The Weekend Report Archive for October, 2006

Booooooooo!

More treat than trick commercially speaking, Saw III sliced through the marketplace with an estimated $34.2 million to take command as weekend movie favorite. The frame had only one other national debut with the political thriller Catch a Fire at a low spark of $2.1 million. Activity was torrid in limited and platform bows with…

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Presto … Chango

The Prestige apparently had the magic to ascend to the top of the box office chart with an estimated $14.8 million. In a session that had anticipated Flags of Our Fathers would take the weekend, the saga of the “greatest generation” struggled to $10.2 and ranked third overall. A glut of new product contributed to…

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Very Scarrrrrry

The Grudge 2 chilled an estimated $22.5 million to take top honors in the weekend movie going derby. In a status quo frame, freshmen entries ranged from a disappointing $12.5 million ballot for Man of the Year to a fair $7 million pin for The Marine and a rather upbeat $4.2 million encounter with One…

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More Bang For The Bucks

The Departed left the station with an estimated $26.5 million to claim weekend bragging rights as the session’s top attraction. There were also upbeat returns for freshmen entries The Texas Chainsaw Massacre: The Beginning that ranked second with $19.1 million and a fourth place finish for Employee of the Month of $11.7 million. Additionally Trailer…

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Seasons Greetings!

Open Season animated an estimated $23.3 million to lead weekend movie biz with the watery actioner The Guardian not far behind with $17.6 million. The combo registered sufficient muscle to provide a double-digit boost from 2005. The session also featured an OK $8.1 million bow for the comic School for Scoundrels. Additionally limited bows for…

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Quote Unquotesee all »

“The effect of the avalanche, and Tomas’ refusal to acknowledge his terror, seem to have devastating effects. But the interesting thing about Force Majeure is the sly suggestion that maybe this event could have a liberating effect on the family.”
~ Robert Horton 

 “Teaching how to make a film is like trying to teach someone how to fuck. You can’t. You have to fuck to learn how to fuck. It’s just how it is. The filmmaker has to protect the adventurous side of their self. I’m an explorer, I’m an inventor. Doc Brown is the character I relate to the most and he’s a madman. He’s a madman alone, locked up with his ideas but he does whatever he wants. He makes what he makes because he wants to make it. Yes, the DeLorean has to work in order for him to be a madman with a purpose—the DeLorean should work—but the point is I think everyone should try and find their own DeLorean. When Zemeckis was trying to get Back To The Future made, which he was for seven years, he was trying to get a film made where basically a teenager gets in a time machine, goes back to 1954 and almost —-s his mother. That pitch is extremely subversive and twisted in a way. My point is, he had a fascinating idea that no one had done before, but was clearly special to him and he stuck to it and made it what it was. When you do that you can create culture, but I think a lot of movies are just echoing culture and there’s a difference.”
~ A Girl Walks Home Alone At Night Filmmaker Ana Lily Amirpour