The Weekend Report Archive for November, 2008

Jingle All the Way

It was a gift exchange as Americans rose from Thanksgiving tables to make the turkey trot to Four Christmases, which topped holiday viewing with an estimated $46.6 million for the five-day span. Though shy of a record breaker, business was brisk; experiencing a slight boost from 2007 but falling short of earlier sessions in 2005…

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Fang You Very Much

Twilight, the teen vampire romance sensation, bit down hard to debut with an estimated $72.7 million and command about 44% of weekend ticket buying revenues. The session also saw the bow of the animated family film Bolt, which ranked third with $26.8 million in a frame that saw the sort of expansion Wall Street dreams…

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Shakin’ All Over

Five decades of good will added up to a staggering estimated debut of 00-$71.1 million for the 22nd James Bond (under the Broccoli imprimatur), Quantum of Solace. It was the biggest bow-wow for the enduring series domestically and wound up selling about 46% of all movie tickets; its anticipated potency had potential competitors steering clear…

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The Lion in Autumn

The animated antics of Madagascar: Back 2 Africa roared to an estimated $63.3 million to corral about 45% of weekend ticket sales. Despite its dominance, there was still ample room for a potent bow for the teen comedy Role Model of $19.1 million to rank second. The third national newcomer – the urban musical comedy…

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Boo!

All Hallow’s Eve spooked the box office with debuts and holdovers crushed Friday as the nation dressed up and hit the streets but not the multiplexes. Even with a Saturday bounce back overall and individual performances were tepid with High School Musical once again leading the session with an estimated $14.8 million. Slacker comedy Zack…

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Quote Unquotesee all »

 “Teaching how to make a film is like trying to teach someone how to fuck. You can’t. You have to fuck to learn how to fuck. It’s just how it is. The filmmaker has to protect the adventurous side of their self. I’m an explorer, I’m an inventor. Doc Brown is the character I relate to the most and he’s a madman. He’s a madman alone, locked up with his ideas but he does whatever he wants. He makes what he makes because he wants to make it. Yes, the DeLorean has to work in order for him to be a madman with a purpose—the DeLorean should work—but the point is I think everyone should try and find their own DeLorean. When Zemeckis was trying to get Back To The Future made, which he was for seven years, he was trying to get a film made where basically a teenager gets in a time machine, goes back to 1954 and almost —-s his mother. That pitch is extremely subversive and twisted in a way. My point is, he had a fascinating idea that no one had done before, but was clearly special to him and he stuck to it and made it what it was. When you do that you can create culture, but I think a lot of movies are just echoing culture and there’s a difference.”
~ A Girl Walks Home Alone At Night Filmmaker Ana Lily Amirpour

Six rules for filmmaking from Mike Nichols
1. The careful application of terror is an important form of communication.
2. Anything worth fighting for is worth fighting dirty for.
3. There’s absolutely no substitute for genuine lack of preparation.
4. If you think there’s good in everybody, you haven’t met everybody.
5. Friends may come and go but enemies will certainly become studio heads.
6. No one ever lost anything by asking for more money.
~ Via Larry Karaszewski and Howard A. Rodman On Facebook