The Weekend Report Archive for February, 2010

Still Crazies (After All These Years)

February 28, 2010 The tremor continued in the marketplace as Shutter Island prevailed over two incoming missiles with an estimated $22.3 million weekend. Still the freshmen entries were close behind with buddy flics in Cop Out entering (but not breaking) the scene with $18.4 million and the redo of the 1972 apocalyptic thriller The Crazies…

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Shutter … the Thought

February 22, 2010 Paranoia reached new heights of popularity as Shutter Island topped weekend charts with an estimated $40.3 million. It was the sole new national release but reflecting the twisty thriller’s appeal was the exclusive bow of The Ghost Writer that rang up an impressive $43,200 from four reveals. Other niche and limited debuts…

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I Heart Presidents

February 15, 2010 It was candy and roses for Valentine’s Day as it ascended to the top of long weekend viewing with an estimated four-day box office of $66.2 million. In a bountiful frame two other freshmen entries followed. The youth targeted Percy Jackson and the Olympians bowed to $38.9 million and the revived The…

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The Weekend Report: February 14, 2010

February 14, 2010 Weekend Estimates Domestic Market Share Weekend Estimates: February 12-14, 2010 Title Distributor Gross (average) % change * Theaters Cume Valentine’s Day WB 51.8 (14,140) New 3665 51.8 Percy Jackson & the Olympians Fox 31.4 (9,370) New 3356 31.4 The Wolfman Uni 30.5 (9,460) New 3222 34.7 Avatar Fox 22.2 (8,260) -3% 2685…

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Love Letters

February 7, 2010 Romance trumped visceral thrills as the three-hanky Dear John debuted at the top of weekend viewing charts with an estimated $32.7 million. The session’s other new national premiere From Paris with Love settled into position three with $8.1 million. Regional openers saw a solid bow of $232,000 for Les Sept jours du…

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“I remember very much the iconography and the images and the statues in church were very emotional for me. Just the power of that, and even still — just seeing prayer card, what that image can evoke. I have a lot of friends that are involved in the esoteric, and I know some girls in New York that are also into the supernatural. I don’t feel that I have that gift. But I am leaning towards mysticism… Maybe men are more practical, maybe they don’t give into that as much… And then also, they don’t convene in the same way that women do. But I don’t know, I am not a man, I don’t want to speak for men. For me, I tend to gravitate towards people who are open to those kinds of things. And the idea for my film, White Echo, I guess stemmed from that — I find that the girls in New York are more credible. What is it about the way that they communicate their ideas with the supernatural that I find more credible? And that is where it began. All the characters are also based on friends of mine. I worked with Refinery29 on that film, and found that they really invest in you which is so rare in this industry.”
Chloë Sevigny

“The word I have fallen in love with lately is ‘Hellenic.’ Greek in its mythology. So while everyone is skewing towards the YouTube generation, here we are making two-and-a-half-hour movies and trying to buck the system. It’s become clear to me that we are never going to be a perfect fit with Hollywood; we will always be the renegade Texans running around trying to stir the pot. Really it’s not provocation for the sake of being provocative, but trying to make something that people fall in love with and has staying power. I think people are going to remember Dragged Across Concrete and these other movies decades from now. I do not believe that they will remember some of the stuff that big Hollywood has put out in the last couple of years. You’ve got to look at the independent space to find the movies that have been really special recently. Even though I don’t share the same world-view as some of my colleagues, I certainly respect the hell out of their movies which are way more fascinating than the stuff coming out of the studio system.”
~ Dallas Sonnier