MCN Curated Headlines

London Tabloid Fabricated Interview

EARLIER –  Suspiciously Pointed Quotes From Dwayne Johnson Beam From UK Tabloid

Several 2008 Cases Led To Daily Star Settlements

“I sort of get the sense that you’re saying we totally screwed up here.”
Report: Microsoft Bing Is Actively Serving Search Results Suggesting And Linking To Child Pornography
[“Do not search for the terms discussed in this article on Bing or elsewhere as you could be committing a crime. AntiToxin is closely supervised by legal counsel and works in conjunction with Israeli authorities to perform this research and properly hand its findings to law enforcement.”]


“’You and Whose Army?’ was in Incendies, which had me in tears, it was so good. When it works, it’s the coolest feeling. I think my all-time favorite film now is Children of Men. They use a little tiny bit of ‘Life in a Glass House’ during the Michael Caine sequence. I love the film so much, and then the fact that our music is in it is like ‘Wow, fucking hell!'”
Thom Yorke On His First Score, For Suspiria

Lady Gaga Pulling Collaboration With R. Kelly From Streaming Services and iTunes

indie wire

“I feel like screenwriters need to do a better job of having this conversation, creating a set of standards, a set of ethics. What are the ethics? What are the rules?”
First Man‘s Josh Singer


“David has been clear with John about what is expected in terms of his behavior. If there is any daylight between them in terms of that, there will obviously be severe repercussions.”
Skydance Media Contract Prepared For Potential For Trouble With John Lasseter 

“I went from making funny movies to a more serious one, and it feels great. When you make a movie and you have a premiere, it’s all over and that’s it. But with Green Book, it’s going to film festivals and award shows — it’s not something I’ve ever experienced before and I’m grateful for it.”
NYPost Talks To Peter Farrelly

“In these stories, it’s notable how Farrelly’s behavior is treated like a cute running prank instead of egregious sexual misconduct, illustrating just how much things have changed in the past two decades — indeed, much of it in the past year. We’ve reached out to Diaz and Farrelly for comment and will update this story if we hear back.”
Green Book Opposition Research Bursts Forth In Earnest



“By equating our most intimate human moments with the great adventure, the film doesn’t diminish the cosmic, it elevates the earthly. Discussions about the film’s portrayal of the flag on the moon missed the point: the choice was not about forms of patriotism, it was about a filmmaker presuming to leap over the collective sense of this great event to land on a genuine understanding of what stepping onto the farthest point of mankind’s reach might have actually felt like to the individual who did it.”
Christopher Nolan

“Look, I know a lot of you love Bohemian Rhapsody. Like really, really love it. You turned it into such a massive megahit that it will soon become both the highest-grossing music biopic of all time (surpassing the three-year record held by Straight Outta Compton) and the highest-grossing film ever to feature an LGBTQ lead character (destroying the 22-year record of the much more charmingly problematic The Birdcage). As a lifetime box office nerd who can’t handle when bad movies hold esteemed records, I’m very annoyed.”
Peter Knegt

MCN Curated Headlines

Thawn Chwithy on: Topix Forums Deep-Nixed

Some Random Troll on: Topix Forums Deep-Nixed

Trenton Moore on: Philadelphia Film Critics Circle Nod Roma as Best Film, Cinematography and Foreign Film

