Night Moves

The Weekend Report Archive for February, 2009

The Check is in the Jail

Madea Goes to Jail was the overwhelming winner as it grossed an estimated $41.2 million in its debut weekend. In another record breaking session one of the few down notes came from the session’s other freshman release — the teen comedy Fired Up — that struggled to $5.9 million. Niche openers ranged from good to…

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Valentine Day Movieholic

The declining appeal of horror movies didn’t last long. The resurrected Friday the 13th slew the competition, debuting to an estimated $42.3 million in the first three days of the President’s holiday weekend. The session also included national bows for the romantic comedy Confessions of a Shopaholic of $15.7 million that ranked fourth and the…

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Sweet Coraline … So Into You

The debut of rom-com He’s Just Not That Into You led the frame with an estimated $27.9 million. Three other films bowed this weekend to varying results including a sturdy start for the 3-D animated Coraline of $16.3 million that ranked third overall. There was OK response of $9.9 million for the thriller Push but…

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Taken .. Not Stirred

The kidnap thriller Taken topped weekend movie going with an estimated $24.5 million. While the top title’s take was upbeat, two other premiering films had below par results. The chiller The Uninvited ranked third overall with $10.5 million and the issue comedy New in Town slotted eighth with a $6.7 million gross. The session also…

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Quote Unquotesee all »

“I am just grateful I am still around. I would love to be Steven Soderbergh, but I am lucky to be Joe Swanberg. Actors want to work with me, people want to give me money, and my nightmare scenario remains: Getting in bed with a studio, spending years on a movie, and it turns out horrible, but now I’m rich.”

Actually, by Hollywood standards, you’re right, I said. That is unambitious.

“It is, and yet, if you can go to bed happy at night, doing what you want, isn’t that ambition for a lifetime?”
~ Swanberg On Swanberg By Borelli

“In retrospect, nothing of that kind surprised me about Philip, because his intuition was luminous from the instant you met him. So was his intelligence. A lot of actors act intelligent, but Philip was the real thing: a shining, artistic polymath with an intelligence that came at you like a pair of headlights and enveloped you from the moment he grabbed your hand, put a huge arm round your neck and shoved a cheek against yours; or if the mood took him, hugged you to him like a big, pudgy schoolboy, then stood and beamed at you while he took stock of the effect.”
John le Carré on Philip Seymour Hoffman