The Weekend Report Archive for April, 2006

Planes, T-r-a-i-n-s and RVsy

Better than anticipated debuts for RV and United 93 once again translated into improved box off ice results with the former comedic hijinx grossing an estimated $16.3 million to rank as the weekend’s top attraction. The frame also saw disappointing bows for the familycentric Stick It and Akeelah and the Bee and good response for…

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Silent Hill… Holy Moly

Silent Hill scared up an estimated $20.3 million to rank as the top attraction at the weekend box office. The frames other debuting fare rated good returns of $14.4 million for the thriller The Sentineland a less than euphoric $3.8 million for the satiric American Dreamz. Overall business dipped modestly from the prior weekend but…

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The Big Chill

Imitation is the sincerest form of film production if Scary Movie 4 is any yardstick of contemporary Hollywood. The horror spoof sequel arrived with an impressive estimate of $40.7 million that provided a significant boost to weekend holiday business. The frame’s other major debut – the animated family yarn The Wild – ranked a disappointing…

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Hot & Cold… and Hot

Despite a sharp 50% decline, Ice Age: The Meltdown remained the top draw in the marketplace with an estimated $34.2 million. Still there was unexpected heat from debuting fare including a potent second place finish for The Benchwarmers and a strong limited launch for Friends with Money. Overall it translated into a significant viewing increase…

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Cool Customer

There’s nothing quite like a hot movie to reinvigorate movie going and Ice Age: The Meltdown needn’t have worried about a chilly reception. The very animated sequel arrived with an estimated $69.3 million that sent revenues and attendance airborne. The film also added $43 million from international bows. The competition was pallid using the Ice…

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“Dude, I don’t like the way you talk, bro. How can you tell me that it’s going to be hard? Do you see a lot of people like you writing stories? Give me a break, bro. That’s your strength, that you’re not like us. Go out there and tell your stories. Don’t go out there and try to be like Quentin or me or anybody else. We need you. Tell me what makes you angry, why you’re arrogant, or fearful, whatever it is. Don’t hide anything. Be honest. What is that thing that bothers you and makes you distinct? Everyone’s looking for you. A Mexican point-of-view to tell a story right now? I’m telling you, everybody wants that right now. I desperately need you to tell your story in your way. You are essential.”
~ M. Night Shyamalan

“My films are always brought to life from an idea, a coincidence, or a dreamlike magic. An ephemeral moment that settles in my mind and starts to bloom. The plot slowly appears before my eyes, and there’s nothing left but to write it. I actually do use a mood board. And location scouting is essential to the realization of the film. I’m inspired by architecture — the beauty of certain neighborhoods, the mystery in odd buildings, or streets that suggest psychoanalytic theories. I only choose my actors after I write the script.”
~ Dario Argento