The Weekend Report Archive for June, 2009

Transformers: Triumph of the Risen

The tracking was great … just not this seemingly boffo. Transformers: Revenge of the Fallen smashed the competition with an estimated weekend gross of $110.8 million and a five-day near record gross of $200 million. That left the frame’s other wide release — the decidedly femme-centric, weepy My Sister’s Keeper — picking up scraps of…

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Wedding Bell Green

The Proposal was an offer the audience couldn’t refuse as the romantic comedy romped to an estimated $34.4 million debut to gain weekend bragging rights. The frame’s other national freshman — the caveman comedy Year One — grunted $20.1 million to finish fourth overall. New titles in limited or regional release had a few bright…

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Sub-way Stories

Hangover and Up once again dominated weekend ticket sales with respective grosses of $33.1 million and $30.7 million and that put the kibosh on new releases. The highly anticipated The Taking of Pelham 123 pulled into third spot with a just passable $24.6 million gross while the $5.6 million box office for Imagine That was…

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Land of the Loss

Belmont be damned … it was a photo-finish at the weekend box office with initial estimates giving the animated adventure Up a slight edge on the debut of the gonzo comedy The Hangover. First blush pegs Up with $44.5 million for a $200k lead on the new “boys’ night out” misadventure. The weekend’s other major…

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Quote Unquotesee all »

“I am just grateful I am still around. I would love to be Steven Soderbergh, but I am lucky to be Joe Swanberg. Actors want to work with me, people want to give me money, and my nightmare scenario remains: Getting in bed with a studio, spending years on a movie, and it turns out horrible, but now I’m rich.”

Actually, by Hollywood standards, you’re right, I said. That is unambitious.

“It is, and yet, if you can go to bed happy at night, doing what you want, isn’t that ambition for a lifetime?”
~ Swanberg On Swanberg By Borelli

“In retrospect, nothing of that kind surprised me about Philip, because his intuition was luminous from the instant you met him. So was his intelligence. A lot of actors act intelligent, but Philip was the real thing: a shining, artistic polymath with an intelligence that came at you like a pair of headlights and enveloped you from the moment he grabbed your hand, put a huge arm round your neck and shoved a cheek against yours; or if the mood took him, hugged you to him like a big, pudgy schoolboy, then stood and beamed at you while he took stock of the effect.”
John le Carré on Philip Seymour Hoffman