The Weekend Report Archive for August, 2006

Grid and Bare It …

Invincible would be hyperbole but the true life movie sports saga of the same name posted a sturdy debuted estimated at $16.9 million to finish at the front of a very crowded movie going field. New titles in the marketplace were generally soft with Beerfest grossing $6.6 million to rank fourth and How to Eat…

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Slithering on the Vine

The box office was stirred not snakin’ as Snakes on a Plane nudged its way to top weekend viewing choice with an estimated $15.3 million gross. Overall box office dipped for the frame with good to fair response for national debuts of teen oriented pics Accepted and Material Girls. The action was more intense in…

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Dancing on the Parade

While the debate entering the weekend focused on how competitive the debut of World Trade Center would be with Talladega Nights: The Legend of Ricky Bobby, the innocuous teen dance drama Step Up took to the floor to complicate the picture. When the dust settled the order was clear: Talladega led with an estimated $22.6…

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No Tale-a-de-gating

Talladega Nights The Ballad of Ricky Bobby lapped the competition for a commanding lead estimated at $47.6 million at the weekend box office. That left the rest of the field in the dust with the kidtoon Barnyard a distant second milking $15.7 million and The Descent scaled back with $8.6 million. The frame also featured…

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Quote Unquotesee all »

BLOOM
There cannot be a human being who has fewer thoughts on the whole question of word processing than I do. I’ve never even seen a word processor. I am hopelessly archaic. For me the typewriter hasn’t even been invented yet, so how can I speak to this matter? I protest! A man who has never learned to type is not going to be able to add anything to this debate. As far as I’m concerned, computers have as much to do with literature as space travel, perhaps much less. I can only write with a ballpoint pen, with a Rolling Writer, they’re called, a black Rolling Writer on a lined yellow legal pad on a certain kind of clipboard. And then someone else types it.

INTERVIEWER
And someone else edits?

BLOOM
No one edits. I edit. I refuse to be edited.

INTERVIEWER
Do you revise much?

BLOOM
Sometimes, but not often.
~ Harold Bloom

“So, what does it look like when he leaves the show? First, it looks like a ratings spike, and I had a nice chuckle about that. But the truth is, the ink wasn’t even dry on his exit papers before they rushed in a new guy. I was on vacation in Sicily, decompressing — it was a long working relationship and it was a tumultuous end and I needed a moment to just chill with some rosé — and they’re calling me, going, ‘What do you think of this guy?’ ‘What do you think of this guy?’ And they’re sending pictures. I was like, ‘Are you people fucking nuts? Why do you feel that you have to replace this person?’ I couldn’t believe how fast the studio and the network felt like they had to get a penis in there.”
Ellen Pompeo