MCN Curated Headlines

“They are unnerved not only that Selma threatens to become ‘official’ history, but that it represents a sea change in who has custody of that history.
Mark Harris Thinks Selma Through Thoroughly

LA Times

“The important thing is locating the cuisine or the restaurant or the chef within the context of the culture. You have to know about food, and you have to have the tools to evaluate it, but I don’t think it’s any more consumer criticism than when an art critic reviews an art show.”
Looking For “A Thereness Beneath The Thereness” In Sundance Sale City Of Gold

NY Times

“As American Sniper continues to spawn think pieces, internecine celebrity squabbles and diatribes from hand-wringing lefties and chest-thumping righties, it’s interesting to remember the naysaying about the film’s prospects that swirled just last month.”
Cara Buckley Carpetbags The Emergence Of American Sniper As Cultural Phenom

variety

“Every day we face new technology challenges. We have to look at our models—the theatrical model, the VOD model. We have to think about what we do with the lack of a DVD business. That was once an insurance policy for the industry. How do we deal with the newer technologies that are emerging and with the piracy that’s a part of the new digital age?”
Variety Cover-Stories “Broken H’wd”: Eller And Wallenstein Survey Execs For Fixes

hollywoodreporter.com

“I’ve completely created my own life. Structure, it’s all imposed.”
Juliane Moore Believes In Therapy, Not God

“More power to him. But he’s feeding them black shit white people like.”
Wesley Morris Finds “Exploitation Blues” At Sundance In Dope, Tangerine And End Of The Tour

MCN Curated Headlines

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“Almodóvar–the first name is almost unnecessary–is a genius, is a flower, is a guiding light: the last, best son of Buñuel and so much more than that. His screenplays, which he directs with passion and fine care, have taught us about the exteriors of his native land and the interiors of our own hearts. From the early, manic experimental Super-8 work to the breakthrough Women on the Verge of a Nervous Breakdown, his titles are as evocative as most people’s screenplays. Yet for all their antic energy, Almodóvar’s films are deeply spiritual: watching his disturbing, mysterious, heart-rending Talk to Her is to understand, perhaps for the first time, the full meaning of grace. An Almodóvar screenplay is a running leap off a Gaudi balcony, it flips, soars, ascends, careens, tumbles, falls – always landing, astonishingly and astonished, on its feet.”
~ Howard A. Rodman, Announcing Almodóvar’s Jean Renoir Award

“I got a feeling I am going to win in the long run, but I want to be part of the zeitgeist, too. I want to support young girls who are in their 20s now and tell them: You’re not just imagining things. It’s tough. Everything that a guy says once, you have to say five times. Girls now are also faced with different problems. I’ve been guilty of one thing: After being the only girl in bands for 10 years, I learned—the hard way—that if I was going to get my ideas through, I was going to have to pretend that they—men—had the ideas. I became really good at this and I don’t even notice it myself. I don’t really have an ego. I’m not that bothered. I just want the whole thing to be good. And I’m not saying one bad thing about the guys who were with me in the bands, because they’re all amazing and creative, and they’re doing incredible things now. But I come from a generation where that was the only way to get things done. So I have to play stupid and just do everything with five times the amount of energy, and then it will come through.”
~ Björk to Jessica Hopper at Pitchfork