The Weekend Report Archive for March, 2006

Mr. Boxoffice Goes To Washington

There was a Spike in the box office both literally and figuratively as Inside Man ascended to an estimated $29.2 million to lead weekend movie going. The frame also provided surprises for other national debuts with the teen thriller Stay Alive having more utz than expected and the big screen incarnation for Larry the Cable…

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V R The World…

V for Vendetta arrived with close to commercial vengeance with a domestic gross estimated at $24.7 million and an additional $8.5 million from openings in 16 international territories. The frame also featured okay results of $10.9 million for the gender-bending comedy She’s the Man and a disappointing return of $520,000 for the crime saga Find…

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Soar Winners…

Failure to Launch surprised pundits with an unexpectedly potent estimate of $24.7 million to emerge the weekend’s top viewed movie. Also stronger than anticipated was the horror remake ofThe Hills Have Eyes that ranked third overall with $15.6 million while the recycled The Shaggy Dog barked up a Disneypointing $16.1 million. Best of the limited…

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16 Block Party…

Medea’s Family Reunion withstood a quartet of new releases as top draw in the marketplace with an estimated $12.7 million. There was a lack of real utz in film going for Oscar weekend with 16 Blocks taking second spot with $11.6 million and the bow of Dave Chappelle’s Block Party trailing the freshman field with…

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Quote Unquotesee all »

“Why put it in a box? This is the number one problem I have—by the way it’s a fair question, I’m not saying that—with this kind of festival situation is that there’s always this temptation to classify the movie immediately and if you look at it—and I’ve tried to warn my fellow jurors of this—directors and movie critics are the worst people to judge movies! Directors are always thinking, “I could do that.” Critics are always saying, “This part of the movie is like the 1947 version and this part…” And it’s like, “Fuck! Just watch the movie and try and absorb it and not compare it to some other fucking movie and put it in a box!” So I think the answer’s both and maybe neither, I don’t know. That’s for you to see and criticize me for or not.”
~ James Gray

“I have long defined filmmaking and directing in particular as just a sort of long-term act of letting go,” she said. “It’s honestly just gratifying that people are sort of reapproaching or reassessing the film. I like to just remind everyone that the movie is still the same — it’s the same movie, it’s the movie we always made, and it was the movie we always wanted to make. And maybe it just came several years too early.”
~ Karyn Kusama