Celia Ann Harrison on: Topix Forums Deep-Nixed

Celia Ann Harrison on: Topix Forums Deep-Nixed

Karen Christy on: Topix Forums Deep-Nixed

The Pope on: "ABC’s decision to cancel 'Roseanne' feels like a gutsy move. It looks like a stand against racism, a line drawn in the sand to delineate what is reasonable and what is not. It even looks like a data point in the 'How do we separate the art from the artist?' debate, and it offers a heartening answer: We don’t have to, because, in this case, ABC will not finance that artist. It’s somehow even more heartening because it comes from a massive corporate conglomerate that might lose money by making this decision. It feels remarkably just. It feels decent. I’m thrilled that Roseanne has been canceled. It was the right thing to do. But it doesn’t feel correct to hold up ABC as a new bastion of decency, either. 'Roseanne' felt like the Titanic, a ship that seemed too big to turn around — but in the aftermath of Barr’s tweet, it also seemed like a ship that was doomed. ABC’s decision to cancel Roseanne is a good thing, but it also seems like a decision to shut down something that was about to implode anyhow. With a little more context, it looks like a network taking a strong stance against racism… in a way that also rids them of a show that was about to fall apart anyhow."

Sergio on: "Even though the Marvel series are TV shows, Netflix has become entranced by this notion of the '13-hour movie' when developing a season. This format mashup does a disservice to both mediums. Television's strength lies in episodic structure, which allows writers to explore different tones, characters, story structure and conflict. Movies allow a filmmaker to hone in on one or two central themes, attack it from multiple angles and get out. Netflix’s model takes the most incompatible parts of each and slaps them together, creating a lumbering mutant medium. The '13-hour movie' model means we don’t get the brevity of a film or the variation of television; it means we get the singular focus of movies stretched out to television length. It’s exhausting and it does these heroes no favors."

tidalmediainc on: Black Panther: $387 Million Worldwide

Frances Aubrey on: David Klion On “Unlearning Woody Allen”

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“When books become a thing, they can no longer be fine.

“Literary people get mad at Knausgård the same way they get mad at Jonathan Franzen, a writer who, if I’m being honest, might be fine. I’m rarely honest about Jonathan Franzen. He’s an extremely annoying manI have only read bits and pieces of his novels, and while I’ve stopped reading many novels even though they were pretty good or great, I have always stopped reading Jonathan Franzen’s novels because I thought they were aggressively boring and dumb and smug. But why do I think this? I didn’t read him when he was a new interesting writer who wrote a couple of weird books and then hit it big with ‘The Corrections,’ a moment in which I might have picked him up with curiosity and read with an open mind; I only noticed him once, after David Foster Wallace had died, he became the heir apparent for the Great American Novelist position, once he had had that thing with Oprah and started giving interviews in which he said all manner of dumb shit; I only noticed him well after I had been told he was An Important Writer.

“So I can’t and shouldn’t pretend that I am unmoved by the lazily-satisfied gentle arrogance he projects or when he is given license to project it by the has-the-whole-world-gone-crazy development of him being constantly crowned and re-crowned as Is He The Great American Writer. What I really object to is this, and if there’s anything to his writing beyond it, I can’t see it and can’t be bothered. Others read him and tell me he’s actually a good writer—people whose critical instincts I have learned to respect—so I feel sure that he’s probably a perfectly fine, that his books are fine, and that probably even his stupid goddamned bird essays are probably also fine.

“But it’s too late. He has become a thing; he can’t be fine.”
~ Aaron Bady

“You know how in postproduction you are supposed to color-correct the picture so everything is smooth and even? Jean-Luc wants the opposite. He wants the rupture. Color and then black and white, or different intensities of color. Or how in this film, sometimes you see the ratio of the frame change after the image begins. That happens when he records from his TV onto his old DVCAM analog machine, which is so old we can’t even find parts when it needs to be repaired. The TV takes time to recognize and adjust to the format on the DVD or the Blu-ray. Whether it’s 1:33 or 1:85. And one of the TVs he uses is slower than the other. He wants to keep all that. I could correct it, but he doesn’t want me to. See, here’s an image from War and Peace. He did the overlays of color—red, white, and blue—using an old analog video effects machine. That’s why you have the blur. When I tried to redo it in digital, I couldn’t. The edges were too sharp. And why the image jitters—I don’t know how he did that. Playing with the cable maybe. Handmade. He wants to see that. It’s a gift from his old machine.”
~ Fabrice Aragno