Night Moves

The Weekend Report Archive for June, 2009

Transformers: Triumph of the Risen

The tracking was great … just not this seemingly boffo. Transformers: Revenge of the Fallen smashed the competition with an estimated weekend gross of $110.8 million and a five-day near record gross of $200 million. That left the frame’s other wide release — the decidedly femme-centric, weepy My Sister’s Keeper — picking up scraps of…

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Wedding Bell Green

The Proposal was an offer the audience couldn’t refuse as the romantic comedy romped to an estimated $34.4 million debut to gain weekend bragging rights. The frame’s other national freshman — the caveman comedy Year One — grunted $20.1 million to finish fourth overall. New titles in limited or regional release had a few bright…

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Sub-way Stories

Hangover and Up once again dominated weekend ticket sales with respective grosses of $33.1 million and $30.7 million and that put the kibosh on new releases. The highly anticipated The Taking of Pelham 123 pulled into third spot with a just passable $24.6 million gross while the $5.6 million box office for Imagine That was…

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Land of the Loss

Belmont be damned … it was a photo-finish at the weekend box office with initial estimates giving the animated adventure Up a slight edge on the debut of the gonzo comedy The Hangover. First blush pegs Up with $44.5 million for a $200k lead on the new “boys’ night out” misadventure. The weekend’s other major…

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Quote Unquotesee all »

“The city to me is the only possible vehicle we have to measure human achievement. We’re an urban species now. If you look at Karachi or Mexico City or Hong Kong or London or New York or Yonkers or Baltimore or any of these other places, the pastoral is now a part of human history. We’re either going to figure out how to live together in these increasingly crowded, increasingly multi-cultural population centers or we’re not. We’re either going to get great at this or we’re going to fail as a species.”
~ David Simon

“I wondered how different it would be to write a novel and it’s totally different. It’s very internal. The weird thing about it is that I found that novel-writing was much more like directing than it is like screenwriting. You’re casting it, you’re lighting it, you’re doing the costumes, you’re doing the locations, you’re doing it all yourself as a director would. In screenwriting, you don’t do that stuff. You don’t describe the face of the actor or the character when you’re writing a screenplay because Tom Cruise is going to do it and he doesn’t look like that, whereas in the novel to describe what he is is what he is. The actual act of writing, just like shooting on a set, is a slow slog. It’s going to work every day.”
~ David Cronenberg On Screenplay vs. Novel