The Weekend Report Archive for March, 2010

Train Wreck

March 28 , 2010 Opening numbers for weekend freshmen How to Train Your Dragon and Hot Tub Time Machine fell below expectations and for the first time in two months frame revenues lagged behind the comparable 2009 session. Dragon topped the charts with an estimated $41.7 million while Hot Tub slotted third in the lineup…

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Diary of a Wimpy Weekend

March 21 , 2010 There was good response for national freshmen releases Diary of a Wimpy Kid and The Bounty Hunter but the third weekend of Alice in Wonderland prevailed at the top of the box office with an estimated $34.6 million. Diary, based on the teen lit favorite, ranked second with $22.1 million; followed…

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Whole in One

March 14 , 2010 Alice in Wonderland didn’t quite fall by half but its estimated $61.9 million was more than adequate to lead weekend movie sales. Four new releases followed the leader with the most potent being the Iraq War-set thriller Green Zone, which grossed $14.5 million. The beauty and the geek comedy She’s Out…

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The Cash in the Hat

March 7 , 2010 Holy Moolah! Alice in Wonderland fell down the hole and landed on a record-breaking $115.2 million estimate. Business was buoyant and even the counter-programmed bow of Brooklyn’s Finest exceeded projections with a $13.5 million debut that ranked second in the lineup. Aside from a sturdy $37,400 single engagement for animation nominee…

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“Dude, I don’t like the way you talk, bro. How can you tell me that it’s going to be hard? Do you see a lot of people like you writing stories? Give me a break, bro. That’s your strength, that you’re not like us. Go out there and tell your stories. Don’t go out there and try to be like Quentin or me or anybody else. We need you. Tell me what makes you angry, why you’re arrogant, or fearful, whatever it is. Don’t hide anything. Be honest. What is that thing that bothers you and makes you distinct? Everyone’s looking for you. A Mexican point-of-view to tell a story right now? I’m telling you, everybody wants that right now. I desperately need you to tell your story in your way. You are essential.”
~ M. Night Shyamalan

“My films are always brought to life from an idea, a coincidence, or a dreamlike magic. An ephemeral moment that settles in my mind and starts to bloom. The plot slowly appears before my eyes, and there’s nothing left but to write it. I actually do use a mood board. And location scouting is essential to the realization of the film. I’m inspired by architecture — the beauty of certain neighborhoods, the mystery in odd buildings, or streets that suggest psychoanalytic theories. I only choose my actors after I write the script.”
~ Dario Argento