The Weekend Report Archive for March, 2009

Monster Smash

The debut of Monsters vs. Aliens scared up an estimated $57.3 million to handily take control of weekend movie viewing.The Haunting in Connecticut, a more traditional chiller, also bowed to an impressive $23.2 million and the two top sellers accounted for approximately 55% of the frame’s admissions. The session also saw a rather flaccid bow…

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Knowing … and Not Knowing

The science-fiction anxiety raiser Knowing led the weekend box office chart with an estimated $24.1 million. In a session where a trio of national releases was expected to be closely bunched, the separations were noticeable. The romantic comedy I Love You, Man debuted in second spot with $17.6 million and the tongue-in-cheek thriller Duplicity took…

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Witch Way to the Front

Race to Witch Mountain ambled to the top of weekend ticket sales with an estimated $24.8 million. The frame’s other national debuts also showed predictable potency. The horror remake Last House on the Left ranked third with a $14.6 million gross and the twenty-something comedy Miss March mustered $2.3 million. Additionally there were a slew…

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A Watchmen Pot Boils

Propelled by the debut of Watchmen, domestic box office rose by 12% from 2008. The adaptation of the acclaimed graphic novel opened to an estimated $56.7 million and accounted for roughly 50% of all movie ticket sales on its opening weekend. The Watchmen saga – at least in regard to its tortured journey to the…

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Jonas and the Wail

Despite a 60% drop in business and anticipated fierce competition, Madea Goes to Jail retained its position as top ticket seller with an estimated $16.4 million gross. The presumed champ – Jonas Brothers: The 3D Concert Experience – got off to a fast start but quickly faltered and finished second overall with a $12.6 million…

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“Yes, yes, yes. Now I am also the producer on Jean-Luc’s films, so I need to raise the money. Yes, there are two projects in preparation with the pretext of virtual reality. We are beginning with two approaches: we can either do or undo VR. Maybe we will undo it more than we do VR, because thinking about VR leads to the opposite of VR. Is there concrete imagination in virtual reality? For me, cinema is concrete imagination because it’s made with the real and uses it. VR, virtual reality, is totally the opposite of that, but it might be interesting to use this and then to destroy it. No, we’ll see, we’ll see. First, it’s just an idea of a beginning. There is a forest to cross, and we are just at the beginning of the forest. The first step is development. As they say in business, first there is development and research. We have to develop somehow an idea for the film; I won’t say a script, but to see what we can do with this system, and what we can undo with this system.”
~ Fabrice Aragno On Godard’s Next Projects

“Why put it in a box? This is the number one problem I have—by the way it’s a fair question, I’m not saying that—with this kind of festival situation is that there’s always this temptation to classify the movie immediately and if you look at it—and I’ve tried to warn my fellow jurors of this—directors and movie critics are the worst people to judge movies! Directors are always thinking, “I could do that.” Critics are always saying, “This part of the movie is like the 1947 version and this part…” And it’s like, “Fuck! Just watch the movie and try and absorb it and not compare it to some other fucking movie and put it in a box!” So I think the answer’s both and maybe neither, I don’t know. That’s for you to see and criticize me for or not.”
~ James Gray