The Weekend Report Archive for May, 2006

The X-Files … to be continued

Though publicized as the conclusion of a franchise, X-Men: The Last Stand isn’t likely to be the last word on the cinematic mutant super heroes. It led the 4-day Memorial holiday frame with an estimated $120.8 million with second place falling to The Da Vinci Code with $43.3 million. X-Men added an additional $76 million…

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Box Office Comes in for the Code

The Da Vinci Code rang up an estimated $77.2 million to lead domestic film viewing for the weekend and added close to $150 million in its international debut. The current weekend also had a strong opening of $37.3 million for the animated Over the Hedge and the combined juggernaut pretty much had a vacuum cleaner…

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That Sinking Feeling

Mission: Impossible III took close to a 50% hit but that was still enough to keep it ahead of the debut of Poseidon. The Mission statement was estimated at $24.6 million while the upside-down remake soaked up $20.5 million. The marketplace had other soggy starts including a fourth place opening of $5.6 million for the…

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Beat of the Tom-Tom

I’ve got good news and I’ve got bad news. The good news is that Mission: Impossible III debuted with an estimated $46.8 million to lead the domestic box office and added an additional $70 million from 57 international territories. The bad news amounts to the same thing. Additionally, there was an impressive $5.4 million bow…

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The Weekend Report

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Quote Unquotesee all »

“Why put it in a box? This is the number one problem I have—by the way it’s a fair question, I’m not saying that—with this kind of festival situation is that there’s always this temptation to classify the movie immediately and if you look at it—and I’ve tried to warn my fellow jurors of this—directors and movie critics are the worst people to judge movies! Directors are always thinking, “I could do that.” Critics are always saying, “This part of the movie is like the 1947 version and this part…” And it’s like, “Fuck! Just watch the movie and try and absorb it and not compare it to some other fucking movie and put it in a box!” So I think the answer’s both and maybe neither, I don’t know. That’s for you to see and criticize me for or not.”
~ James Gray

“I have long defined filmmaking and directing in particular as just a sort of long-term act of letting go,” she said. “It’s honestly just gratifying that people are sort of reapproaching or reassessing the film. I like to just remind everyone that the movie is still the same — it’s the same movie, it’s the movie we always made, and it was the movie we always wanted to make. And maybe it just came several years too early.”
~ Karyn Kusama