The Weekend Report Archive for February, 2005

Born to be Mad…

Though tracking was upbeat, no one expected Diary of a Mad Black Woman to top weekend movie going with an estimated $21.2 million gross. In a very close competition with the third weekend of Hitch, the independently produced social comedy starring and conceived by Tyler Perry appeared to have the edge and certainly ranks immediately…

Read the full article »

Date From Hell

The anticipation was enormous and the results impressive but the final estimated tally of $35.1 million for the supernatural thriller Constantine still lagged slightly behind Hitch, which took weekend box office honors with slightly more than $37 million. Modest results for several other debuts during the four-day Presidents holiday frame pushed business to about $160…

Read the full article »

Hitch & Run!

Where there’s a Will, there’s a Hit (ch). Unabashedly playing up actor Will Smith‘s popularity provided Hitch with a sensational debut estimated at $45.6 million and pegged as the biggest opening gross for a romantic comedy. Rebounding from the traditional Super Bowl box office dip, weekend movie going jumped 22% from seven days earlier and…

Read the full article »

Scare Tactics

Do I hear a franchise? Boogeyman provided the shock and awe in movie theaters this past weekend as it debuted to an estimated $20.2 million. While exhibitors and distributors were girding for the annual hard hit of Super Bowl Sunday, business was better than expected overall and also featured a very good bow for The…

Read the full article »

The Weekend Report

movieman on: The Weekend Report

Eric N on: Weekend Report

Judi Levine on: The Weekend Report

Steph on: The Weekend Report

laura rue on: The Weekend Report

Sam on: The Weekend Report

Peter on: The Weekend Report

Isah Adomoc on: The Weekend Report

K. Bowen on: The Weekend Report

charlesmayaki on: The Weekend Report

Quote Unquotesee all »

“Why put it in a box? This is the number one problem I have—by the way it’s a fair question, I’m not saying that—with this kind of festival situation is that there’s always this temptation to classify the movie immediately and if you look at it—and I’ve tried to warn my fellow jurors of this—directors and movie critics are the worst people to judge movies! Directors are always thinking, “I could do that.” Critics are always saying, “This part of the movie is like the 1947 version and this part…” And it’s like, “Fuck! Just watch the movie and try and absorb it and not compare it to some other fucking movie and put it in a box!” So I think the answer’s both and maybe neither, I don’t know. That’s for you to see and criticize me for or not.”
~ James Gray

“I have long defined filmmaking and directing in particular as just a sort of long-term act of letting go,” she said. “It’s honestly just gratifying that people are sort of reapproaching or reassessing the film. I like to just remind everyone that the movie is still the same — it’s the same movie, it’s the movie we always made, and it was the movie we always wanted to make. And maybe it just came several years too early.”
~ Karyn Kusama