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Holiday Moviegoing And Movie Watching BYOB

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BYO Naked Top Ten Lists

Post your top movies you saw in 2018.

On first entries: NO TIES, NO COMMENTARY.

 

UPDATE: Okay… that’s a good start on lists, now start the back-and-forth!

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BYO Penny Marshall

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BYOB: Who’s Going To See The Man About The Mule?

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Who Would Make An Ideal Oscar Host (And Why)?

Kevin Hartfelt

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BYO Criminally Overlooked 2018 Movies

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BYOMost-Anticipated Pictures Yet To Be Seen

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Photo by Carlos Somonte

Burning Still set 4

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BYOTurkeys For Thanksgiving – New AND Old

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Post-Midterms Hangover BYOB

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BYOB Fall Wild Cards

Are there any unexpected movies out there that will take audiences (and awards types) by sweet surprise?

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BYOBlog

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Friday Estimates – Felt Falls To GlamAsians

Friday Estimates 2018-08-25 at 10.51.34 AM 651

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Friday Estimates: Modestly Rich Asians,

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Hollywood have given all the love it can give to Crazy Rich Asians, but the movie still has work to do to find a big mainstream audience. There is nothing wrong with a $23 million 3-day or even a $20m 3-day, especially after $8.8 million was siphoned off on Wed/Thurs. But… let’s be adults about this. The film is going to have to find a strong post-release word-of-mouth gear to get close to $100 million domestic. And that is the magic boundary. There is absolutely nothing about the film that makes it less accessible to whites, blacks, middle easterners, eskimos, greeks, etc. It is a 18+ family comedy that every ethnic group will find familiar. But I am afraid that in all the celebration of finally making an “all-Asian” movie at a studio, the studio forgot that they had to tell the rest of the audience why it was relevant to them. And I am not suggesting that the ticket sales were “all-Asian,” either. I am just saying that this movie opened as you might anticipate opening a mid-August studio comedy with some cultural standing. This is the number you would have gotten from a Julie & Julia or an Eat Pray Love. But the buzz around this movie was bigger than those. So you wonder why the 5-day isn’t more like $40 million. I know that some will be upset that anyone rain on the parade. And this opening is by no means bad. But greatness is measured, with a very commercial movie, but its box office as well as the quality and the cultural significance.

I haven’t seen Mile 22. This number is good considering the fairly soft sell and the terrible reviews across the board. On the other hand, if you look at Mark Wahlberg’s recent box office history, his status is dimming a bit when he is not attached to an existing franchise or sequel. He and his people should be taking a hard look at why this is and what they can do. Working with Peter Berg is never a bad idea, especially when the actor connects so well. But they need to find something that just plain wins. He needs his Taken. Or he needs another Scorsese infusion, which the Ridley Scott film was not. He has a great 3rd act waiting to happen. But time for a rebrand.

Good weekend at the art houses. The Wife, We the Animals, Juliet, Naked, Blaze will all do at least $10k on 2 – 4 screens each.

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Friday Estimates: Meg Eats, Slender Man Thin, BlacKKKlansman Burns Gently

Friday Estimates 2018-08-11 at 12.04.25 PM

The Meg will likely be the biggest opener of the summer for Warner Bros, with a number in the low 40s. The most striking thing about this is that WB put out such an unambitious summer slate by their historic standards. They should have a much better fall/holiday run. But even looking at next summer, one wonders if we will ever again see the studio flex all that muscle it used to show off constantly. Still… Crazy Rich Asians next weekend… so it could be a heavy August slate of wins for WB.

Slender Man arrives with a whimper. Will Screen Gems ever develop a strong post-Clint voice?

And BlacKKKlansman has a mixed launch. Strong for Spike and in this 1500-screen range, solid for Focus. But it’s still a $10 million launch focused in all the locations that are expected to be strong for this film. Expansion is not going to change the trajectory. So you can look at it as Spike having a single day that is better than the total grosses of his last 3 films. Or you can look at it as his best opening, with the exception of Inside Man, in the last 15 years. Or you can look at the opening as stronger than a couple of Focus’s other 1500 screen openings, The Ice Harvest and The World’s End, which are both beloved films. Or you can look at it as the Florence Foster Jenkins or Hell or High Water of this summer. Or you could see it as a $25m domestic-grossing disappointment. It’s all about perspective. And this opening allows for many variations in perspective.

Nice single screen opening for Skate Kitchen… which everyone should try to see on a big screen, though it will be a hip movie to watch on phones for many years to come.

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“Don’t work with assholes. Ever. No matter what they’re offering, no matter what they bring to the table. If they’re the sort of person where the phone rings at 10 o’clock at night and you wince because you see that it’s them, then don’t do business with them. One asshole will ruin your life. I’ve managed my entire TV and filmmaking career to work with people I like and respect. If the point comes where I don’t like or respect someone, I don’t work with them anymore.”

– Anthony Bourdain

The Atlantic: You saw that the Academy Awards recently held up your 2001 acceptance speech as the Platonic ideal of an Oscar speech. Did you have a reaction?

Soderbergh: Shock and dismay. When that popped up and people started texting me about it, I said, “Oh, it’s too bad I’m not there to tell the story of how that took place.” Well. I was not sober at the time. And I had nothing prepared because I knew I wasn’t going to win [Best Director for Traffic]. I figured Ridley, Ang or Daldry would win. So I was hitting the bar pretty hard, having a great night, feeling super-relaxed because I don’t have to get up there. So the combination of a 0.4 blood alcohol level and lack of preparation resulted in me, in my state of drunkenness crossed with adrenaline surge. I was coherent enough to know that [if I tried to thank everyone], that way lies destruction. So I went the other way. There were some people who appreciated that, and there were some people who really wanted to hear their names said, and I had to apologize to them.
~ Steven Soderbergh