MCN Originals

The DVD Wrapup: Cold Pursuit, Valentine, Bosch, Nina, Shape of Now, Big Clock, Yakuza Law, Donna Reed, Unforgotten, Moses, Korea … More

The grieving father tips over the first domino, by killing a few small-time dealers, who, before they die, give up the names of their suppliers. At the top of the ladders are “Viking” and White Bull, who suspect each other of ordering the hits.

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Arms And The Man: A Review Of JOHN WICK 3

Tossed, torn, noosed, dragged, stabbed, shot, shot, crotch-bit, machine-gunned, hand-axed, saber-sliced, face-crushed, shot, burnt, bullied, horse-kicked, catapulted, subjected to sustained knife fracas and shot.

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Friday Movies: LONG DAY’S JOURNEY INTO NIGHT, SHADOW, MEETING GORBACHEV, BLAZE

Worlds of wonder, in ancient China, today’s China, Russia and Nashville.

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The DVD Wrapup: What Men Want, Blaze, Banjos, Bauhaus, Scientology, Lily Chou-Chou, Glass, Grand Duel, George Carlin, Agatha Raison … More

The daughter of a boxer (Richard Roundtree), who named her after a great champion, Ali expects to be handed the promotion that goes to a white agent, whose head is stuck up the ass of their boss (Brian Bosworth).

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The DVD Wrapup: Jackie Chan, Dragged Across Concrete, Miyazaki, Khrustalyov, Tarantula!, Bigger, Wire in Blood, Finding Joy

Police Story was a huge hit in Asian markets, where audiences were more attuned to Chan’s trademark blend of action, comedy and sentimentality. It took another decade, at least, for American critics to recognize the genius it took to create such monumental set pieces as the opening chase, which ended with the destruction of a hillside shantytown.

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No Spoilers: Thinking About AVENGERS: ENDGAME

A consideration of the weight of Avengers: Endgame with no plot details whatsoever.

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The DVD Wrapup: Diamonds of the Night, School of Life, Red Room, Witch/Hagazussa, Tito & the Birds, Keoma, Andre’s Gospel, Noir

In a risky leap of narrative faith, he avoids attaching labels to the characters. Instead of describing ‘Diamonds of the Night’ as a World War II or Holocaust film, he wants audiences to see it as a survival story that explores the human condition under extreme conditions.

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All Parts: A Review of Alex Ross Perry’s HER SMELL

“I can’t point to any movie, recent or otherwise,” writer-director Alex Ross Perry has noted of his intently, intensely ambitious sixth feature, “that combines the two things I wanted to explore in ‘Her Smell’: lowbrow popular music and highbrow theatrical productions going back to Shakespeare’s five-act tragedies.”

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Fluid Mechanic: Claire Denis Talks High Life

“Deny them your essence, Mandrake!”

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Vertiginous Scale: Thoughts on WELCOME TO MARWEN

Welcome to Marwen is something else, but what is it?

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The DVD Wrapup: Bumblebee, Ginsburg, Buster, Silent Voice, Nazi Junkies, Prisoner, Golden Vampires, Highway Rat, Terra Formars, No Alternative … More

The studio decided to downscale the size of the sixth installment, by reducing the budget drastically, bringing in fresh behind-the-camera talent , keeping the running time under 120 minutes for the first time in 12 years, putting the focus on fewer characters and de-emphasizing the brand in the publicity material. It would promote the presence of a formidable teenage heroine, alongside the already popular Bumblebee and formidable Decepticon enemy, and add a malleable American warrior.

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Unapologetic Stuff: A Review Of KNIFE + HEART

“Knife + Heart” (Un couteau dans le coeur) has all kinds of stuff. It’s a tumultuous original, dragging worlds of cinema sensation that came before screaming and punching behind it. Begin with “Phantom of the Paradise,” stir in “Peeping Tom,” and “Body Double”; don’t stop at “Poison” or “Cruising” and “Blow Out.” Sex and art commingle…

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American Charmer: A Review Of The Brink

Alison Klayman’s “The Brink,” an avatar of cinema-vérité observation, arrives in a hush and escalates with precision. Recording political consultant and purported intellectual powerhouse Stephen K. “Steve” Bannon after his dismissal from the arms of Trump power, captured by a filmmaker-cinematographer-sound recordist on their own, edited to a fierce ninety-minute form from day-after-day of close…

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Kent Jones on Arriving With DIANE

Mary Kay Place is a quiet revelation in writer-director Kent Jones’ fiction feature debut, but she’s surrounded by history: Jones’ own.

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The DVD Wrapup: Capernaum, Perfect Blue, Cameron Post, Tyrel, Ailes, Body Snatcher, Sam J. Jones, Sonny Chiba, Phantom Lady, Victoria’s Wedding … More

In Capernaum, Zain is a victim of a nearly universal legal system that allows unsuitable parents to retain control of their children. Here, Zain helps support the family by hauling goods to costumers in the street market. It’s more than his old man contributes.

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A Review of US (some spoilers)

You don’t want to be Them.

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The DVD Wrapup: Mary Returns, Becoming Astrid, Quake, Holiday, Vengeance, Out of Love, HoneyGlue, Born in East L.A., Greasy Strangler, Mystery Road … More

At 130 minutes, I doubt that most younger viewers possess the stamina to stay with Mary Poppins Returns until the uplifting ending, which transcends the darkness by adding some pixie dust.

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Climax Daddy: The Modern Dance With Filmmaker Gaspar Noe

Beauty suffers.

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MCN Originals

Quote Unquotesee all »

“With any character, the way I think about it is, you have the role on the page, you have the vision of the director and you have your life experience… I thought it was one of the foundations of the role for John Wick. I love his grief. For the character and in life, it’s about the love of the person you’re grieving for, and any time you can keep company with that fire, it is warm. I absolutely relate to that, and I don’t think you ever work through it. Grief and loss, those are things that don’t ever go away. They stay with you.”
~ Keanu Reeves

“I was checking through stuff the other day for technical reasons. I came across The Duellists on Netflix and I was absolutely stunned to see that it was exquisitely graded. So, while I rarely look up my old stuff, I stopped to give it ten minutes. Bugger me, I was there for two hours. I was really fucking pleased with what it was and how the engine still worked within the equation and that engine was the insanity and stupidity of war. War between two men, in that case, who fight on thought they both eventually can’t remember the reason why. It was great, yeah. The great thing about these platforms now is that, one way or another, they’ll seek out and then put out the best possible form and the long form. Frequently, films get cut down because of that curse in which the studio felt or feels that they have to preview. And there’s nothing worse than a preview to diminish the original intent.Oh, yeah, how about every fucking time? And I’ve stewed about films later even more because when you tell the same joke 20 times the joke’s no longer funny. When you tell a bad joke once or twice? It’s fine. But come on, now. Here’s the key on the way I feel when I approach the movie: I try to keep myself as withdrawn from the project as possible once I’ve filmed it. And – this is all key on this – then getting a really excellent editor so I never have to sit in on editing. What happens if you sit in is you become stale and every passage or joke, metaphorically speaking, gets more and more tired. You start cutting it all back because of fatigue. So what you have to do is keep your distance and therefore, in a funny kind of way, you, as the director, should be the preview and that’s it.”
~ Sir Ridley Scott