The Weekend Report Archive for October, 2006

Booooooooo!

More treat than trick commercially speaking, Saw III sliced through the marketplace with an estimated $34.2 million to take command as weekend movie favorite. The frame had only one other national debut with the political thriller Catch a Fire at a low spark of $2.1 million. Activity was torrid in limited and platform bows with…

Read the full article »

Presto … Chango

The Prestige apparently had the magic to ascend to the top of the box office chart with an estimated $14.8 million. In a session that had anticipated Flags of Our Fathers would take the weekend, the saga of the “greatest generation” struggled to $10.2 and ranked third overall. A glut of new product contributed to…

Read the full article »

Very Scarrrrrry

The Grudge 2 chilled an estimated $22.5 million to take top honors in the weekend movie going derby. In a status quo frame, freshmen entries ranged from a disappointing $12.5 million ballot for Man of the Year to a fair $7 million pin for The Marine and a rather upbeat $4.2 million encounter with One…

Read the full article »

More Bang For The Bucks

The Departed left the station with an estimated $26.5 million to claim weekend bragging rights as the session’s top attraction. There were also upbeat returns for freshmen entries The Texas Chainsaw Massacre: The Beginning that ranked second with $19.1 million and a fourth place finish for Employee of the Month of $11.7 million. Additionally Trailer…

Read the full article »

Seasons Greetings!

Open Season animated an estimated $23.3 million to lead weekend movie biz with the watery actioner The Guardian not far behind with $17.6 million. The combo registered sufficient muscle to provide a double-digit boost from 2005. The session also featured an OK $8.1 million bow for the comic School for Scoundrels. Additionally limited bows for…

Read the full article »

The Weekend Report

Sam on: The Weekend Report

Peter on: The Weekend Report

Isah Adomoc on: The Weekend Report

K. Bowen on: The Weekend Report

charlesmayaki on: The Weekend Report

Ray Pride on: The Weekend Report

charles mayaki on: The Weekend Report

samguy on: The Weekend Report

Gregg Rickman on: The Weekend Report

Peter on: The Weekend Report

Quote Unquotesee all »

“BATTLE OF THE SEXES: Politics and queerness as spectacle/spectacle as politics and queerness. Pretty delightful, lovely, erotic. A-

“Not since EASY A and CABARET have I seen Emma Stone give a real sense of her range. Here, she has pathos and interiority and desire. I love the cinematography and the ways in which the images of the tennis icons are refracted and manipulated via various surfaces/mediators. Also, wild how a haircut is one of the most erotic scenes in cinema this year. Spine tinglingly tactile that feels refreshing. Proof that *cough* you don’t need to be ~graphic/explicit~ to be erotic *cough*. Also, it made me want to get into tennis. Watching it, at least.

“There are interesting touches and intimations as to the cinematic nature of sports, & unpacking the formal approach of broadcasting sports.Also, I was here for Sarah Silverman smoking. And also, hi Mickey Sumner!! It’s a really interesting film about the ways in which public spectacle is never apolitical, and how spectacle is prone to assignation.

“There’s this one other scene from BATTLE OF THE SEXES that I love, and it’s the one in the bar. You see Billie looking after Marilyn as she dances. Through a crowd. There’s a paradoxical closeness and distance between them. In the purple light, and the kitschy decor, everything is distorted. But Billie catches a glance and you can feel the nervous swell inside.”
~ Kyle Turner

“Our business is complicated because intimacy is part and parcel of our profession; as actors we are paid to do very intimate things in public. That’s why someone can have the audacity to invite you to their home or hotel and you show up. Precisely because of this we must stay vigilant and ensure that the professional intimacy is not abused. I hope we are in a pivotal moment where a sisterhood — and brotherhood of allies — is being formed in our industry. I hope we can form a community where a woman can speak up about abuse and not suffer another abuse by not being believed and instead being ridiculed. That’s why we don’t speak up — for fear of suffering twice, and for fear of being labeled and characterized by our moment of powerlessness. Though we may have endured powerlessness at the hands of Harvey Weinstein, by speaking up, speaking out and speaking together, we regain that power. And we hopefully ensure that this kind of rampant predatory behavior as an accepted feature of our industry dies here and now. Now that we are speaking, let us never shut up about this kind of thing. I speak up to make certain that this is not the kind of misconduct that deserves a second chance. I speak up to contribute to the end of the conspiracy of silence.”
Lupita Nyong’o