Night Moves

The Weekend Report Archive for November, 2007

Some Enchanted Turkey …

November 25, 2007 Weekend Estimates Domestic Market Share The Thanksgiving holiday frame was definitely rich on stuffing with the time travel princess ofEnchanted emerging most magical with an estimated $34.8 million during the weekend and $49.5 million from its Wednesday launch. The table was overflowing with new entrees and scant on sides. The Afrocentric This…

Read the full article » No Comments »

Wulf at the Door

November 18, 2007 Weekend Estimates Domestic Market Share The venerable Nordic saga Beowulf handily led the frame with a debut estimated at $27.5 million. However, other premieres proved less fulsome including just fair results of $9.9 million for the family friendly Mr. Magorium’s Wonder Emporium and a dull $1.9 million for the long gestating adaptation of Love in…

Read the full article » No Comments »

Sting Like a Lion, Float Like a Santa

November 11, 2007 Weekend Estimates Domestic Market Share Last weekend’s leaders switched positions with the animated yellow jacket Bee Movie edging out the crime saga American Gangster with respective estimates of $25.7 million and $24.5 million. That left weekend freshmen scrambling for patrons with holiday family entry Fred Claus corralling a solid $18.5 million while political thriller Lions for…

Read the full article » No Comments »

Honey in the Bank …

November 4 , 2007 Weekend Estimates Domestic Market Share The multiplexes were abuzz with American Gangster leading the frame on an estimated $46.5 million tally and the animated Bee Movie adding a stinging $38.9 million to a turnaround session at the box office. The leaders didn’t leave much more for the national debut of Martian Child that ranked…

Read the full article » No Comments »

Quote Unquotesee all »

“Fight Club was a movie where half the financing fell out before we started shooting. Bill Mechanic to his credit said: ‘I’m making this movie.’ Laura Ziskin, may she rest in peace, was there every step of the way saying: ‘Go, keep going, it’s great, we love the dailies, it’s amazing.’ When we cut the movie together and showed them the final thing is the first time everyone realized they were going to get fired. It’s a great cocktail story about doing this movie that’s so dark and twisted and then they see it and go, oh my god, what’s the poster here? How do we get people to see this? The marketing department shit all over the movie and said: ‘Men don’t want to see Brad Pitt with his shirt off and women don’t want to see him bloody so you’re fucked.’ So they devised a campaign for the film to sell it to people watching the World Wrestling Federation. I wanted to sell it as a satire. Madness. People go to the movies to see things they haven’t seen before. Call me a radical.”
~ David Fincher On Fight Club

“Being on sets and watching how shit went down, I watched a lot of directors get rope-a-doped. I could see that they wanted to execute something and the experts hired to support them said ‘We won’t have time for that.’ So I watched people I admired get spun and I vowed never to let that happen. I want to know what every motherfucker in the room does. I never wanted to be the person victimised by other people’s laziness.”
~ David Fincher on process