The Weekend Report Archive for November, 2007

Some Enchanted Turkey …

November 25, 2007 Weekend Estimates Domestic Market Share The Thanksgiving holiday frame was definitely rich on stuffing with the time travel princess ofEnchanted emerging most magical with an estimated $34.8 million during the weekend and $49.5 million from its Wednesday launch. The table was overflowing with new entrees and scant on sides. The Afrocentric This…

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Wulf at the Door

November 18, 2007 Weekend Estimates Domestic Market Share The venerable Nordic saga Beowulf handily led the frame with a debut estimated at $27.5 million. However, other premieres proved less fulsome including just fair results of $9.9 million for the family friendly Mr. Magorium’s Wonder Emporium and a dull $1.9 million for the long gestating adaptation of Love in…

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Sting Like a Lion, Float Like a Santa

November 11, 2007 Weekend Estimates Domestic Market Share Last weekend’s leaders switched positions with the animated yellow jacket Bee Movie edging out the crime saga American Gangster with respective estimates of $25.7 million and $24.5 million. That left weekend freshmen scrambling for patrons with holiday family entry Fred Claus corralling a solid $18.5 million while political thriller Lions for…

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Honey in the Bank …

November 4 , 2007 Weekend Estimates Domestic Market Share The multiplexes were abuzz with American Gangster leading the frame on an estimated $46.5 million tally and the animated Bee Movie adding a stinging $38.9 million to a turnaround session at the box office. The leaders didn’t leave much more for the national debut of Martian Child that ranked…

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“There’s a mass belief that if you’re texting, you’re somehow not interrupting the conversation—you’re not being rude. It’s an illusion of multitasking. I started filmmaking when people didn’t expect to have a phone on set, when it would’ve been seen as unprofessional to pull out a phone. Phones have become a huge distraction, and people work much better without them. At first it causes difficulty, but it really allows them to concentrate on what they’re doing. Everybody understands. I’ve had a lot of crews thank me. With a set, we’re trying to create a bubble of alternate reality.”
~ Christopher Nolan

“I’ve always loved films that approach sound in an impressionistic way and that is an unusual approach for a mainstream blockbuster, but I feel it’s the right approach for this experiential film. Many of the filmmakers I’ve admired over the years have used sound in bold and adventurous ways. I don’t agree with the idea that you can only achieve clarity through dialogue. Clarity of story, clarity of emotions—I try to achieve that in a very layered way using all the different things at my disposal—picture and sound.”
~ Christopher Nolan