The Weekend Report Archive for March, 2006

Mr. Boxoffice Goes To Washington

There was a Spike in the box office both literally and figuratively as Inside Man ascended to an estimated $29.2 million to lead weekend movie going. The frame also provided surprises for other national debuts with the teen thriller Stay Alive having more utz than expected and the big screen incarnation for Larry the Cable…

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V R The World…

V for Vendetta arrived with close to commercial vengeance with a domestic gross estimated at $24.7 million and an additional $8.5 million from openings in 16 international territories. The frame also featured okay results of $10.9 million for the gender-bending comedy She’s the Man and a disappointing return of $520,000 for the crime saga Find…

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Soar Winners…

Failure to Launch surprised pundits with an unexpectedly potent estimate of $24.7 million to emerge the weekend’s top viewed movie. Also stronger than anticipated was the horror remake ofThe Hills Have Eyes that ranked third overall with $15.6 million while the recycled The Shaggy Dog barked up a Disneypointing $16.1 million. Best of the limited…

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16 Block Party…

Medea’s Family Reunion withstood a quartet of new releases as top draw in the marketplace with an estimated $12.7 million. There was a lack of real utz in film going for Oscar weekend with 16 Blocks taking second spot with $11.6 million and the bow of Dave Chappelle’s Block Party trailing the freshman field with…

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“Because of my relative candor on Twitter regarding why I quit my day job, my DMs have overflowed with similar stories from colleagues around the globe. These peeks behind the curtains of film festivals, venues, distributors and funding bodies weren’t pretty. Certain dismal patterns recurred (and resonated): Boards who don’t engage with or even understand their organization’s artistic mission and are insensitive to the diverse neighborhood in which their organization’s venue is located; incompetent founders and/or presidents who create only obstacles, never solutions; unduly empowered, Trumpian bean counters who chip away at the taste and experiences that make organizations’ cultural offerings special; expensive PR teams that don’t bring to the table a bare-minimum familiarity with the rich subcultural art form they’re half-heartedly peddling as “product”; nonprofit arts organizations for whom art now ranks as a distant-second goal behind profit.”
~ Eric Allen Hatch

To me, Hunter S. Thompson was a hero. His early books were great, but in many ways, his life and career post–Fear and Loathing on the Campaign Trail is a cautionary tale for authors. People expected him to be high and drunk all the time and play that persona, and he stuck with that to the end, and I don’t think it was good for him. I always sort of feel mixed emotions when I hear that people went and hung out with Hunter and how great it was to get high with Hunter. The fact is the guy was having difficulty doing any sustained writing at all for years probably because so many quote, unquote, “friends” wanted to get high with him … There was a badly disappointed romantic there. I mean, that great line, “This is where the wave broke, the tide rolled back … ” This was a guy that was hurt and disappointed and very bitter about things, and it made his writing beautiful, and also with that came a lot of pain.
~ Anthony Bourdain