The Weekend Report Archive for January, 2008

Bo or No…

George S. Kaufman observed that “Satire is what closes on Saturday night.” And whether audiences perceived Meet the Spartans and the resurrection of Rambo as film parodies or simply intuited the two movies as send ups, each struggled for bragging rights in the weekend box office derby. Spartans, the more obviously humorous assault, appeared to…

Read the full article »

Four Leaf Cloverfield…

The trepidation that monster mash up Cloverfield might resonate with Snakes on a Planedisappointment proved unfounded as it lapped the competition and emerged the holiday weekend favorite with an estimated $47.1 million. The session also featured upbeat returns of $26.3 million and a second ranking for the romantic comedy 27 Dresses but Overture’s maiden voyage…

Read the full article »

Alive and Kicking…

The Bucket List scooped up an estimated $19.4 million to take charge of the weekend box office in what proved to be a hotly contested frame. Among new entries there were also excellent results for the African American comedy First Sunday of $18.4 million to rank it second overall but blah returns for the animated…

Read the full article »

Ring in the New…

The connection was strong for the debut of the cellular thriller One Missed Call but the strongest signal at the weekend box office remained National Treasure: Book of Secrets that generated an estimated $20.5 million in its third weekend in theaters. There was another close call as Juno and I Am Legend battled for the…

Read the full article »

The Weekend Report

Steph on: The Weekend Report

laura rue on: The Weekend Report

Sam on: The Weekend Report

Peter on: The Weekend Report

Isah Adomoc on: The Weekend Report

K. Bowen on: The Weekend Report

charlesmayaki on: The Weekend Report

Ray Pride on: The Weekend Report

charles mayaki on: The Weekend Report

samguy on: The Weekend Report

Quote Unquotesee all »

“Because of my relative candor on Twitter regarding why I quit my day job, my DMs have overflowed with similar stories from colleagues around the globe. These peeks behind the curtains of film festivals, venues, distributors and funding bodies weren’t pretty. Certain dismal patterns recurred (and resonated): Boards who don’t engage with or even understand their organization’s artistic mission and are insensitive to the diverse neighborhood in which their organization’s venue is located; incompetent founders and/or presidents who create only obstacles, never solutions; unduly empowered, Trumpian bean counters who chip away at the taste and experiences that make organizations’ cultural offerings special; expensive PR teams that don’t bring to the table a bare-minimum familiarity with the rich subcultural art form they’re half-heartedly peddling as “product”; nonprofit arts organizations for whom art now ranks as a distant-second goal behind profit.”
~ Eric Allen Hatch

To me, Hunter S. Thompson was a hero. His early books were great, but in many ways, his life and career post–Fear and Loathing on the Campaign Trail is a cautionary tale for authors. People expected him to be high and drunk all the time and play that persona, and he stuck with that to the end, and I don’t think it was good for him. I always sort of feel mixed emotions when I hear that people went and hung out with Hunter and how great it was to get high with Hunter. The fact is the guy was having difficulty doing any sustained writing at all for years probably because so many quote, unquote, “friends” wanted to get high with him … There was a badly disappointed romantic there. I mean, that great line, “This is where the wave broke, the tide rolled back … ” This was a guy that was hurt and disappointed and very bitter about things, and it made his writing beautiful, and also with that came a lot of pain.
~ Anthony Bourdain