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The Weekend Report Archive for May, 2009

Would You Like to Ride on My Beautiful Balloon?

Up was away up as it entered the marketplace with an estimated $67.8 million to command weekend ticket sales. The session also saw the national bow of the horror parable Drag Me to Hell,which ranked third with $16.7 million. Revenues overall were essentially flat from 2008 (to be rigorous; -0.5%). Regionally there was a strong…

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Exhibitionists Rivet Robots

It was a trip to the Smithsonian rather than a date with doomsday that prevailed with American audiences at the multiplex. Night at the Museum 2 posted an estimated $53.4 million while Terminator Salvation brought in $43.3 million during the first three days of the Memorial weekend holiday. The impressive showdown nonetheless fell slightly short…

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Angels and Demons and … Raindrops on Roses, Whiskers on Kittens

This weekend’s much anticipated tentpole Angels and Demons bowed to an estimated $47.1 million with Star Trek on its heels with a gross of $41.8 million. The perceived four quadrant appeal of The Da Vinci Codefranchise had rivals opting out of counter programming but it didn’t open quite to expectations and the Star Trek reinvention…

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Hi Trek!

It was another weekend of “how big?” Short of a mass flu epidemic sweeping the nation, nothing was going to get in the way of the Star Trek juggernaut. Though tracking and trekking were buoyant along with advance sales, the gut instinct was that it would not open quite as vigorously as X-Men Origins: Wolverine….

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Wolverine in Wolf’s Clothing

The question wasn’t whether but how much as X-Men Origins: Wolverine entered the marketplace as the first of the summer tentpoles. The film’s estimated $85.5 million (including approximately $5 million from Thursday midnight shows) resounded with “a lot.” Not a record, not a benchmark but unquestionably a lot of moolah for a franchise that could…

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Quote Unquotesee all »

“To my mind, this embracing of what were unambiguously children’s characters at their mid-20th century inception seems to indicate a retreat from the admittedly overwhelming complexities of modern existence. It looks to me very much like a significant section of the public, having given up on attempting to understand the reality they are actually living in, have instead reasoned that they might at least be able to comprehend the sprawling, meaningless, but at-least-still-finite ‘universes’ presented by DC or Marvel Comics. I would also observe that it is, potentially, culturally catastrophic to have the ephemera of a previous century squatting possessively on the cultural stage and refusing to allow this surely unprecedented era to develop a culture of its own, relevant and sufficient to its times.”
~ “Watchmen”‘s Alan Moore At His Alan Moore-iest

“Between [DuVernay not directing ‘Black Panther’] & Michelle MacLaren leaving ‘Wonder Woman,’ maybe it’s time we stop using the superhero-movie-hiring as a measure of a director’s success, and instead, take this as a sign that Hollywood needs to greenlight better movies that women with higher creative standards actually want to direct (and see).”
~ Producer Mynette Louie, on Facebook

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