The Weekend Report Archive for February, 2009

The Check is in the Jail

Madea Goes to Jail was the overwhelming winner as it grossed an estimated $41.2 million in its debut weekend. In another record breaking session one of the few down notes came from the session’s other freshman release — the teen comedy Fired Up — that struggled to $5.9 million. Niche openers ranged from good to…

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Valentine Day Movieholic

The declining appeal of horror movies didn’t last long. The resurrected Friday the 13th slew the competition, debuting to an estimated $42.3 million in the first three days of the President’s holiday weekend. The session also included national bows for the romantic comedy Confessions of a Shopaholic of $15.7 million that ranked fourth and the…

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Sweet Coraline … So Into You

The debut of rom-com He’s Just Not That Into You led the frame with an estimated $27.9 million. Three other films bowed this weekend to varying results including a sturdy start for the 3-D animated Coraline of $16.3 million that ranked third overall. There was OK response of $9.9 million for the thriller Push but…

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Taken .. Not Stirred

The kidnap thriller Taken topped weekend movie going with an estimated $24.5 million. While the top title’s take was upbeat, two other premiering films had below par results. The chiller The Uninvited ranked third overall with $10.5 million and the issue comedy New in Town slotted eighth with a $6.7 million gross. The session also…

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Quote Unquotesee all »

DEADLINE: How does a visualist feel about people watching your films on a phone or VOD?
REFN: It depends on what kind of movie you make. We had great success with Only God Forgives on multiple platforms in the U.S. Young people will decide how they see it, when they want to see it. Don’t try to fight it. Embrace it. That’s a wonderful opportunity. We’re at the most exciting time since the invention of the wheel, in terms of creativity because distribution and accessibility have changed everything. A camera is still a camera whether it’s digital or not; there’s still sound; an actor is an actor. Ninety-nine percent of what you do is going to be seen on a smart phone – I know this is the greatest thing ever made because it allows people to choose, watching what you do on this format or go into a theater and see it on a screen. That means more people than ever will see what I do, which is personally satisfying in terms of vanity. But you have to be able to adapt, to accept things in different order and length than we’re used to. We are in a very, very exciting time.
~ Nic Refn to Jen Yamato

DEADLINE: You mention Tarantino, who with Christopher Nolan and a few other giants, saved film stock from extinction. To him, showing a digital film in a theater is the equivalent of watching TV in public. Make an argument for why digital is a good film making canvas.
REFN: Costwise, it’s a very effective way for young people to start making movies. You can make your movie on an iPhone. It’s wonderful seeing how my own children use technology to enhance creativity. For me it’s a wonderful canvas. Sure, I love grain in film. I love celluloid. But I also like creativity. I like crayons, I like pencils, I like paint. It’s all relative. Technology is more inclusive. A hundred years ago when film was invented, it was an elitist club. Very few people got to make it, very few people controlled it and very few people owned it. A hundred years later, storytelling through images is everyone’s domain. It’s ultimate capitalism. There are no rules, and no barriers and no Hays Code. Where does this go in another hundred years? I don’t know but I would love to see it.
~ Nic Refn To Jen Yamato