The Weekend Report Archive for February, 2009

The Check is in the Jail

Madea Goes to Jail was the overwhelming winner as it grossed an estimated $41.2 million in its debut weekend. In another record breaking session one of the few down notes came from the session’s other freshman release — the teen comedy Fired Up — that struggled to $5.9 million. Niche openers ranged from good to…

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Valentine Day Movieholic

The declining appeal of horror movies didn’t last long. The resurrected Friday the 13th slew the competition, debuting to an estimated $42.3 million in the first three days of the President’s holiday weekend. The session also included national bows for the romantic comedy Confessions of a Shopaholic of $15.7 million that ranked fourth and the…

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Sweet Coraline … So Into You

The debut of rom-com He’s Just Not That Into You led the frame with an estimated $27.9 million. Three other films bowed this weekend to varying results including a sturdy start for the 3-D animated Coraline of $16.3 million that ranked third overall. There was OK response of $9.9 million for the thriller Push but…

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Taken .. Not Stirred

The kidnap thriller Taken topped weekend movie going with an estimated $24.5 million. While the top title’s take was upbeat, two other premiering films had below par results. The chiller The Uninvited ranked third overall with $10.5 million and the issue comedy New in Town slotted eighth with a $6.7 million gross. The session also…

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Quote Unquotesee all »

“Almodóvar–the first name is almost unnecessary–is a genius, is a flower, is a guiding light: the last, best son of Buñuel and so much more than that. His screenplays, which he directs with passion and fine care, have taught us about the exteriors of his native land and the interiors of our own hearts. From the early, manic experimental Super-8 work to the breakthrough Women on the Verge of a Nervous Breakdown, his titles are as evocative as most people’s screenplays. Yet for all their antic energy, Almodóvar’s films are deeply spiritual: watching his disturbing, mysterious, heart-rending Talk to Her is to understand, perhaps for the first time, the full meaning of grace. An Almodóvar screenplay is a running leap off a Gaudi balcony, it flips, soars, ascends, careens, tumbles, falls – always landing, astonishingly and astonished, on its feet.”
~ Howard A. Rodman, Announcing Almodóvar’s Jean Renoir Award

“I got a feeling I am going to win in the long run, but I want to be part of the zeitgeist, too. I want to support young girls who are in their 20s now and tell them: You’re not just imagining things. It’s tough. Everything that a guy says once, you have to say five times. Girls now are also faced with different problems. I’ve been guilty of one thing: After being the only girl in bands for 10 years, I learned—the hard way—that if I was going to get my ideas through, I was going to have to pretend that they—men—had the ideas. I became really good at this and I don’t even notice it myself. I don’t really have an ego. I’m not that bothered. I just want the whole thing to be good. And I’m not saying one bad thing about the guys who were with me in the bands, because they’re all amazing and creative, and they’re doing incredible things now. But I come from a generation where that was the only way to get things done. So I have to play stupid and just do everything with five times the amount of energy, and then it will come through.”
~ Björk to Jessica Hopper at Pitchfork