The Weekend Report Archive for March, 2005

Rabbit Punch

There was no second coming despite the preponderance of sequels on the marquee during the Easter holiday frame. The debuts of Guess Who and Miss Congeniality 2: Armed and Fabulous topped the box office but without the box office dynamism of such recent entries as Robots, Ring Two or The Pacifier. The result was a…

Read the full article »

Call Waiting

You might say it was a ring and a miss at the weekend box office as the horror sequel The Ring Two led the field with an estimated $36.4 million while the other national debut, Ice Princess, was chillin’ in fifth position with $6.7 million. The frame also had a spectacular exclusive run for Woody…

Read the full article »

Mechanical Behavior

There was no need for Fox to retrofit its animation unit as Robots left the competition in the rust. The family friendly movie grossed an estimated $35.5 million while second place went to The Pacifier at $17.7 million. The frame also saw an OK opening for the Bruce Willis thriller Hostage and a number of…

Read the full article »

Be … Calm

The leading films in the marketplace expressed soothing sentiments but the anticipation was for a heated competition between two debuting titles. And while both films opened well, it was unquestionably the family friendly The Pacifier that prevailed over the return of Chili Palmer in Be Cool. The Pacifier’s first weekend was estimated at $29.6 million…

Read the full article »

The Weekend Report

movieman on: The Weekend Report

Eric N on: Weekend Report

Judi Levine on: The Weekend Report

Steph on: The Weekend Report

laura rue on: The Weekend Report

Sam on: The Weekend Report

Peter on: The Weekend Report

Isah Adomoc on: The Weekend Report

K. Bowen on: The Weekend Report

charlesmayaki on: The Weekend Report

Quote Unquotesee all »

“Why put it in a box? This is the number one problem I have—by the way it’s a fair question, I’m not saying that—with this kind of festival situation is that there’s always this temptation to classify the movie immediately and if you look at it—and I’ve tried to warn my fellow jurors of this—directors and movie critics are the worst people to judge movies! Directors are always thinking, “I could do that.” Critics are always saying, “This part of the movie is like the 1947 version and this part…” And it’s like, “Fuck! Just watch the movie and try and absorb it and not compare it to some other fucking movie and put it in a box!” So I think the answer’s both and maybe neither, I don’t know. That’s for you to see and criticize me for or not.”
~ James Gray

“I have long defined filmmaking and directing in particular as just a sort of long-term act of letting go,” she said. “It’s honestly just gratifying that people are sort of reapproaching or reassessing the film. I like to just remind everyone that the movie is still the same — it’s the same movie, it’s the movie we always made, and it was the movie we always wanted to make. And maybe it just came several years too early.”
~ Karyn Kusama