The Weekend Report
Twas Beauty killed the Beast to an estimated record-breaking debut of $171.7 million. The frame’s other new wide release, the James Gunn-penned eerie thriller The Belko Experiment was a slim counterprogrammer with a $4 million launch.
Exclusive newcomers included Terrence Malick’s allegorical musical romantic triangle Song to Song with $51,700 from four bookings and the long-gestating sequel T2: Trainspotting that bowed domestically on five screens to $177,000 following two months of overseas exposure that’s injected $34 million.Read the full article »
Kong: Skull Island, the only nationwide opener, sounded the right chord with an estimated $61.1 million debut.
Exclusive newcomers were led by Cannes’ Personal Shopper with a $80,700 credit line at four boutiques, and Brit import The Sense of an Ending, which grossed $42,400 from four sites.Read the full article »
Godzilla opening day 2014: $38m. Kong: Skull Island… a little better than half of that. If the opening trajectory holds, Kongwill open to almost $50 million and will fight to get to $100m domestic. The question is, will the rest of the world bail out this turkey… uh, monkey? And a nice rebound weekend for exclusives: three films will do over $10,000 per-screen, led by Personal Shopper.Read the full article »
The debut of Logan cut a mean figure estimated at $85.5 million to easily lead weekend movie going. Other national releases saw good returns of $16.2 million for the faith-based The Shack and a crash landing of $4.7 million for the brooding drama Before I Fall.
Also disappointing in limited wide release was the relationship comedy Table 19 with $1.6 million. New imports from India all flat lined and the best of the myriad exclusive freshmen was the dramady The Last Word with a $33,900 tally from four screens. In Canada the animated Ballerina expanded into English-language venues to solid returns of $718,000.Read the full article »
Get Out got in with an estimated $30.5 million debut. The session’s other two national openers had less fortuitous results. Animated Rock Dogs charted 11th with $3.6 million. Collide bumped into $1.5 million.Read the full article »
Not much change from the 3-day, except for A Cure For Wellness dropping out of the Top 10 altogether in the 4-day estimates.Read the full article »
The Lego Batman Movie and Fifty Shades Darker once again topped weekend releases. The films were estimated at $34 million and $20.9 million for the three-day portion. All figures reflect the 3-day portion. A trio of new national releases failed to catch fire with the Chinese epic The Great Wall fairing best with good results of $18 million. The comedy Fist Fight bowed to a disappointing $12 million while thriller A Cure for Wellness debuted with a moribund $4.3 million.Read the full article »
There was no contest in the face-off between Legoworld and Lingerieland. The gap between the $55.1 million bow of The Lego Batman Movie and $46.8 million Fifty Shades Darker was tighter than anticipated. The week’s other newcomer, John Wick: Chapter 2, kicked out a potent bow of $29.4 million.Read the full article »
It was a threepeat for Split with Shymalan’s return taking top spot with an estimated $14.6 million and a cume nearing $100 million domestic. That left newcomer Rings just behind with a $12.9 million debut. The other national freshmen received less warm embraces. Interstellar YA The Space Between Us grossed $3.7 million while The Comedian got little applause with a $1 million tally.Read the full article »
The Split held sway at the box office with a second weekend estimate of $26.2 million. Nipping at its heels was newcomer A Dog’s Purpose that wow bowed at $18.4 million. Also debuting were a fond farewell for Resident Evil: The Final Chapter, slotting fourth with $13.5 million and pure pyrite for Gold that opened to $3.4 million.Read the full article »
The Split decision was a knockout as M. Night Shyamalan’s thriller doubled the box office of any weekend contender with an estimated debut of $40.1 million. xXx: Return of Xander Cage was in a distant second with $20.1 million. The Founder had a disappointing national franchise of $3.5 million, while comic faith tale The Resurrection of Gavin Stone sputtered to $1.3 million.Read the full article »
Not a lot changed from the 3-day estimates to the 4-days. Hidden Figures stays out front, cracking $60m cume. The 2 family films, Sing and Monster Trucks (first and last time you will see them mentioned in the same sentence) both are estimating stronger days today than the adult fare. And La La Land stays bullish, breaking past $75m domestic 8 days before Oscar nomination morning.
(No Klady column today)Read the full article »
Hidden Figures seemed an all-too-appropriate chart topper for the Martin Luther King, Jr. holiday weekend with an estimated three-day $20.4 million box office. The first holiday of 2017 offered three new national releases and two limited releases going wide, to grim or bland response. The chief exception was horror The Bye Bye Man , slashing to a $13.4 million debut. The ticking clock Sleepless grossed a passable $8.2 million while the widening of Patriots Day was nearly a flag-waver with $11.9 million. The media has already had a field day with commercial pileup Monster Trucks, which revved up to $10.5 million. But the abject rejection of Ben Affleck’s Live By Night prohibition era gangster costumer hasn’t received its fair share of ink. It bowed nationally to $5.2 million.Read the full article »
A definite horse race, but Rogue One edged out the national expansion of Hidden Figures with respective estimated weekends of $21.8 million and $21.7 million. The session’s sole new national release was the latest installment of the Underworld franchise, Blood Wars, with $12.9 million.Read the full article »
Rogue One made it three in a row with an estimated $49.2 million (all numbers reflect 3-day portion of holiday with updates tomorrow) at the top of the box office charts as 2017 rang in. Sing closed the gap with $41.4 million. Award season favorites, including La La Land, Fences, Manchester By the Sea, Lion and Hidden Figures saw potent spikes.Read the full article »
Christmas got crowded but Rogue One led weekend movie charts with an estimated four-day gross of $93.3 million. As expected, the best of the new entries was animated Sing in second spot with a $56 million bow.
Trailing behind with fair results were the sci-fi Passengers that grossed $23 million, the videogame adaption Assassin’s Creed with $15.1 million and the dating comedy Why Him? with $16.8 million.Read the full article »
Rogue One continues to dominate seasonal moviegoing with an estimated $68.5 million for the three-day portion (four-day estimates arrive tomorrow) of the Christmas holidays.
The annual flood of new releases amounted to a lot of coal in stockings. One notable exception was animated Sing, which grossed $33.1 million and appears to be the year-end family option. Otherwise Yule openers struggled to find audiences including sci-fi Passengers, which grossed $13.9 million. Videogame adaptation Assassin’s Creed battled to $10.5 million and the dating comedy Why Him? made out with a $9.9 million.Read the full article »
Rogue One was the kind of rebel the movie industry adores as it hurtled into cinemas with an estimated $155.4 million, accounting for about 70% of all weekend movie sales. That didn’t leave much for the competition including the session’s other wide freshman opener, Collateral Beauty, which ranked fourth with a grim $6.9 million.Read the full article »
Moana remained atop the marketplace for the third week with an estimated $18.9 million, ahead of incoming Office Christmas Party, at $17.4 million. The session’s only other wide opener (following two weeks exclusive), Miss Sloane, lobbied only $1.9 million. Also sputtering was romantic comedy The Bounce Back with a $229,000 tally from 608 dates.Read the full article »
Moana continued to hold top spot among moviegoers with an estimated weekend gross of $28 million. The seasonal tradition of audiences giving priority for holiday preparation has translated into low box office in early December for as long as anyone can remember. This year was no exception and the sole national release for the frame – the bargain-budget Exorcist-inspired Incarnate – struggling for a top 10 spot with a $2.6 million box office.Read the full article »