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MCN Curated Headlines

“If you’re doing something that terrifies you, most likely you’re doing the right thing.”
Amber Tamblyn Talks Directing, Writing, Living

NY Daily News

“We’ve encouraged Walt Disney, ‘Put your characters out on Broadway free of charge so people don’t have to worry about their kids being groped,'” the police commissioner said.”
Disney, Marvel Shun Times Square Superhero-Shill Shutout

“If we only allow ourselves to enjoy stuff that’s somehow ideologically pure, we’d be denied most entertainment. I don’t want to be boring about this stuff, because I want people to listen when something is really egregious.”
Film Critic Helen O’Hara On Enjoying Art That’s Against One’s Principles

“When people are [called] brave in regards to playing LGBTQ people, that’s borderline offensive. I’m never going to be considered brave for playing a straight person, and nor should I be. Honestly, if I played gay characters for the rest of my career, I’d be thrilled. I wish I could, honestly!”
Ellen Page On “Brave” Actors

“You can go make a great looking movie for nothing. I just tell them, ‘Just go make something.’ The only aspect of film making that I haven’t been able to exert total control over is marketing.”
Soderbergh Sips Singani 63

“We literally asked God, ‘What do you want us to do next?’ And the Lord started prompting us to call people back to prayer and to learn how to fight in prayer. He gave us the analogy of the war room. Just like the military uses a war room to strategize against the enemy.”
Fifth Christian Pic By Kendrick Brothers, War Room, Esteems Power Of Prayer

MCN Curated Headlines

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INTERVIEWER
Do you outline plays before you start to write them?

PINTER
Not at all. I don’t know what kind of characters my plays will have until they…well, until they are. Until they indicate to me what they are. I don’t conceptualize in any way. Once I’ve got the clues I follow them—that’s my job, really, to follow the clues.

INTERVIEWER
What do you mean by clues? Can you remember how one of your plays developed in your mind—or was it a line-by-line progression?

PINTER
Of course I can’t remember exactly how a given play developed in my mind. I think what happens is that I write in a very high state of excitement and frustration. I follow what I see on the paper in front of me—one sentence after another. That doesn’t mean I don’t have a dim, possible overall idea—the image that starts off doesn’t just engender what happens immediately, it engenders the possibility of an overall happening, which carries me through. I’ve got an idea of what might happen—sometimes I’m absolutely right, but on many occasions I’ve been proved wrong by what does actually happen. Sometimes I’m going along and I find myself writing “C. comes in” when I didn’t know that he was going to come in; he had to come in at that point, that’s all.
~ Harold Pinter

“I love Los Angeles. Have I said that? I love it all. The earnestness. The artifice. The blowsy, sunny beauty. The bland, bland, pleasant weather.  The drama of traffic. I love that people don’t know how to make conversation and can’t recognize a joke at a hundred paces. I love that people care about silly things and embrace ridiculousness wholeheartedly. I had a serious conversation with a good friend about his fascination with channeling, for example. Channeling. “I don’t think you’re patient enough for it,” he said and all I could think about was Shirley MacLaine with ectoplasm coming out of her head. Of course I’m fucking patient I thought. I’m fucking spiritual. Shove that up your namaste. Ha ha ha. I love that I’ve become desperately un-English, in the immortal words of my friend Giles, and yet not quite American.”
~ Bumble Ward In The Present Los Angeles Moment

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