The Weekend Report Archive for June, 2006

Click… Clack…

The Adam Sandler fantasy-comedy Click bowed to an estimated $39.7 million to top weekend movie going charts. However, the frame’s big surprise was an unexpectedly potent debut for the urban thriller Waist Deep of $9.2 million that ranked fourth in the lineup. And another puzzler wasWordplay that filled in the blank spaces in 45 niche…

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High Gear .. with Salsa

Cars maintained the lead in weekend movie going with an estimated $31.5 million but it definitely had competition. Freshman entries Nacho Libre with Jack Black and The Fast and the Furious: Tokyo Drift rang up impressive numbers of $27.5 million and $23.9 million respectively. Other new entries ranked high in the pecking order with good…

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Rrrrrrrrrrrr!!!!!!!!

Cars got its motor running as it shifted up to an estimated $60.3 million and crossed the finish line way ahead of the pack in the weekend movie going rally. The frame also saw debuts for the new incarnation of The Omen and an aggressive premiere for The Prairie Home Companion that had tuneful dividends.Cars,…

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Breaking Up Is Easy To Do

The Break-Up surprised pundits with a potent estimated bow of $38.9 million to rank at the top of the box-office chart. The frame also featured strong response for the eco warning An Inconvenient Truth and a passable bow for the French action thriller District B-13. And while business registered a slight increase from 2005, it…

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Quote Unquotesee all »

BLOOM
There cannot be a human being who has fewer thoughts on the whole question of word processing than I do. I’ve never even seen a word processor. I am hopelessly archaic. For me the typewriter hasn’t even been invented yet, so how can I speak to this matter? I protest! A man who has never learned to type is not going to be able to add anything to this debate. As far as I’m concerned, computers have as much to do with literature as space travel, perhaps much less. I can only write with a ballpoint pen, with a Rolling Writer, they’re called, a black Rolling Writer on a lined yellow legal pad on a certain kind of clipboard. And then someone else types it.

INTERVIEWER
And someone else edits?

BLOOM
No one edits. I edit. I refuse to be edited.

INTERVIEWER
Do you revise much?

BLOOM
Sometimes, but not often.
~ Harold Bloom

“So, what does it look like when he leaves the show? First, it looks like a ratings spike, and I had a nice chuckle about that. But the truth is, the ink wasn’t even dry on his exit papers before they rushed in a new guy. I was on vacation in Sicily, decompressing — it was a long working relationship and it was a tumultuous end and I needed a moment to just chill with some rosé — and they’re calling me, going, ‘What do you think of this guy?’ ‘What do you think of this guy?’ And they’re sending pictures. I was like, ‘Are you people fucking nuts? Why do you feel that you have to replace this person?’ I couldn’t believe how fast the studio and the network felt like they had to get a penis in there.”
Ellen Pompeo