The Weekend Report Archive for June, 2007

Sequels Aren’t Equals …

June 24, 2007 Weekend Estimates Domestic Market Share The Evan Almighty wave crested at an estimated $32.3 million to lead all titles in the domestic marketplace. The session also featured the national bow of the Stephen King chiller 1408 in second place with a sturdy $20.4 million and a disappointing $3.9 million bow for the highly lauded saga…

Read the full article »

June 17, 2007

June 17, 2007 Weekend Estimates Domestic Market Share Fantastic Four: Rise of the Silver Surfer glided to an estimated $57.7 million to take command of weekend movie going. In a slightly depressed marketplace the box office gods dismissed a revivedNancy Drew that ranked seventh overall with a meager $7.2 million. Similarly specialty newcomers were largely…

Read the full article »

Thirteen … The Hard Way

June 10, 2007 Weekend Estimates Domestic Market Share Ocean’s Thirteen walked away from the table with an estimated $36.2 million to take top spot in the weekend movie derby. Commercially it out stayed its welcome and audiences didn’t appear to be waddling with happy feet to Surf’s Up’s celluloid penguins that grossed $17.9 million to…

Read the full article »

Shiver Me Trimester ..

June 3 , 2007 Weekend Estimates Domestic Market Share The scurvy crew of Pirates of the Caribbean: At World’s End once again plundered heartiest with an estimated weekend booty of $43.7 million. However, its fiercest competition came not from a tent pole but the bawdy high concept comedy Knocked Up that grossed $29.3 million. The frame…

Read the full article »

The Weekend Report

movieman on: The Weekend Report

Eric N on: Weekend Report

Judi Levine on: The Weekend Report

Steph on: The Weekend Report

laura rue on: The Weekend Report

Sam on: The Weekend Report

Peter on: The Weekend Report

Isah Adomoc on: The Weekend Report

K. Bowen on: The Weekend Report

charlesmayaki on: The Weekend Report

Quote Unquotesee all »

“What Quibi trying to do is get to the next generation of film narrative. The first generation was movies, and they were principally two-hour stories that were designed to be watched in a single sitting in a movie theater [ED: After formats like the nickelodeon]. The next generation of film narrative was television, principally designed to be watched in one-hour chapters in front of a television set. I believe the third generation of film narrative will be a merging of those two ideas, which is to tell two-hour stories in chapters that are seven to ten minutes in length. We are actually doing long-form in bite-size.”
~ Jeffrey Katzenberg

“The important thing is: what makes the audience interested in it? Of course, I don’t take on any roles that don’t interest me, or where I can’t find anything for myself in it. But I don’t like talking about that. If you go into a restaurant and you have been served an exquisite meal, you don’t need to know how the chef felt, or when he chose the vegetables on the market. I always feel a little like I would pull the rug out from under myself if I were to I speak about the background of my work. My explanations would come into conflict with the reason a movie is made in the first place — for the experience of the audience — and that, I would not want.
~  Christoph Waltz