The Weekend Report Archive for April, 2007

Next Can’t Happen Too Soon…

April 29, 2007 Weekend Finals Domestic Market Share The weekend box office buzz primarily focused on next weekend’s debut of Spider-Man 3 rather than anything with currency. And it was for good reason! Disturbia was for the third weekend the top grosser with an estimated $9.1 million and a quartet of freshmen releases failed to spark much…

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Shaken, But Not Destirred …

April 22, 2007 Weekend Finals Domestic Market Share While four new films entered the marketplace, last week’s top-slotted Disturbia held first place with an estimated $13.7 million gross. The freshmen class included a place position for the psychological thriller Fracture of $10.7 million; the chiller Vacancy ranked fourth with $7.5 million; Brit hit comedyHot Fuzz grossed $5.8 million…

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Be Disturbed .. Be Very, Very Disturbed!

April 15, 2007 Weekend Finals Domestic Market Share The offbeat teen thriller Disturbia took top honors in weekend movie going with an estimated $22.8 gross. Five other films bowed nationally to generally disappointing results as the industry appeared to be emulating the August tradition of dumping product. However, in this instance new entries were anticipating quick…

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The Grind Who Stole Easter?

April 8, 2007 Weekend Finals Domestic Market Share The mood was eggstatic as the Easter weekend frame eggceeded 2006 business with a quartet of new releases. However, last weekend toppers Blades of Glory and Meet the Robinsons once again held top spots with respective estimated grosses of $23.2 million and $17.1 million. Freshmen entries generally opened well…

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Thick Ice …

April 1, 2007 Weekend Finals Domestic Market Share Blades of Glory figured an impressive estimated $33.1 million to take the gold in weekend box office viewing. There was also good news for the animated Meet the Robinsons that ranked second with $25.7 million but eyes were elsewhere for The Lookout. Additionally the stealth reissue of Peaceful Warrior…

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“Ten years ago at Telluride, I said on a panel that theatrical distribution was dying. It seemed obvious to me. I was surprised how many in the audience violently objected: ‘People will always want to go to the movies!’ That’s true, but it’s also true that theatrical cinema as we once knew it has died. Theatrical cinema is now Event Cinema, just as theatrical plays and musical performances are Events. No one just goes to a movie. It’s a planned occasion. Four types of Event Cinema remain.
1. Spectacle (IMAX-style blockbusters)
2. Family (cartoon like features)
3. Horror (teen-driven), and
4. Film Club (formerly arthouse but now anything serious).

There are isolated pockets like black cinema, romcom, girl’s-night-out, seniors, teen gross-outs, but it’s primarily those four. Everything else is TV. Now I have to go back to episode five of ‘Looming Tower.'”
~ Paul Schrader

“Because of my relative candor on Twitter regarding why I quit my day job, my DMs have overflowed with similar stories from colleagues around the globe. These peeks behind the curtains of film festivals, venues, distributors and funding bodies weren’t pretty. Certain dismal patterns recurred (and resonated): Boards who don’t engage with or even understand their organization’s artistic mission and are insensitive to the diverse neighborhood in which their organization’s venue is located; incompetent founders and/or presidents who create only obstacles, never solutions; unduly empowered, Trumpian bean counters who chip away at the taste and experiences that make organizations’ cultural offerings special; expensive PR teams that don’t bring to the table a bare-minimum familiarity with the rich subcultural art form they’re half-heartedly peddling as “product”; nonprofit arts organizations for whom art now ranks as a distant-second goal behind profit.”
~ Eric Allen Hatch