The Weekend Report Archive for June, 2009

Transformers: Triumph of the Risen

The tracking was great … just not this seemingly boffo. Transformers: Revenge of the Fallen smashed the competition with an estimated weekend gross of $110.8 million and a five-day near record gross of $200 million. That left the frame’s other wide release — the decidedly femme-centric, weepy My Sister’s Keeper — picking up scraps of…

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Wedding Bell Green

The Proposal was an offer the audience couldn’t refuse as the romantic comedy romped to an estimated $34.4 million debut to gain weekend bragging rights. The frame’s other national freshman — the caveman comedy Year One — grunted $20.1 million to finish fourth overall. New titles in limited or regional release had a few bright…

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Sub-way Stories

Hangover and Up once again dominated weekend ticket sales with respective grosses of $33.1 million and $30.7 million and that put the kibosh on new releases. The highly anticipated The Taking of Pelham 123 pulled into third spot with a just passable $24.6 million gross while the $5.6 million box office for Imagine That was…

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Land of the Loss

Belmont be damned … it was a photo-finish at the weekend box office with initial estimates giving the animated adventure Up a slight edge on the debut of the gonzo comedy The Hangover. First blush pegs Up with $44.5 million for a $200k lead on the new “boys’ night out” misadventure. The weekend’s other major…

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Quote Unquotesee all »

 “Teaching how to make a film is like trying to teach someone how to fuck. You can’t. You have to fuck to learn how to fuck. It’s just how it is. The filmmaker has to protect the adventurous side of their self. I’m an explorer, I’m an inventor. Doc Brown is the character I relate to the most and he’s a madman. He’s a madman alone, locked up with his ideas but he does whatever he wants. He makes what he makes because he wants to make it. Yes, the DeLorean has to work in order for him to be a madman with a purpose—the DeLorean should work—but the point is I think everyone should try and find their own DeLorean. When Zemeckis was trying to get Back To The Future made, which he was for seven years, he was trying to get a film made where basically a teenager gets in a time machine, goes back to 1954 and almost —-s his mother. That pitch is extremely subversive and twisted in a way. My point is, he had a fascinating idea that no one had done before, but was clearly special to him and he stuck to it and made it what it was. When you do that you can create culture, but I think a lot of movies are just echoing culture and there’s a difference.”
~ A Girl Walks Home Alone At Night Filmmaker Ana Lily Amirpour

Six rules for filmmaking from Mike Nichols
1. The careful application of terror is an important form of communication.
2. Anything worth fighting for is worth fighting dirty for.
3. There’s absolutely no substitute for genuine lack of preparation.
4. If you think there’s good in everybody, you haven’t met everybody.
5. Friends may come and go but enemies will certainly become studio heads.
6. No one ever lost anything by asking for more money.
~ Via Larry Karaszewski and Howard A. Rodman On Facebook