The Weekend Report Archive for April, 2008

Poehler Opposiyuks

Comedy was king as a rare instance of a trio of laughers led weekend movie going. At the top of the list were newcomers Baby Mama and Harold & Kumar Escape from Guantanamo Bay that bowed to respective estimated grosses of $18.2 million and $14.5 million. The session’s third national opener – the thriller Deception…

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Fagetaboutit!

The anticipated dust up between the Jackie and Jet in Forbidden Kingdom and the naughty bits of Forgetting Sarah Marshall saw the martial artists draw in an estimated $20.8 million and the latest comedy from the Apatow corral gross $17.4 million. The opening strength of the two films left poor seconds for the Al Pacino…

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Hop To It

Weekend movie going dressed up and gave its corsage to the scare fare Prom Night that bested all comers with an estimated $22.8 million. Another freshman, the tough cop Street Kings ranked second with a so-so $12.1 million and the limited wide release preem Smart People entered the fray with respectable revenues of $4.2 million….

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Leathertails … Oops!

The thrill of victory eluded the debut of Leatherheads as its estimated $13.4 million weekend trailed the $15.4 million sophomore session of 21. The frame’s other freshmen releases also opened on the dull side with the family friendly Nim’s Island grossing $13.2 million and the horror entry The Ruinsbowing to $7.6 million. In the continuing…

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“Why put it in a box? This is the number one problem I have—by the way it’s a fair question, I’m not saying that—with this kind of festival situation is that there’s always this temptation to classify the movie immediately and if you look at it—and I’ve tried to warn my fellow jurors of this—directors and movie critics are the worst people to judge movies! Directors are always thinking, “I could do that.” Critics are always saying, “This part of the movie is like the 1947 version and this part…” And it’s like, “Fuck! Just watch the movie and try and absorb it and not compare it to some other fucking movie and put it in a box!” So I think the answer’s both and maybe neither, I don’t know. That’s for you to see and criticize me for or not.”
~ James Gray

“I have long defined filmmaking and directing in particular as just a sort of long-term act of letting go,” she said. “It’s honestly just gratifying that people are sort of reapproaching or reassessing the film. I like to just remind everyone that the movie is still the same — it’s the same movie, it’s the movie we always made, and it was the movie we always wanted to make. And maybe it just came several years too early.”
~ Karyn Kusama