MCN Curated Headlines

“You know, I loved John Hughes’ movies, and I connected to those movies. But a lot of the movies that were made for teenagers were really, um, dorky and unsophisticated.”
Tavi Gevinson And Sofia Coppola On “Girls With Power And Mystique”

“Oh my God. On a hot day, roast pork? I can’t eat pork. But I’ll order it, just to smell pork… I don’t like Wolfgang. He’s a little s—. I think he’s a terrible little man.”
Henry Jaglom Starts Release Of Alleged Transcripts Of His Clandestinely-Recorded Sups With Orson Welles

hollywoodreporter.com

“I had lost my badge on Abandon‘s shoot. When we wrapped, I skipped the party for the first time in my career and left that night for New York City with a cute crew guy.”
Another Extract From Lynda Obst‘s Apocalyptic Auto-Bio-Rom-Com, “Sleepless In Hollywood”

“If someone says ‘Ah, go f— yourself,’ if it came from a meaningful place, I’d understand it. But if you go to some movies, can’t they just stop and talk once in awhile?”
Gene Wilder Sez Today’s Movies Are Too Damn Dirty And Charlie & The Chocolate Factory Was An “Insult”

Salon

“People will look back and say that probably, from a financial point of view, 1995 through 2005 was the golden age of this generation of the movie business. You had big growth internationally, and you had big growth with DVDs. That golden age appears to be over.”
Once-Megaubersuperproducer Lynda Obst Sez Her Hw’d Is “Completely Broken”

guardian

“Movies have got us used to the sight of the human being as pixellated quarry, tracked by powerful technology”
Has Hw’d Inured Us To NSA-Style Surveillance?

NY Times

“After six years of being questioned at the border—“upwards of 40 times, probably more, I lost count”—and having her laptop seized, her notes copied, she relocated to Europe.”
Profiling Post-9/11 Doc-Maker Laura Poitras
And – Pamela Cohn’s 2008 Backgrounder On Poitras

“We believe that he is at risk of torture.”
China Detains Documentarian, Photographer And Ai Weiwei Biographer Du Bin

MCN Curated Headlines

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“I don’t really think, Sean, that you need to know about my various sexual liaisons. Or that anyone else needs to. I did write about them. I filled a hundred pages of Moleskine notebooks with my one-night stands, my affairs. But I decided they didn’t belong in a professional memoir. First of all, these are real people we’re talking about. Many of them were enjoyable. Some were abject failures. My wife said to me when she read the pages, ‘Of what purpose is this in a memoir? Of what purpose is this other than to titillate?’ The point is, I never see them. It’s because I have nothing in common with them, frankly. And probably didn’t at the time. I could not provide a sensible reason why I married these women. The thing is, in the case of my marriages, it takes two people to fuck up a marriage. It wasn’t simply the fault of these women that I lost interest in them and realised they were insignificant relationships. Which is how I look at them right now–as being insignificant. I see them as blips.”
~ William Friedkin On Cutting Interviewers Off At The Sass

“I have to imagine from Mr. Spielberg’s point of view, the paradigm shift in the 1970s was just the new “normal,” a “halcyon era” from which we are straying in the 21st century–because theatrical exhibition is tenuous (as it has been since the 1940s), the home video market has dried up and people are watching pirated movies on their phone. Spielberg’s coming-of-age era was for him the halcyon period that the 21st century “implosion” will cause to go “crashing into the ground.” But he is wrong. The market for movies is actually diverse and highly segmented–although from the top-down movie industry vantage point and media punditry you would not think this to be true.  Would we really mourn for Mr. Spielberg or ourselves if Lincoln would have been made for cable or had played on public television?  Is it bad for humanity that cable television is creating wonderful, resonant stories in long-form series that people want to watch at home on TV (or streamed onto their computer)? I don’t think so, but it is a paradigm shift and it might affect people’s theatrical moviegoing habits. Televisions in people’s homes have had that effect for seven decades–it is not a new phenomenon. As Art House cinema impresarios we need to focus on what WE can do at our theaters and in our communities. It is not productive for us to fret over what pundits say or about what well-meaning filmmakers like the Stevens–Spielberg and Soderbergh–say. We should fret about what we can do in our communities. What we can do to support filmmakers.”
~ From A Response By Russ Collins, CEO, Michigan Theater–Ann Arbor And Director, Art House Convergence, To Mr. Spielberg