The Weekend Report Archive for August, 2006

Grid and Bare It …

Invincible would be hyperbole but the true life movie sports saga of the same name posted a sturdy debuted estimated at $16.9 million to finish at the front of a very crowded movie going field. New titles in the marketplace were generally soft with Beerfest grossing $6.6 million to rank fourth and How to Eat…

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Slithering on the Vine

The box office was stirred not snakin’ as Snakes on a Plane nudged its way to top weekend viewing choice with an estimated $15.3 million gross. Overall box office dipped for the frame with good to fair response for national debuts of teen oriented pics Accepted and Material Girls. The action was more intense in…

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Dancing on the Parade

While the debate entering the weekend focused on how competitive the debut of World Trade Center would be with Talladega Nights: The Legend of Ricky Bobby, the innocuous teen dance drama Step Up took to the floor to complicate the picture. When the dust settled the order was clear: Talladega led with an estimated $22.6…

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No Tale-a-de-gating

Talladega Nights The Ballad of Ricky Bobby lapped the competition for a commanding lead estimated at $47.6 million at the weekend box office. That left the rest of the field in the dust with the kidtoon Barnyard a distant second milking $15.7 million and The Descent scaled back with $8.6 million. The frame also featured…

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“Because of my relative candor on Twitter regarding why I quit my day job, my DMs have overflowed with similar stories from colleagues around the globe. These peeks behind the curtains of film festivals, venues, distributors and funding bodies weren’t pretty. Certain dismal patterns recurred (and resonated): Boards who don’t engage with or even understand their organization’s artistic mission and are insensitive to the diverse neighborhood in which their organization’s venue is located; incompetent founders and/or presidents who create only obstacles, never solutions; unduly empowered, Trumpian bean counters who chip away at the taste and experiences that make organizations’ cultural offerings special; expensive PR teams that don’t bring to the table a bare-minimum familiarity with the rich subcultural art form they’re half-heartedly peddling as “product”; nonprofit arts organizations for whom art now ranks as a distant-second goal behind profit.”
~ Eric Allen Hatch

To me, Hunter S. Thompson was a hero. His early books were great, but in many ways, his life and career post–Fear and Loathing on the Campaign Trail is a cautionary tale for authors. People expected him to be high and drunk all the time and play that persona, and he stuck with that to the end, and I don’t think it was good for him. I always sort of feel mixed emotions when I hear that people went and hung out with Hunter and how great it was to get high with Hunter. The fact is the guy was having difficulty doing any sustained writing at all for years probably because so many quote, unquote, “friends” wanted to get high with him … There was a badly disappointed romantic there. I mean, that great line, “This is where the wave broke, the tide rolled back … ” This was a guy that was hurt and disappointed and very bitter about things, and it made his writing beautiful, and also with that came a lot of pain.
~ Anthony Bourdain