The Weekend Report Archive for January, 2006

That Was No Lady…

Weekend movie going was dominated by a couple of unusual females as the debuts of Big Momma’s House 2 and Nanny McPhee ranked first and second in box office sales with respective estimates of $27.4 million and $14 million. There was also a passable national bow for the military romance Annapolis and good limited bows…

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A Shock to the System…

Underworld: Evolution sent a chill through the domestic marketplace with a potent debut estimated at $27.1 million. The vampire yarn far out-distanced all competition including no better than fair launches of the family values End of the Spear and the national bow of The New World.Nonetheless, it was a sufficient lead to send grosses soaring…

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Wink, Wink, Nudge, Nudge…

The animated spoof Hoodwinked nosed ahead of the competition to claim the weekend box office crown with an estimated $16.7 million. Two other new releases were in close pursuit. The sport-themed Glory Road grossed $16.4 million while the Queen Latifah human comedy Last Holidayranked third with $14.9 million. However, the report card for the 4-day…

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Hostel Takeover…

The new year had the smell of blood as Hostel entered the marketplace with an estimated $19.4 million and the Narniates headed for the safety of the closet. The new calendar was less gracious to the frame’s other freshmen entries Grandma’s Boys and BloodRayne but relatively strong holdovers allowed for a modest improvement from one…

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Not With ABang…

As 2005 segued into 2006 The Chronicles of Narnia and King Kong once again battled for the weekend box office crown and respectively grossed an estimated $33.3 million and $31.5 million. Activity at the nation’s multiplexes was generally brisk, just not quite as brisk as it had been in 2004 when one places the comparable…

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“Because of my relative candor on Twitter regarding why I quit my day job, my DMs have overflowed with similar stories from colleagues around the globe. These peeks behind the curtains of film festivals, venues, distributors and funding bodies weren’t pretty. Certain dismal patterns recurred (and resonated): Boards who don’t engage with or even understand their organization’s artistic mission and are insensitive to the diverse neighborhood in which their organization’s venue is located; incompetent founders and/or presidents who create only obstacles, never solutions; unduly empowered, Trumpian bean counters who chip away at the taste and experiences that make organizations’ cultural offerings special; expensive PR teams that don’t bring to the table a bare-minimum familiarity with the rich subcultural art form they’re half-heartedly peddling as “product”; nonprofit arts organizations for whom art now ranks as a distant-second goal behind profit.”
~ Eric Allen Hatch

To me, Hunter S. Thompson was a hero. His early books were great, but in many ways, his life and career post–Fear and Loathing on the Campaign Trail is a cautionary tale for authors. People expected him to be high and drunk all the time and play that persona, and he stuck with that to the end, and I don’t think it was good for him. I always sort of feel mixed emotions when I hear that people went and hung out with Hunter and how great it was to get high with Hunter. The fact is the guy was having difficulty doing any sustained writing at all for years probably because so many quote, unquote, “friends” wanted to get high with him … There was a badly disappointed romantic there. I mean, that great line, “This is where the wave broke, the tide rolled back … ” This was a guy that was hurt and disappointed and very bitter about things, and it made his writing beautiful, and also with that came a lot of pain.
~ Anthony Bourdain