MCN Weekend Archive for February, 2012

DVD Wrapup: Myth of American Sleepover, Hugo … More

David Robert Mitchell’s debut feature easily qualifies as one of the most criminally under-screened and neglected movies of the young century. While Hollywood continues to search in vain for the new John Hughes and independents hope to capture the same lightning in a bottle as “American Pie,” “The Myth of the American Sleepover” was there all along. Even in DVD, it succeeds at almost every level in capturing the joys, angst and insanity of being a teenager in middle-class America.

Read the full article » No Comments »

The Weekend Report, February 26, 2012

Oscar went bump in the night as the mockuventure Act of Valor ascended to the top of the weekend ticket charts with an estimated $24.7 million. Runnerup was another freshman _ Good News from Tyler Perry _ with $15.6 million. Further done the list the comedic Wanderlust bowed to a disappointing $6.6 million and the thriller Gone went missing with $4.8 million.

In the niches the hockey antics of Goon grossed a solid $1.1 million in Canada while a trio of Indian imports failed to shake up that sector of domestic box office. Exclusive starter were largely inert save for the controversial Albanian drama The Forgiveness of Blood that opened to $29,700 at three venues.

This weekend’s projection is up 23% from last year.

Read the full article » No Comments »

Wilmington on Movies: Act of Valor

With its cast of real-life Navy Seals playing characters based on themselves, in a script partly drawn from real life, in scenes that the Seals actors helped design and choreograph, Act of Valor should really be the last word in Seals combat realism.

Read the full article » 1 Comment »

Wilmington on DVDs. Pick of the Week: Classic. The Conformist

The Conformist (Four Stars) Italian: Bernado Bertolucci, 1970 (Arrow Video) Bernardo Bertolucci‘s 1970 The Conformist is an art film classic regarded by many cinematographers as the most beautifully photographed movie of its era. Vittorio Storaro, at his best, did the brilliant cinematography and the film’s main visual/stylistic influences include the American romantic/cynic Josef von Sternberg…

Read the full article » No Comments »

Box Office Hell — February 23

Our Players|Coming Soon|Box Office Prophets|Box Office Guru|EW|Box Office . com Act of Valor |18.7|16.5|20.0|17.0|19.0 Tyler Perry’s Good Deeds |15.3|21.0|14.0|18.0|17.0 Safe House|12.6|14.4|14.0|13.0|13.0 Journey 2: The Mysterious Island|12.0|14.2|13.0|13.8|13.5 The Vow |11.5|14.3|12.5|12.5|12.5

Read the full article » No Comments »

Critics Roundup — February 23

Act of Valor |||||Yellow The Forgiveness of Blood (NY, LA) |Green||Yellow|Green| Hipsters (NY) |||Green|Green| How To Start a Revolution (Rerun, DUMBO Brooklyn) |||Green|| Wanderlust |Green||||

Read the full article » No Comments »

Wilmington on DVDs: Tower Heist

Tower Heist. Wheww! That was one hell of a movie. Hell of a movie! Brett Ratner: Rush Hour! Rush Hour 2!!. Rush Hour 3!!! He‘s one moviemaker who can really make a movie move. Didn’t ya think?

Read the full article » No Comments »

DVD Geek: Design for Living

Made before the Production Code cleaned up his innuendos and flagrant sexual metaphors, Lubitsch constantly teases the viewer with his balancing act of sharing and hiding what the characters are thinking and doing. Almost as an afterthought, each man’s fortunes rise because of his association with Hopkins’ character, and yet, for each, it is a downward trajectory of spirit when she turns her attentions elsewhere.

Read the full article » No Comments »

The DVD Wrapup: J. Edgar, Puss in Boots, On the Bowery, more

It’s the rare documentarian whose sympathizes don’t lie with common men and women, especially those dealt a weak hand at birth. Compassion isn’t something that can be taught at film school, like cinematography, history and theory. It pretty much has to be bred in the bone.

