The Weekend Report Archive for November, 2007

Some Enchanted Turkey …

November 25, 2007 Weekend Estimates Domestic Market Share The Thanksgiving holiday frame was definitely rich on stuffing with the time travel princess ofEnchanted emerging most magical with an estimated $34.8 million during the weekend and $49.5 million from its Wednesday launch. The table was overflowing with new entrees and scant on sides. The Afrocentric This…

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Wulf at the Door

November 18, 2007 Weekend Estimates Domestic Market Share The venerable Nordic saga Beowulf handily led the frame with a debut estimated at $27.5 million. However, other premieres proved less fulsome including just fair results of $9.9 million for the family friendly Mr. Magorium’s Wonder Emporium and a dull $1.9 million for the long gestating adaptation of Love in…

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Sting Like a Lion, Float Like a Santa

November 11, 2007 Weekend Estimates Domestic Market Share Last weekend’s leaders switched positions with the animated yellow jacket Bee Movie edging out the crime saga American Gangster with respective estimates of $25.7 million and $24.5 million. That left weekend freshmen scrambling for patrons with holiday family entry Fred Claus corralling a solid $18.5 million while political thriller Lions for…

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Honey in the Bank …

November 4 , 2007 Weekend Estimates Domestic Market Share The multiplexes were abuzz with American Gangster leading the frame on an estimated $46.5 million tally and the animated Bee Movie adding a stinging $38.9 million to a turnaround session at the box office. The leaders didn’t leave much more for the national debut of Martian Child that ranked…

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“Because of my relative candor on Twitter regarding why I quit my day job, my DMs have overflowed with similar stories from colleagues around the globe. These peeks behind the curtains of film festivals, venues, distributors and funding bodies weren’t pretty. Certain dismal patterns recurred (and resonated): Boards who don’t engage with or even understand their organization’s artistic mission and are insensitive to the diverse neighborhood in which their organization’s venue is located; incompetent founders and/or presidents who create only obstacles, never solutions; unduly empowered, Trumpian bean counters who chip away at the taste and experiences that make organizations’ cultural offerings special; expensive PR teams that don’t bring to the table a bare-minimum familiarity with the rich subcultural art form they’re half-heartedly peddling as “product”; nonprofit arts organizations for whom art now ranks as a distant-second goal behind profit.”
~ Eric Allen Hatch

To me, Hunter S. Thompson was a hero. His early books were great, but in many ways, his life and career post–Fear and Loathing on the Campaign Trail is a cautionary tale for authors. People expected him to be high and drunk all the time and play that persona, and he stuck with that to the end, and I don’t think it was good for him. I always sort of feel mixed emotions when I hear that people went and hung out with Hunter and how great it was to get high with Hunter. The fact is the guy was having difficulty doing any sustained writing at all for years probably because so many quote, unquote, “friends” wanted to get high with him … There was a badly disappointed romantic there. I mean, that great line, “This is where the wave broke, the tide rolled back … ” This was a guy that was hurt and disappointed and very bitter about things, and it made his writing beautiful, and also with that came a lot of pain.
~ Anthony Bourdain