The Weekend Report Archive for January, 2009

Subterranean Mallsick Blues … Greens

You can keep a bad man down … but not by much. The bow of Underworld: Rise of the Lycans was top of the pops on its opening day but lost ground as the weekend progressed; finishing with an estimated $20.5 million. But bragging rights went to the second-weekend gross of Paul Blart: Mall Cop,…

Read the full article »

Manled to the Max

Paul Blart: Mall Cop was intent to serve and protect and delivered an estimated $32.9 million during the three-day portion of the Martin Luther King holiday frame. Blart out-performed expectations as did another freshman release, the musical biography Notorious that ranked third with a $22.2 million gross. There were also solid returns for the two…

Read the full article »

Granier Old Man

The national launch of Gran Torino shot down the competition with an estimated $29 million weekend box office. Still, the first trio of 2009 debuts fared well in the marketplace. The distaff comedy Bride Wars ranked second with $21.4 million; followed closer by low-budget chiller The Unborn, which bowed at $21 million. Debuting ninth with…

Read the full article »

Barking Up the Same Tree

The opening salvo of 2009 looked a lot like the last gasp of 2008 with cuddly Marley and Meleading ticket sales with an estimated $24.2 million. Despite the absence of new national releases box office rose 9% from last year’s first weekend. Initial data pegs domestic revenues for 2008 at $9.79 billion and a slight…

Read the full article »

The Weekend Report

Steph on: The Weekend Report

laura rue on: The Weekend Report

Sam on: The Weekend Report

Peter on: The Weekend Report

Isah Adomoc on: The Weekend Report

K. Bowen on: The Weekend Report

charlesmayaki on: The Weekend Report

Ray Pride on: The Weekend Report

charles mayaki on: The Weekend Report

samguy on: The Weekend Report

Quote Unquotesee all »

“Because of my relative candor on Twitter regarding why I quit my day job, my DMs have overflowed with similar stories from colleagues around the globe. These peeks behind the curtains of film festivals, venues, distributors and funding bodies weren’t pretty. Certain dismal patterns recurred (and resonated): Boards who don’t engage with or even understand their organization’s artistic mission and are insensitive to the diverse neighborhood in which their organization’s venue is located; incompetent founders and/or presidents who create only obstacles, never solutions; unduly empowered, Trumpian bean counters who chip away at the taste and experiences that make organizations’ cultural offerings special; expensive PR teams that don’t bring to the table a bare-minimum familiarity with the rich subcultural art form they’re half-heartedly peddling as “product”; nonprofit arts organizations for whom art now ranks as a distant-second goal behind profit.”
~ Eric Allen Hatch

To me, Hunter S. Thompson was a hero. His early books were great, but in many ways, his life and career post–Fear and Loathing on the Campaign Trail is a cautionary tale for authors. People expected him to be high and drunk all the time and play that persona, and he stuck with that to the end, and I don’t think it was good for him. I always sort of feel mixed emotions when I hear that people went and hung out with Hunter and how great it was to get high with Hunter. The fact is the guy was having difficulty doing any sustained writing at all for years probably because so many quote, unquote, “friends” wanted to get high with him … There was a badly disappointed romantic there. I mean, that great line, “This is where the wave broke, the tide rolled back … ” This was a guy that was hurt and disappointed and very bitter about things, and it made his writing beautiful, and also with that came a lot of pain.
~ Anthony Bourdain