t pretty. Certain dismal patterns recurred (and resonated): Boards who don’t engage with or even understand their organization’s artistic mission and are insensitive to the diverse neighborhood in which their organization’s venue is located; incompetent founders and/or presidents who create only obstacles, never solutions; unduly empowered, Trumpian bean counters who chip away at the taste and experiences that make organizations’ cultural offerings special; expensive PR teams that don’t bring to the table a bare-minimum familiarity with the rich subcultural art form they’re half-heartedly peddling as “product”; nonprofit arts organizations for whom art now ranks as a distant-second goal behind profit.”
~ Eric Allen Hatch

To me, Hunter S. Thompson was a hero. His early books were great, but in many ways, his life and career post–Fear and Loathing on the Campaign Trail is a cautionary tale for authors. People expected him to be high and drunk all the time and play that persona, and he stuck with that to the end, and I don’t think it was good for him. I always sort of feel mixed emotions when I hear that people went and hung out with Hunter and how great it was to get high with Hunter. The fact is the guy was having difficulty doing any sustained writing at all for years probably because so many quote, unquote, “friends” wanted to get high with him … There was a badly disappointed romantic there. I mean, that great line, “This is where the wave broke, the tide rolled back … ” This was a guy that was hurt and disappointed and very bitter about things, and it made his writing beautiful, and also with that came a lot of pain.
~ Anthony Bourdain