Read the full article » No Comments »

Wilmington on DVDs. J. Edgar

This is a movie you should see both for its storytelling skills and the intense interest of the story it tells. So the hell what if it’s not constructed like the usual movie. Who wants it to be?

Read the full article » 1 Comment »

Wilmington on Movies: Ghost Rider

No screenings for critics here on Ghost Rider: Spirit of Vengeance — for reasons that become quickly apparent when you watch it — so I decided to fork over coin of the realm anyway and catch it at a multiplex. After all, I thought, how bad could it be? I mean really: How bad?

Read the full article » No Comments »

The Weekend Report: Feb 17-19, 2012

Weekend box office pushed to about $160 million and a 12% slippage for the three-day portion of the holiday frame. It was however 9% improved from the comparable 2011 session when newcomers Unknown and I Am Number Four ranked one and three in the lineup with $21.8 million and $19.4 million.

Ghost Rider: Spirit of Vengeance had been tipped to top the charts by pundits with estimates in the low to mid $30 million range. While hardly a review driven title, the picture received withering response and diminished the crowd composed 61% male and 52% aged 25 years older plus. According to studio sources just 352 playdates were 3D engagements and accounted for 72% of box office … but those details seem highly questionable.

Read the full article »

Friday Estimates: February 18, 2012

The Vow continues to hold the lead, keeping the return of Ghost Rider in the 2 spot. And Safe House, in #3, holds off This Is War.

In holdovers, The Woman in Black has become CBS Films’ highest domestic grosser. And Star Wars: Episode 1′s 3D re-release has to be seen as a bit of a bust.

Read the full article » No Comments »

Wilmington on Movies: The Secret World of Arrietty

Who, I pondered, were the craftsmen who made all the wonderful furniture and clothes and hand-crafted-looking household items that graced the Clocks’ house? Did these objects come from dollhouses? Are Pod and Homily master artisans as well as brilliant borrowers? As I said, I thought about it, but not much.

Read the full article » No Comments »

Box Office Hell — February 16

Our Players|Coming Soon|Box Office Prophets|Box Office Guru|EW|Box Office . com Ghost Rider Spirit of Vengeance|37.2|23.6|35.0|29.5|30.0 The Vow |25.0|22.7|26.0|30.0|31.0 Safe House|24.5|22.2|28.0|27.0|28.0 This Means War |23.5|16.0|17.0|17.0|18.0 Journey 2: The Mysterious Island|23.0|16.5|24.0|26.0|27.0 The Secret World of Arrietty |5.0|6.4|6.0|n/a|5.5

Read the full article » No Comments »

Critics Roundup — February 16

The Secret World of Arrietty |Green||||Green Undefeated (limited) |Green||Green|| Michael (limited) |||Yellow|| On the Ice (limited) |||Green|Green| Undefeated (limited) |||Green|Green|Green Thin Ice |||Red|Yellow| Jess + Moss (NYC — reRun Theater) |||Green|Green| Bullhead |Yellow|||| Roadie(LA) |Yellow||||

Read the full article » No Comments »

Wilmington on DVDs. Mozart’s Sister

The movie begins lyrically, with a scene that recalls the openings of both Bergman’s The Magician and Max Ophuls’ Lola Montes: the Mozart family traveling to an engagement in a nearly broken down coach through the woods. When it does break down, we’re made painfully aware of how vulnerable their existence really is, the dilemma of many artists.

Read the full article » No Comments »

The DVD Wrapup: Take Shelter, Tiny Furniture, More …

You’ll either buy into Aura and her world or you’ll find Tiny Furniture excruciatingly pretentious and boring.

Read the full article » No Comments »

Wilmington on DVDs: The Twilight Saga: Breaking Dawn; A Fish Called Wanda

The movie, despite its hollow dialogue and sometimes punishing slow pace, does look sort of good. But it seems odd at times that this movie was directed by a man who made a movie about the Kinsey Report.

