The Weekend Report Archive for February, 2008

Take A Vantage…

The twisty little thriller Vantage Point ascended to the top of weekend movie going with an estimated $24.4 million. In a softish frame running up to Sunday’s Oscar telecast, another trio of pictures bowed in modestly wide release with the off kilter comedy Be Kind Rewind attracting a respectable $4 million. However, neither the $2.1…

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Look Before You Leap…

Fool’s Gold, a Popeel of a rom-com, ascended to the top of the weekend movie going charts with an estimated $22.1 million debut. The frame’s other national freshman, Welcome Home Roscoe Jenkins, ranked second with $17.1 million in a session that was largely status quo for this time of year. Vince Vaughn’s Wild West Comedy…

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Pyrites of the Caribbean…

Fool’s Gold, a Popeel of a rom-com, ascended to the top of the weekend movie going charts with an estimated $22.1 million debut. The frame’s other national freshman, Welcome Home Roscoe Jenkins, ranked second with $17.1 million in a session that was largely status quo for this time of year. Vince Vaughn’s Wild West Comedy…

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Holey Hannah/The Miley High Club…

Hannah Montana in 3-D reigned in its weekend debut with an estimated record-breaking $29.7 million. The singing sensation eclipsed a trio of other freshmen including a tidy second place finish of $13.1 million for the chiller The Eye. However, not many got the joke of either Over Her Dead Bodyor Strange Wilderness that bowed respectively…

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Quote Unquotesee all »

“What Quibi trying to do is get to the next generation of film narrative. The first generation was movies, and they were principally two-hour stories that were designed to be watched in a single sitting in a movie theater [ED: After formats like the nickelodeon]. The next generation of film narrative was television, principally designed to be watched in one-hour chapters in front of a television set. I believe the third generation of film narrative will be a merging of those two ideas, which is to tell two-hour stories in chapters that are seven to ten minutes in length. We are actually doing long-form in bite-size.”
~ Jeffrey Katzenberg

“The important thing is: what makes the audience interested in it? Of course, I don’t take on any roles that don’t interest me, or where I can’t find anything for myself in it. But I don’t like talking about that. If you go into a restaurant and you have been served an exquisite meal, you don’t need to know how the chef felt, or when he chose the vegetables on the market. I always feel a little like I would pull the rug out from under myself if I were to I speak about the background of my work. My explanations would come into conflict with the reason a movie is made in the first place — for the experience of the audience — and that, I would not want.
~  Christoph Waltz