The Weekend Report Archive for May, 2009

Would You Like to Ride on My Beautiful Balloon?

Up was away up as it entered the marketplace with an estimated $67.8 million to command weekend ticket sales. The session also saw the national bow of the horror parable Drag Me to Hell,which ranked third with $16.7 million. Revenues overall were essentially flat from 2008 (to be rigorous; -0.5%). Regionally there was a strong…

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Exhibitionists Rivet Robots

It was a trip to the Smithsonian rather than a date with doomsday that prevailed with American audiences at the multiplex. Night at the Museum 2 posted an estimated $53.4 million while Terminator Salvation brought in $43.3 million during the first three days of the Memorial weekend holiday. The impressive showdown nonetheless fell slightly short…

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Angels and Demons and … Raindrops on Roses, Whiskers on Kittens

This weekend’s much anticipated tentpole Angels and Demons bowed to an estimated $47.1 million with Star Trek on its heels with a gross of $41.8 million. The perceived four quadrant appeal of The Da Vinci Codefranchise had rivals opting out of counter programming but it didn’t open quite to expectations and the Star Trek reinvention…

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Hi Trek!

It was another weekend of “how big?” Short of a mass flu epidemic sweeping the nation, nothing was going to get in the way of the Star Trek juggernaut. Though tracking and trekking were buoyant along with advance sales, the gut instinct was that it would not open quite as vigorously as X-Men Origins: Wolverine….

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Wolverine in Wolf’s Clothing

The question wasn’t whether but how much as X-Men Origins: Wolverine entered the marketplace as the first of the summer tentpoles. The film’s estimated $85.5 million (including approximately $5 million from Thursday midnight shows) resounded with “a lot.” Not a record, not a benchmark but unquestionably a lot of moolah for a franchise that could…

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The Weekend Report

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Kyle Buchanan: I think the deal with a lot of white, male critics is there’s a very empirical way that they write that they write their movie reviews that always puzzled me. Movies are such subjective things. Back in the day, I used to be the film critic for The Advocate, and it was really striking to me when I would go into screening rooms and I was by far the youngest. They were filled with old white men. And when you watch a film like Black Snake Moan, that’s playing with a whole lot of gender and race issues, I was like, Are like 70-year-old white men like really the sole voices that I want to hear on this movie? It just didn’t feel right.

Jen Yamato I’ve been very pleasantly surprised to see the receptions Moonlight has gotten. But one of the films that I was disappointed to see not get more traction was American Honey. I distinctly remember sitting in a screening room full of mostly older white guys and thinking during the film, How are any of them going to relate to this movie?

~ Taking On The “Old White Guys”

“I was frustrated, a bit angry even. There should be no need for winning in the arts. Awards condition people into thinking that art is a competition, that good cinema is prize-winning … that a filmmaker must win an award or two to be considered finance-worthy. It enables the slow death of many and lack of support for most. My films do not ask to be liked. In fact, my films actively seek to be disliked. It seems that I have failed at this goal. What does it mean to be political in the time of Trump… in the country of Duterte? I dedicate the film to all the outsiders of the world: kids, midgets, freaks, paralytics, prostitutes, scoundrels. These are my people. I make outsider films that talk about the pain and joy of not belonging, of always being on the outside peering in.”
~ Prolific Philippines Filmmaker Khavn de la Cruz On Getting A Prize From Geneva Int’l Film Fest