The Weekend Report Archive for September, 2008

Fly Like an Eagle

There was little ocular strain as audiences focused on the anxiety-raising Eagle Eye with a potent debut estimated at $29.5 million. The weekend leader’s closest competition came from another newcomer, the romantically drenched Nights of Rodanthe that grossed $13.7 million. Two other films bowed nationally with the uplifting drama Fireproof preaching effectively to $6.4 million…

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Suburban Crawl

The debut of Lakeview Terrace was the idyll of choice for weekend movie goers as it grossed an estimated $15.4 million. Three other films bowed in the current session including the Dane Cook comedy My Best Friend’s Girl that ranked third with $8.3 million and the family animated offering Igor that opened to $7.6 million….

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Pyromaniac’s Revenge

In a hotly contested weekend race, the political comedy Burn After Reading emerged as the box office leader with an estimated $19.2 million. Two other debuting titles were right behind with Tyler Perry’s relative drama The Family That Preys grossing $18 million and the DeNiro-Pacino cop meller Righteous Kill posting a $16.4 million box office….

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The Weekend Report: September 7, 2008

There’s no Weekend Report column this weekend. Leonard Klady is Festivaling in Toronto. Weekend Estimates – September 5-7, 2008 Title Distributor Gross (average) % change Theaters Cume Bangkok Dangerous Lions Gate 7.9 (2,990) – 2650 7.9 Tropic Thunder Par 7.3 (2,120) -36% 3446 96.6 The Dark Knight WB 5.7 (2,210) -34% 2575 512.2 The House…

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Slow and Sure

Tropic Thunder executed the hat trick as its estimated $14.5 million holiday weekend tally emerged as the top viewing choice. As the season came to a close a quartet of new national releases sought some late breaking coin. The sci-fi opus Babylon A.D. was ranked second with $12.1 million while the spy thriller Traitor slipped…

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“It’s the job of the artist, to exploit connections. You see, I speak on behalf of the world of the artist without hesitation! People don’t realize that the part of the playwright is finding something for people to talk about. If you are writing about a historical episode, or two characters in ‘Hamlet,’ you have a structure for free.”
~ Tom Stoppard

“This is momentous. I think it is the true beginning of the crumble of the patriarchy. We’ve been living under it for centuries, and I don’t think this would’ve been possible in any earlier period in history. I think all of the baby steps that we’ve taken toward getting more women in positions of power — cinematographers that are women, and actresses who develop their own projects, and studio heads that are women — I mean, it was always one at a time, but it’s been slowly building. I think what’s happened now, it’s like, “Okay, the jig’s up, folks. You’re not going to get away with it. I’m not going to protect you if you treat me badly or disrespectfully.” We now have a woman cinematographer nominated for an Oscar, finally, in 2018. Finally. We’ve had a woman director win an Oscar. So it’s baby steps, but now I think it’s going to change drastically. Plus, I mean, look at Wonder Woman. Wonder Woman was a great movie. It was beautiful and it made a lot of money, which is what talks, of course, in this industry. So I think we’ll be seeing more women in positions of power.”
~ Ellen Burstyn