The Weekend Report Archive for January, 2006

That Was No Lady…

Weekend movie going was dominated by a couple of unusual females as the debuts of Big Momma’s House 2 and Nanny McPhee ranked first and second in box office sales with respective estimates of $27.4 million and $14 million. There was also a passable national bow for the military romance Annapolis and good limited bows…

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A Shock to the System…

Underworld: Evolution sent a chill through the domestic marketplace with a potent debut estimated at $27.1 million. The vampire yarn far out-distanced all competition including no better than fair launches of the family values End of the Spear and the national bow of The New World.Nonetheless, it was a sufficient lead to send grosses soaring…

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Wink, Wink, Nudge, Nudge…

The animated spoof Hoodwinked nosed ahead of the competition to claim the weekend box office crown with an estimated $16.7 million. Two other new releases were in close pursuit. The sport-themed Glory Road grossed $16.4 million while the Queen Latifah human comedy Last Holidayranked third with $14.9 million. However, the report card for the 4-day…

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Hostel Takeover…

The new year had the smell of blood as Hostel entered the marketplace with an estimated $19.4 million and the Narniates headed for the safety of the closet. The new calendar was less gracious to the frame’s other freshmen entries Grandma’s Boys and BloodRayne but relatively strong holdovers allowed for a modest improvement from one…

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Not With ABang…

As 2005 segued into 2006 The Chronicles of Narnia and King Kong once again battled for the weekend box office crown and respectively grossed an estimated $33.3 million and $31.5 million. Activity at the nation’s multiplexes was generally brisk, just not quite as brisk as it had been in 2004 when one places the comparable…

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Quote Unquotesee all »

“Dude, I don’t like the way you talk, bro. How can you tell me that it’s going to be hard? Do you see a lot of people like you writing stories? Give me a break, bro. That’s your strength, that you’re not like us. Go out there and tell your stories. Don’t go out there and try to be like Quentin or me or anybody else. We need you. Tell me what makes you angry, why you’re arrogant, or fearful, whatever it is. Don’t hide anything. Be honest. What is that thing that bothers you and makes you distinct? Everyone’s looking for you. A Mexican point-of-view to tell a story right now? I’m telling you, everybody wants that right now. I desperately need you to tell your story in your way. You are essential.”
~ M. Night Shyamalan

“My films are always brought to life from an idea, a coincidence, or a dreamlike magic. An ephemeral moment that settles in my mind and starts to bloom. The plot slowly appears before my eyes, and there’s nothing left but to write it. I actually do use a mood board. And location scouting is essential to the realization of the film. I’m inspired by architecture — the beauty of certain neighborhoods, the mystery in odd buildings, or streets that suggest psychoanalytic theories. I only choose my actors after I write the script.”
~ Dario Argento