The Weekend Report Archive for November, 2008

Jingle All the Way

It was a gift exchange as Americans rose from Thanksgiving tables to make the turkey trot to Four Christmases, which topped holiday viewing with an estimated $46.6 million for the five-day span. Though shy of a record breaker, business was brisk; experiencing a slight boost from 2007 but falling short of earlier sessions in 2005…

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Fang You Very Much

Twilight, the teen vampire romance sensation, bit down hard to debut with an estimated $72.7 million and command about 44% of weekend ticket buying revenues. The session also saw the bow of the animated family film Bolt, which ranked third with $26.8 million in a frame that saw the sort of expansion Wall Street dreams…

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Shakin’ All Over

Five decades of good will added up to a staggering estimated debut of 00-$71.1 million for the 22nd James Bond (under the Broccoli imprimatur), Quantum of Solace. It was the biggest bow-wow for the enduring series domestically and wound up selling about 46% of all movie tickets; its anticipated potency had potential competitors steering clear…

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The Lion in Autumn

The animated antics of Madagascar: Back 2 Africa roared to an estimated $63.3 million to corral about 45% of weekend ticket sales. Despite its dominance, there was still ample room for a potent bow for the teen comedy Role Model of $19.1 million to rank second. The third national newcomer – the urban musical comedy…

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Boo!

All Hallow’s Eve spooked the box office with debuts and holdovers crushed Friday as the nation dressed up and hit the streets but not the multiplexes. Even with a Saturday bounce back overall and individual performances were tepid with High School Musical once again leading the session with an estimated $14.8 million. Slacker comedy Zack…

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“I remember very much the iconography and the images and the statues in church were very emotional for me. Just the power of that, and even still — just seeing prayer card, what that image can evoke. I have a lot of friends that are involved in the esoteric, and I know some girls in New York that are also into the supernatural. I don’t feel that I have that gift. But I am leaning towards mysticism… Maybe men are more practical, maybe they don’t give into that as much… And then also, they don’t convene in the same way that women do. But I don’t know, I am not a man, I don’t want to speak for men. For me, I tend to gravitate towards people who are open to those kinds of things. And the idea for my film, White Echo, I guess stemmed from that — I find that the girls in New York are more credible. What is it about the way that they communicate their ideas with the supernatural that I find more credible? And that is where it began. All the characters are also based on friends of mine. I worked with Refinery29 on that film, and found that they really invest in you which is so rare in this industry.”
Chloë Sevigny

“The word I have fallen in love with lately is ‘Hellenic.’ Greek in its mythology. So while everyone is skewing towards the YouTube generation, here we are making two-and-a-half-hour movies and trying to buck the system. It’s become clear to me that we are never going to be a perfect fit with Hollywood; we will always be the renegade Texans running around trying to stir the pot. Really it’s not provocation for the sake of being provocative, but trying to make something that people fall in love with and has staying power. I think people are going to remember Dragged Across Concrete and these other movies decades from now. I do not believe that they will remember some of the stuff that big Hollywood has put out in the last couple of years. You’ve got to look at the independent space to find the movies that have been really special recently. Even though I don’t share the same world-view as some of my colleagues, I certainly respect the hell out of their movies which are way more fascinating than the stuff coming out of the studio system.”
~ Dallas Sonnier