The Weekend Report Archive for November, 2008

Jingle All the Way

It was a gift exchange as Americans rose from Thanksgiving tables to make the turkey trot to Four Christmases, which topped holiday viewing with an estimated $46.6 million for the five-day span. Though shy of a record breaker, business was brisk; experiencing a slight boost from 2007 but falling short of earlier sessions in 2005…

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Fang You Very Much

Twilight, the teen vampire romance sensation, bit down hard to debut with an estimated $72.7 million and command about 44% of weekend ticket buying revenues. The session also saw the bow of the animated family film Bolt, which ranked third with $26.8 million in a frame that saw the sort of expansion Wall Street dreams…

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Shakin’ All Over

Five decades of good will added up to a staggering estimated debut of 00-$71.1 million for the 22nd James Bond (under the Broccoli imprimatur), Quantum of Solace. It was the biggest bow-wow for the enduring series domestically and wound up selling about 46% of all movie tickets; its anticipated potency had potential competitors steering clear…

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The Lion in Autumn

The animated antics of Madagascar: Back 2 Africa roared to an estimated $63.3 million to corral about 45% of weekend ticket sales. Despite its dominance, there was still ample room for a potent bow for the teen comedy Role Model of $19.1 million to rank second. The third national newcomer – the urban musical comedy…

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Boo!

All Hallow’s Eve spooked the box office with debuts and holdovers crushed Friday as the nation dressed up and hit the streets but not the multiplexes. Even with a Saturday bounce back overall and individual performances were tepid with High School Musical once again leading the session with an estimated $14.8 million. Slacker comedy Zack…

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Quote Unquotesee all »

A Haunted House 2 is not a movie. It is a nervous breakdown. Directed by Michael Tiddes but largely the handiwork of star, producer, and co-writer Marlon Wayans, the film is being billed as yet another Wayans-ized spoof of the horror movie genre, à la the first Haunted House movie and the wildly successful Scary Movie series. (Keenen Ivory Wayans and his brothers were responsible for the first two Scary Movie films; they have since left that franchise, which may explain why a new one was needed.) And there are some familiar digs at recent horror flicks: This time, the creepy doll and the closet from The Conjuring, the family-murdering demon from Sinister, and the dybbuk box from The Possession all make appearances. But this new film is mostly an excuse for star Marlon Wayans to have extended freak-outs in response to the horrors visited upon him—shrieking, screaming, crying, cowering, and occasionally hate-fucking for minutes on end. Yes, you read that last bit right. A Haunted House 2 puts the satyriasis back in satire.”
Ebiri On A Haunted House 2

“I wanted to make you love a murderer. There’s no way of redeeming him. He’s a drunk and a killer. He killed at least seven people (that we know of). But there were reasons he was a bad guy. He was surrounded by evil in those days. A lot of people were killed building modern Florida—modern everywhere. Watson had plenty of opportunities to see how rough those guys were playing and he thought he could do it too. At least he rationalized it that way. He had the devil beaten out of him and became a very dangerous guy. And he couldn’t handle his liquor, which is one of the worst aspects of him. And he went crazy. Understanding how that happened is useful, I think. There’s no reason any one of us couldn’t be Edgar Watson.”
~ Peter Mathiessen On Writing “Killing Mister Watson”