The Weekend Report Archive for August, 2009

Flight Fright

The debut of The Final Destination (we can only hope) usurped the competition to lead weekend ticket sales with an estimated $28.4 million. The penultimate summer weekend included two additional national preems. Another old pal, Halloween II, opened in position three with $17.2 million but there was little nostalgia for Taking Woodstock with a $3.7…

Read the full article »

Natzi Schmooks

The alphabetically/historically challenged Inglourious Basterds quashed the Hun with an estimated $38.4 million to lead weekend movie going. The session’s other wide and limited releases were grappling with considerably more downbeat returns. The family targeted Shorts was sixth in the lineup with $6.5 million and the youthful romance Post Grad just tagged position 10 on…

Read the full article »

Property Values

The less than huggable E.T.s of District 9 led weekend box office viewing with an estimated $36.8 million. A clutch of new film releases with varying commercial potency buoyed ticket sales including the romantic sci-fi of The Time Traveler’s Wife that ranked third with $19.3 million. There were passable returns for the comic perspective on…

Read the full article »

The Weekend Report: August 9, 2009

Weekend Estimates: August 7-9, 2009 Title Distributor Gross (averag % change Theater Cume G.I. Joe: Rise of Cobra Par 56.6 (14,120) – 4007 56.6 Julie & Julia Sony 19.6 (8,320) – 2354 19.6 G-Force BV 9.7 (2,790) -45% 3482 86 Harry Potter and the Half-Blood Prince WB 8.9 (2,570) -51% 3455 273.8 Funny People Uni…

Read the full article »

LOL

A modicum of laughter propelled Funny People to the top of the weekend box office chart with an estimated $23.2 million. The frame also saw a complete miss for the family targeted Aliens in the Attic of $7.7 million and an OK $3.3 million for the thriller The Collector. The session also included a flood…

Read the full article »

The Weekend Report

movieman on: The Weekend Report

Eric N on: Weekend Report

Judi Levine on: The Weekend Report

Steph on: The Weekend Report

laura rue on: The Weekend Report

Sam on: The Weekend Report

Peter on: The Weekend Report

Isah Adomoc on: The Weekend Report

K. Bowen on: The Weekend Report

charlesmayaki on: The Weekend Report

Quote Unquotesee all »

“Yes, yes, yes. Now I am also the producer on Jean-Luc’s films, so I need to raise the money. Yes, there are two projects in preparation with the pretext of virtual reality. We are beginning with two approaches: we can either do or undo VR. Maybe we will undo it more than we do VR, because thinking about VR leads to the opposite of VR. Is there concrete imagination in virtual reality? For me, cinema is concrete imagination because it’s made with the real and uses it. VR, virtual reality, is totally the opposite of that, but it might be interesting to use this and then to destroy it. No, we’ll see, we’ll see. First, it’s just an idea of a beginning. There is a forest to cross, and we are just at the beginning of the forest. The first step is development. As they say in business, first there is development and research. We have to develop somehow an idea for the film; I won’t say a script, but to see what we can do with this system, and what we can undo with this system.”
~ Fabrice Aragno On Godard’s Next Projects

“Why put it in a box? This is the number one problem I have—by the way it’s a fair question, I’m not saying that—with this kind of festival situation is that there’s always this temptation to classify the movie immediately and if you look at it—and I’ve tried to warn my fellow jurors of this—directors and movie critics are the worst people to judge movies! Directors are always thinking, “I could do that.” Critics are always saying, “This part of the movie is like the 1947 version and this part…” And it’s like, “Fuck! Just watch the movie and try and absorb it and not compare it to some other fucking movie and put it in a box!” So I think the answer’s both and maybe neither, I don’t know. That’s for you to see and criticize me for or not.”
~ James Gray