The Weekend Report Archive for February, 2010

Still Crazies (After All These Years)

February 28, 2010 The tremor continued in the marketplace as Shutter Island prevailed over two incoming missiles with an estimated $22.3 million weekend. Still the freshmen entries were close behind with buddy flics in Cop Out entering (but not breaking) the scene with $18.4 million and the redo of the 1972 apocalyptic thriller The Crazies…

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Shutter … the Thought

February 22, 2010 Paranoia reached new heights of popularity as Shutter Island topped weekend charts with an estimated $40.3 million. It was the sole new national release but reflecting the twisty thriller’s appeal was the exclusive bow of The Ghost Writer that rang up an impressive $43,200 from four reveals. Other niche and limited debuts…

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I Heart Presidents

February 15, 2010 It was candy and roses for Valentine’s Day as it ascended to the top of long weekend viewing with an estimated four-day box office of $66.2 million. In a bountiful frame two other freshmen entries followed. The youth targeted Percy Jackson and the Olympians bowed to $38.9 million and the revived The…

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The Weekend Report: February 14, 2010

February 14, 2010 Weekend Estimates Domestic Market Share Weekend Estimates: February 12-14, 2010 Title Distributor Gross (average) % change * Theaters Cume Valentine’s Day WB 51.8 (14,140) New 3665 51.8 Percy Jackson & the Olympians Fox 31.4 (9,370) New 3356 31.4 The Wolfman Uni 30.5 (9,460) New 3222 34.7 Avatar Fox 22.2 (8,260) -3% 2685…

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Love Letters

February 7, 2010 Romance trumped visceral thrills as the three-hanky Dear John debuted at the top of weekend viewing charts with an estimated $32.7 million. The session’s other new national premiere From Paris with Love settled into position three with $8.1 million. Regional openers saw a solid bow of $232,000 for Les Sept jours du…

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“All of the security, all of the waiters, all of the musicians … that’s 3,000 people!” The shopping required fifty tractor trailers. The are thirty gallons of cocktail sauce; 350 pounds of smoked salmon; 200 pounds of brussels sprouts, 250 pounds parmesan cheese; 3,600 eggs; 6,000 mini-brioche buns; five gallons of hot fudge; 20 pounds pickled ginger; 30 pounds edible gold dust; 7,000 miniature chocolate Oscars. There are 1,400 bottles of Piper-Heidsieck champagne and 2,200 bottles from Francis Ford Coppola’s winery. This will be served in and upon 13,000 glasses, 4,500 bamboo skewers, 4,800 ramekins and 6,000 cocktail forks.”
~ Wolfgang Puck Goes Oscar Dinner Shopping

“While these images seem to reveal all, they disclose nothing beneath the surface. All that we know is what we see onscreen and that Seberg’s face is delicate and lightly creased. She’s rarely shown smiling, although there are instances when she laughs emphatically, moments that feel uncomfortable and artificial, as if she were trying out an emotion she had forgotten. We know the texture of her skin; the patterns on the walls; the depth of field; the quality of the light; the contrast of the black-and-white film; the level of grain; the dowdiness of her clothes. She’s partial to granny dresses, or maybe they’re nightgowns, and when she stands in front of a window, the sunlight glows softly, creating a kind of ravishing halo effect: Saint Jean.”
~ Manohla Dargis On Philippe Garrel’s Les Hautes Solitudes