Read the full article » No Comments »

Wilmington on Movies: Safe House

I didn’t dislike it. But I didn’t like it much (except for Washington), and I kept feeling that I should like it — that there was so much fuss being taken over Safe House, and so much obvious talent involved, that I was being somehow ungrateful in remaining unmoved — or in wishing that two or three of the action or chase set-pieces (say, the soccer stadium scene) had been replaced with a few more scenes devoted to character and dialogue and human interaction.

Read the full article » No Comments »
Z

Quote Unquotesee all »

“I’m in Locarno, my movie is premiering for 1,000 people, which is nuts. A huge-ass screening, second day of the festival, 7:30pm in the sidebar competition. It’s comparable to Un Certain Regard or Director’s Fortnight. Every movie I saw in that section was fun, brilliant movies from around the world. The main competition was like Aza Jacobs and Mia Hansen-Løve, people who have been around. And I was like, “This is crazy. What am I doing inside the bloodstream of this establishment? I’m 27. I don’t belong here.” Every person I talked to there couldn’t believe what the movie cost, and then couldn’t believe when I told them what other American movies cost. We were the cheapest movie there by 65%. The next cheapest movie cost I think three times as much as we did. And they were just like, “You can’t make movies for what you’re telling us your movie cost.” And I told them, “Well, I can, I’m here, I’m in the same section as you are, so you are wrong. People think I’m lying when I tell them my budget. And also everyone likes it. I’m having a great time and people are being very responsive. Maurice Pialat’s widow was like, “I heard your movie’s good, I want a copy of it.” I’m like, “Well this is f**kin’ crazy.” Pedro Costa saw it there and really liked it and I’m like, What am I doing? I had gone in two months from screening at BAM for a lot of friends to Pedro Costa? This is the exact sentence: “Pedro Costa saw your movie. He’s a huge Jerry Lewis fan. He wants to talk to you about your movie and also Jerry Lewis.” And I thought, “I’m out of my element. I cannot have that conversation because that’s ridiculous.” Because his retrospective was happening at Anthology when I worked at Kim’s, and his Criterion box set came out when I was working at Kim’s. He can’t want to talk to me. That’s not possible. That’s not allowed. There is no world where that makes any sense!”  Or like when you wrote me to say that David Gordon Green wrote you to say, “I’m watching The Color Wheel and then I’m going to see Tree of Life.” There is no world where this is allowed! Again, somebody whose DVDs I was putting on the shelf, as, like, a hero. And it’s just like, “Oh, I’ll watch this movie.” There’s just a very fuzzy area in the middle there and it happened very quickly and I don’t understand why.  I still have a voice-mail from Sean [Price Williams, cinematographer]. I wish he was here to talk about it, but the voice-mail is a long pause and he’s just like, “I don’t want to tell you this, because it’s gonna make you so insufferable. I hate having to tell you this, but Leos Carax watched your movie and he really loves it, and he wants to meet you when he comes to New York.” I can’t live in a world where Leos Carax knows who I am, watches my movie, likes it, and thinks, “I wanna meet that guy.”
~ It’s Alex Ross Perry’s World

“I don’t know. It’s been a lot harder than I thought it was going to be to make the films I really dream of making. I was in Italy a few years ago scouting for this very beautiful film I wanted to make with Richard Linklater. We worked really hard on the script for a couple of years and couldn’t get the money together. It was an expensive idea. It’s heartbreaking when that happens over and over again and then the movies that do get made are ones that have lots of women being beaten up or zombies being killed. It’s all fine, it’s all okay, but it’s hard. I remember when River Phoenix died, he was ahead of me on this curve. He kind of realized how hard it was to make serious movies. People like Sidney Lumet figured out how to walk that line, but it’s hard. And it requires patience. It’s a life’s work and I wonder if I’m up to the task.”
~ Weary, Wary Ethan Hawke

Z Z