The Weekend Report Archive for March, 2010

Train Wreck

March 28 , 2010 Opening numbers for weekend freshmen How to Train Your Dragon and Hot Tub Time Machine fell below expectations and for the first time in two months frame revenues lagged behind the comparable 2009 session. Dragon topped the charts with an estimated $41.7 million while Hot Tub slotted third in the lineup…

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Diary of a Wimpy Weekend

March 21 , 2010 There was good response for national freshmen releases Diary of a Wimpy Kid and The Bounty Hunter but the third weekend of Alice in Wonderland prevailed at the top of the box office with an estimated $34.6 million. Diary, based on the teen lit favorite, ranked second with $22.1 million; followed…

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Whole in One

March 14 , 2010 Alice in Wonderland didn’t quite fall by half but its estimated $61.9 million was more than adequate to lead weekend movie sales. Four new releases followed the leader with the most potent being the Iraq War-set thriller Green Zone, which grossed $14.5 million. The beauty and the geek comedy She’s Out…

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The Cash in the Hat

March 7 , 2010 Holy Moolah! Alice in Wonderland fell down the hole and landed on a record-breaking $115.2 million estimate. Business was buoyant and even the counter-programmed bow of Brooklyn’s Finest exceeded projections with a $13.5 million debut that ranked second in the lineup. Aside from a sturdy $37,400 single engagement for animation nominee…

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Quote Unquotesee all »

BLOOM
There cannot be a human being who has fewer thoughts on the whole question of word processing than I do. I’ve never even seen a word processor. I am hopelessly archaic. For me the typewriter hasn’t even been invented yet, so how can I speak to this matter? I protest! A man who has never learned to type is not going to be able to add anything to this debate. As far as I’m concerned, computers have as much to do with literature as space travel, perhaps much less. I can only write with a ballpoint pen, with a Rolling Writer, they’re called, a black Rolling Writer on a lined yellow legal pad on a certain kind of clipboard. And then someone else types it.

INTERVIEWER
And someone else edits?

BLOOM
No one edits. I edit. I refuse to be edited.

INTERVIEWER
Do you revise much?

BLOOM
Sometimes, but not often.
~ Harold Bloom

“So, what does it look like when he leaves the show? First, it looks like a ratings spike, and I had a nice chuckle about that. But the truth is, the ink wasn’t even dry on his exit papers before they rushed in a new guy. I was on vacation in Sicily, decompressing — it was a long working relationship and it was a tumultuous end and I needed a moment to just chill with some rosé — and they’re calling me, going, ‘What do you think of this guy?’ ‘What do you think of this guy?’ And they’re sending pictures. I was like, ‘Are you people fucking nuts? Why do you feel that you have to replace this person?’ I couldn’t believe how fast the studio and the network felt like they had to get a penis in there.”
Ellen Pompeo